Lady Gaga in Marc Jacobs’ grunge reissue, Elle, November 2018. Photo: Ruth Hogben and Andrea Gelardin. Editor: Nicola Formichetti. Image: Marc Jacobs via Twitter.
Grunge is back. Marc Jacobs has reissued looks from his Spring 1993 “grunge” collection for Perry Ellis as Redux Grunge.
Illustration by Gladys Perint Palmer in L’Officiel, February 1993. Image: editionsjalou.com.
Juergen Teller’s ad campaign shows Jacobs’ iconic grunge pieces, resurrected from vintage and available exclusively from the designer’s website.
Marc Jacobs Redux Grunge campaign by Juergen Teller. Image: Marc Jacobs.
I wrote about Vogue’s two grunge Perry Ellis patterns back in 2013, as part of my series on early Marc Jacobs.
Now that Vogue has posted the entire collection online, we can ID the other dress. The button-front slip dress was originally worn layered, Seattle-style.
Nadja Auermann in Perry Ellis Spring 1993 by Marc Jacobs. Image: Vogue Runway.Naomi Campbell in Perry Ellis Spring 1993 by Marc Jacobs. Image: Vogue Runway.
None of the three pattern looks is part of the reissue, but the short version of the maxi dress—worn by Carla Bruni in 1992—can be seen on Lili Sumner in Teller’s campaign. (There’s also a new, flower chain print version of the ’90s floral dress.) As the web store notes, the dress was inspired by 1930s nightgowns. Just shorten V1304 to sew the look.
Carla Bruni in Perry Ellis Spring 1993 by Marc Jacobs. Image: Vogue Runway.Lili Sumner in Marc Jacob’s Redux Grunge collection. Photo: Juergen Teller. Image: Marc Jacobs via Twitter.
A look from Cynthia Rowley Fall 2017. Photo: William Eadon. Image: Vogue Runway.
The new designer patterns for Winter/Holiday 2018 amp up the drama with sparkle and embellishment.
Vogue’s designer cover looks are by Badgley Mischka. Gracing both catalogue and magazine covers is Nadja Giramata, a Rwandan-French model represented by Elite New York.
Here and on the retail catalogue cover, she wears Badgley Mischka’s strapless popover gown with back detail. The original is stretch crepe with velvet ribbon.
Vogue 1604 by Badgley Mischka (2018) Image: McCall’s.
The popover gown is from Badgley Mischka’s Fall 2017 collection, which was inspired by the women of the interwar period.
A look from Badgley Mischka’s Fall 2017 collection. Image: Vogue Runway.
Other versions of the gown omit the grommets and embellish the flounce with lace or appliqué. The white dress is cocktail length:
Guipure lace and appliqué details on two dresses from Badgley Mischka. Images: The Outnet.
The second Badgley Mischka pattern is a top and skirt ensemble with pearl-embellished cuffs.
Nadja Giramata in V1605 by Badgley Mischka, Vogue Patterns, December/January 2018-19. Photo: Jack Deutsch. Image: McCall’s.
The designers used stretch velvet for the top and a lustrous satin for the draped evening skirt with bow accent.
Vogue 1605 by Badgley Mischka (2018) Image: McCall’s.
Photographer Jack Deutsch shared another shot of the ensemble on Instagram.
Ana Kondratjeva in Vogue 1605 by Badgley Mischka, 2018. Photo: Jack Deutsch via Instagram.
Combine the two looks and you get this current-season design:
New from Paco Peralta: a three-quarter sleeved top and high-waisted skirt, shown in brown, sequinned tweed. The sculpted shapes reference early Pierre Cardin.
Vogue 1602 by Paco Peralta (2018) Image: McCall’s.
Look closely and you’ll see that all the side seams line up. This drawing shows an earlier version, without the princess seams:
From Sharon Lombardo for Anne Klein, an open-front tuxedo jacket and skinny stretch pants. The originals were crepe and ponte knit.
Vogue 1606 by Anne Klein (2018) Image: McCall’s.
The minimalist jacket was available in colours including claret, bright red, and basic black. Here’s a similar stitched shawl collar as seen in the Spring 2016 campaign.
Vivien Solari in Anne Klein’s Spring 2016 ad campaign. Photo: Nathaniel Goldberg. Editor: Laura Ferrara. Image: Instagram.
Simplicity’s latest Cynthia Rowley design is a bell-sleeved dress with whimsical appliqués. The pattern also includes a top.
Simplicity 8733 by Cynthia Rowley (2018) Image: Simplicity.
The Rowley original is wool with metallic leather appliqués. William Eadon photographed it against a giant satin bow for the seasonal lookbook (at top of post).
Cynthia Rowley dress with appliqué detail, Fall 2017. Images: Moda Operandi.
The rose appliqués made other appearances in the collection: on a jumper and wide-leg trousers.
Cynthia Rowley Fall 2017. Photo: William Eadon. Image: vogue.com.
Bonus: From Vogue’s Fall release, a version of Alberta Ferretti’s Venetian coat:
Very Easy Vogue 9340 after Alberta Ferretti (2018) Image: McCall’s.
