
Today is the 100th anniversary of Vogue Paris. To celebrate, here’s a decade-by-decade look at Paris and patterns from the 1920s to now. (Click the images for more.)
In the 1920s, designs by Chanel and other Paris couturiers were available from the McCall Pattern Company. (See my article in the new issue of Selvedge.)

In the 1930s, the Authentic Paris Pattern company sold French designs exclusively, like this ensemble by Schiaparelli.

Vogue joined the party with its Paris Originals in 1949.

In the 1950s, the company released its first Dior patterns, by the young Yves Saint Laurent.

The couture of André Courrèges caused a sensation in the 1960s. Courrèges didn’t license patterns, but that didn’t stop the American pattern companies from producing a wealth of knockoffs.

In the early 1970s, Yves Saint Laurent shook up the Paris couture with his ’40s-inspired Libération collection.

In the late 1980s, when Christian Lacroix left Patou for the prêt-à-porter, his Vogue patterns were conspicuously photographed in Paris.

John Galliano’s mid-1990s tenure at Givenchy signalled a massive shift for the Paris couture. This ready-to-wear design was available from Vogue Patterns.

Guy Laroche was the last, and longest running, label with Vogue Paris Originals. This suit from the aughts was designed by the late Hervé L. Leroux, formerly Hervé Léger.

Today, Vogue Paris Originals are no more, and you’re more likely to see versions of styles shown on the Paris runway, like this coat adapted from Sarah Burton for McQueen.

So sad to see the loss of the Paris Originals line. I grew up idolizing the Vogue designer lines.
Thanks, as always for your wonderful and interesting posts!
I am also sad to see sophisticated, challenging patterns disappear. There is just nothing like these designer patterns being produced by any other company. The Big 4 are dying a slow death, and indie pattern companies seem to produce mostly simple, baggy designs. Thank you for documenting the history of this industry.
Breaks my heart to see all the beautiful fashions go, not so much for myself, as I’ve made and worn them over a lifetime, but for the young women, esp in America, who never will.
Thank you for the memories.