The version shown in Milan was midi length (view C) in unlined, mustard cashmere.
Yoon Young Bae in Alberta Ferretti FW 2017. Image: Vogue Runway.
The pattern’s centre-seam hood is adapted from the original.
Alberta Ferretti hooded bow tie coat, Fall 2017. Images: Moda Operandi.
The coat features in Tim Walker’s ad campaign, which was styled by none other than Carine Roitfeld, the former editor of Vogue Paris.
Lexi Boling in Alberta Ferretti’s Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld. Image: Alberta Ferretti.
Hack the pattern for a hooded cape—in opulent velvet for festive soirées:
Lineisy Montero, Lexi Boling, and Kiki Willems in Alberta Ferretti’s Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld. Image: Alberta Ferretti.
Linda Evangelista in Ralph Lauren, Vogue, September 1991. Photo: Arthur Elgort. Editor: Grace Coddington. Image: TFS.
Tonight at New York Fashion Week, Ralph Lauren celebrates his company’s 50th anniversary. Here’s a look at highlights of Ralph Lauren patterns from the ’70s to the ’90s.
Ralph Lauren: 50 Years (Rizzoli, 2018) Image: Ralph Lauren
Ralph Lauren started out in menswear, and Vogue Patterns’ first licensing with the brand was for men’s designs. The company released its first Polo by Ralph Lauren patterns in the summer of 1975.
Vogue 1237 and 1238 by Polo Ralph Lauren in Vogue Patterns, May/June 1975. Photos: Steve Horn. Image: Make Mine Vogue.
That’s Polo Ralph Lauren on the right in Vogue Patterns’ American Bicentennial issue:
America the Beautifuls. Vogue Patterns, January/February 1976. Image: Etsy.
This Polo trench is classic for any gender:
Vogue 1581 by Polo by Ralph Lauren (ca. 1977)
Vogue’s licensing of Ralph Lauren women’s wear began in 1979. The earliest Ralph Lauren women’s patterns are for Annie Hall and Western looks like those shown in his Fall 1981 Santa Fe collection—prairie skirts, fringe, and serapes worn with cowboy boots and concho belts.
Clotilde in Ralph Lauren’s Fall 1981 ad campaign. Photo: Bruce Weber. Image: Ralph Lauren.
Vogue 2881 by Ralph Lauren (ca. 1981) Image: eBay.
Ralph Lauren’s Spring 1984 Safari collection is said to have been inspired by Out of Africa, perhaps with a dash of Picnic at Hanging Rock.
Clotilde in Ralph Lauren’s Spring 1984 ad campaign. Photo: Bruce Weber. Image: Pinterest.
Brooke Shields in Ralph Lauren / Ralph Lauren for Hat Attack, Vogue, May 1984. Photo: Richard Avedon. Image: Pinterest.
Vogue 1547 by Ralph Lauren (1985) Image: Etsy.
Ariane Koizumi in Vogue 1547 by Ralph Lauren, Vogue, May 1985. Photo: Elisabeth Novick. Image: TFS.
Late ’80s Vogue Career designs by Ralph Lauren feature British model Saffron Aldridge, then the face of the brand.
Vogue 2255 by Ralph Lauren (1989) Image: Etsy.
Tartan was one of the main takeaways from Ralph Lauren’s Fall 1991 collection. (As L’Officiel observed, “For Ralph Lauren, tartan isn’t a fashion, it’s a lifestyle.”) Vogue released two patterns from this collection, a dress and trouser ensemble.
Vogue 2780 by Ralph Lauren (1991)
Vogue 2782 by Ralph Lauren (1991) Image: eBay.
Although the envelope for the dress shows it in solid red, the tartan looks had pride of place on the holiday covers, both Vogue PatternsMagazine and the December catalogue.
Cathy Fedoruk in Ralph Lauren, Vogue Patterns, November/December 1991. Photo: Christopher Micaud. Image: Etsy.
Ralph Lauren dress on the cover of the Vogue Patterns catalogue, December 1991. Image: Etsy.
The tartan pieces had already been promoted that same season in the Fall ’91 advertising campaign and a Grace Coddington / Linda Evangelista cover and editorial (“A Shot of Scotch”) in Vogue’s September issue.
Ralph Lauren ad campaign, Fall 1991. Model: Kim Nye. Image: Pinterest.
“A Shot of Scotch,” September 1991. Photo: Arthur Elgort. Editor: Grace Coddington. Image: Pinterest.
Some later covers showing Ralph Lauren in a less WASP-y mode:
Eva Green in Ralph Lauren, L’Officiel, Dec/Jan 2011-2012. Photo: Satoshi Saïkusa. Editor: Monica Pillosio.
Rooney Mara in Ralph Lauren, Vogue, November 2011. Photo: Mert Alas and Marcus Piggott. Editor: Tonne Goodman.
Vivien Solari in Anne Klein’s Fall 2015 ad campaign. Photo: Nathaniel Goldberg. Editor: Laura Ferrara. Image: Instagram.
Have you seen the new Fall patterns?
Scarlett Schoeffling in Vogue 1597 by Anne Klein, Vogue Patterns lookbook Fall 2018. Image: Issuu.
Vogue’s cover look is a cropped trench jacket by Sharon Lombardo for Anne Klein. Trousers also included:
Vogue 1597 by Sharon Lombardo for Anne Klein (2018) Image: McCall’s.
The cropped trench is a signature Anne Klein piece, seen in the Fall ’15 (above) and Fall ’16 campaigns. (See my post on Vogue’s Winter/Holiday release.)
Anne Klein Fall 2016 ad campaign. Photo: Annemarieke van Drimmelen. Model: Guinevere Van Seenus. Image: Behance.
From Badgley Mischka, a day-to-evening sheath dress, with cuffed sleeves cut in one with the bodice:
Vogue 1595 by Badgley Mischka (2018) Image: McCall’s.
The original is a navy poly-spandex crepe.
Navy crepe dress by Badgley Mischka. Image: Rent the Runway.
Brocade with a rose gold sparkle is the star of this Badgley Mischka cocktail dress with pleated sleeve flounces.
Vogue 1596 by Badgley Mischka (2018) Image: McCall’s.
A closeup view on the designers’ site, with a different pattern placement:
Detail, bell sleeve brocade cocktail dress. Image: Badgley Mischka.
The flounce sleeve featured prominently in Badgley Mischka’s Fall 2017 collection—in black lace for the opening look.
Two looks from Badgley Mischka Fall 2017. Photos: Umberto Fratini / Vogue Runway.
Paco Peralta’s new design is an edgy LBD with two-way separating zipper.
Vogue 1593 by Paco Peralta (2018) Image: McCall’s.
Plus, a men’s shirt from the team at Koos van den Akker. Make in a single fabric if print mixing isn’t your thing.
Vogue 1599 by Koos van den Akker (2018) Image: McCall’s.
Carolyn Murphy in Armani, Vogue Italia, September 1998. Photo: Steven Meisel. Image: Pleasure Photo.
Supermodel Carolyn Murphy can be seen on some ’90s Vogue patterns.
Born in Florida, Carolyn Murphy (b. 1973) studied art history and literature at the University of Virginia before her modelling career took off in the mid-1990s. For more, see her IMG Models page.
Carolyn Murphy in Givenchy Couture by Alexander McQueen, Vogue Paris, March 1998. Photo: Mario Testino. Image: Vogue Paris.
Before she cut her hair, Murphy did some work for Vogue Patterns. Chuck Baker photographed her for the summer 1994 issue of Vogue Patterns magazine.
Vogue 1443 in Vogue Patterns, July/August 1994. Photo: Chuck Baker.
Vogue 1443 (1994) Image: Etsy.
Here’s the original caption: Work-out wear goes high fashion as athletic-inspired clothes come out of the gym and onto the streets. Vogue Sport presents a one-pattern wardrobe of high-function pieces that look great whatever your game. Reflective stripes stylishly accent as well as provide high visibility protection. 1443 includes a black nylon jacket with inside drawstring, pull on sweatpants, boxy fleece shorts, and a V-neck sweatshirt that elongates into a sweatdress for lounging or going out.
As well as the Vogue Sport pattern, Murphy also models 5 Easy Pieces separates “in chocolate and emerald”:
Vogue 1471 in Vogue Patterns, July/August 1994. Photo: Chuck Baker.
Vogue 1471 (1994) Image: Etsy.
Bonus: Murphy was also featured in this Marc Jacobs pattern hack, shot by Herb Ritts for Vogue. The Marc Jacobs slip dress (Vogue 1965) was shown in icy green velvet from Elegant Fabrics, NYC.
Carolyn Murphy in Vogue 1965 by Marc Jacobs. Vogue, October, 1997. Photo: Herb Ritts. Editor: Brana Wolf.
Today is World No Tobacco Day. Here’s a look at a Virginia Slims ad that ran in Vogue Patterns magazine.
The mid-’70s ad—with the famous You’ve come a long way, baby slogan—contrasts the fashionable, contemporary Cheryl Tiegs with the Edwardian “Mrs. Florine Knauff,” caught smoking during a fox hunt. Along the lower left-hand side, the caption reads, Fashions: Vogue Patterns.
Virginia Slims advertisement in Vogue Patterns, January/February 1975.
Doesn’t Tiegs’ green dress look a lot like Emanuel Ungaro’s goddess gown?
Vogue 1135 by Emanuel Ungaro (1974)
The popular design was reissued in 2001 (as V7521).
A handful of ’70s Virginia Slims ads credit Vogue Patterns, most notably this Yves Saint Laurent couture pyjama, as worn by Beverly Johnson:
Virginia Slims advertisement, 1973. Image: Stanford Research into the Impact of Tobacco Advertising (SRITA).
Vogue 2912 by Yves Saint Laurent (1973) Image: Paco Peralta.
There were even promotional Virginia Slims sewing kits. This one contains FDR-made upholstery needles:
Virginia Slims needle pack cover. Image: Etsy.
Virginia Slims needle pack. Image: Etsy.
Click the Beverly Johnson ad to learn more about SRITA, Stanford’s tobacco advertising project.
