July 20, 2017 § Leave a comment
A late ’60s loungewear pattern is the star of “Making Up a Legend,” photographed for British Vogue by David Bailey.
Celia Hammond wears Vogue 7430, made up in wave-patterned Schwarzenbach brocade in green and gold Lurex, with gold Mary Quant tights pulled up to cover the bare midriff. The gold belt is by the late, great Kenneth Jay Lane.
(See Youthquakers for more from this issue.)
July 11, 2017 § 49 Comments
The PatternVault blog turns six today. To celebrate, I’m doing something a little different—I’m hosting a giveaway linked to a poll:
To enter the giveaway: (1) Vote in the poll, and (2) Comment to let me know you voted. The winner, chosen at random, will win one $25 CAD gift certificate for the PatternVault Etsy shop.
Poll closes Monday, July 17th. Poll results and winner will be announced Tuesday, July 18th.
With thanks to Elizabeth C., who made sure the two 1980 retail catalogues pictured reached me all the way from Amherst, Massachusetts!
June 23, 2017 § 3 Comments
Happy Pride! This year you can celebrate all summer with 2017’s rainbow trend. (See Lauren Cochrane, “The rainbow’s not over – it’s the style symbol of the season.”) It’s a vintage motif with roots in the ’70s and ’80s.
The ’70s rainbow trend was well underway before Gilbert Baker created the rainbow flag in 1978. (Read MoMA’s interview.) The groovy teens’ pattern shown above came with rainbow appliqués. Maija Isola’s Sateenkaari (Rainbow) print for Marimekko appeared the same year as Pink Floyd’s Dark Side of the Moon:
As did this Time-Life sewing book entitled Shortcuts to Elegance:
From McCall’s Carefree line, this iron-on alphabet transfer pattern lets you spell whatever you like in rainbow caps:
Meredith Gladstone’s circa 1980 children’s décor pattern, “Cloud Room,” includes a rainbow pillowcase and rainbow-lined sleeping bag:
With the right print, home dressmakers could sew everything from rainbow dresses to coverups:
For those making their own Cheer Bear Care Bear, Butterick’s envelope explained the rainbow’s significance as a “traditional symbol of hope,” as well as “a cheerful reminder that things are getting better and even bad times can bring something beautiful”:
Hallmark’s Rainbow Brite licensing with McCall’s included a children’s costume, Rainbow Brite and Twink toys, and a set of mobiles.
Of course, there’s no need to find the perfect rainbow fabric. All it takes is the right array of colours…
June 18, 2017 § 1 Comment
“Our Man in Leather”: Vogue Patterns introduced Bobby Breslau, one of the company’s rare designers of accessories, with a winking acknowledgement of the gay community.
Bobby Breslau (ca. 1943-1987) was a friend of Halston, Stephen Burrows, and Keith Haring; photographer Charles Tracy, who took Breslau’s portrait, was a member of the same social circle. Breslau’s training was in the garment industry, but a toy commission from Halston set him on the path of accessory and furniture design. His tactile, unstructured style of bag showed a sculptor’s eye for colour and texture; the New York Times called it “the handbag of the 1970’s.” (See Robin Givhan’s The Battle of Versailles and Suzanne Slesin, “Beyond the Fringe: A Designer’s Zany World in Leather.”) Breslau was the manager of Keith Haring’s Pop Shop until his death from complications of AIDS in early 1987.
In 1979, Breslau licensed two bag patterns with Vogue. Each design could be made in three sizes. Vogue 2153 is a “draw-stringer and scarf tie-up”:
Vogue 2184 is a saddlebag and roll pouch:
June 11, 2017 § 5 Comments
Summer means weddings and infinity dresses—or, if a couple is particularly on-trend, infinity bridesmaid jumpsuits.
China Machado’s summer 1973 resort set was a precursor to the infinity garments of the mid-1970s. Like the infinity dress and its cousins, Machado’s pieces call for two-way stretch knits; but Grace Mirabella’s Vogue featured the design in muslin, as worn by Beverly Johnson:
Lydia Silvestry trademarked “The Infinite Dress” and licensed it with McCall’s in 1976. As the pattern envelope says, “One size dress can be worn an infinite number of ways. See enclosed guide sheet illustrating 13 ways dress can be worn, or try creating your personal version.” (See Carmen Bouchard / Carmencita B’s posts about this pattern here.)
Silvestry also licensed her infinite jumpsuit as a pattern featuring Maud Adams. I think this pattern has my favourite fabric note: For best results use a Lightweight, Non-cling Stretchable Jersey-type Knit Fabric such as Rosewood Fabric’s LA GRAND QUE of 100% QIANA, Burlington’s AMBROSIA of 100% Dacron Polyester, Millikin’s SURE THING of 100% Dacron Polyester. (Click to view in the shop.)
From Carol Horn, this dress has strapless and colour blocking options:
Also one-size, the Seven Way Wonder Dress seems to have been Butterick’s answer to the Infinite Dress. A winter retail catalogue shows the Wonder Dress as black tie wear:
Meanwhile, Simplicity had the Wonder Wrap Jiffy Jumpsuit and Jiffy Multi-Wrap Dress:
Vogue released two Very Easy infinite dress patterns in spring, 1977:
Vogue 1641 is seldom seen, despite being illustrated by Antonio and photographed in Antigua for Vogue Patterns magazine:
Is that Patti Hansen modelling the Glamour Plus Dress?
Fast forward to 2000, when McCall’s released an infinite dress by Debra Moises (Debra and Moises Diaz). The envelope shows 5 variations:
In early 2011, the New York Times ran a story about the trend for convertible garments (see Ruth La Ferla, “Convertible Clothing Is a New Twist for the Cost-Conscious“). Butterick featured an infinite dress (now out of print) on the cover of that year’s Spring catalogue:
Last summer, as part of their Archive Collection, McCall’s reissued their 1970s-era infinite dress and jumpsuit as a single pattern (still in print). These patterns are usually adapted somewhat from the vintage originals:
It’s easy to see why infinity dresses remain popular, with their carefree resort vibe and minimal fitting requirements. And on the pattern envelopes, the hall of mirrors effect never gets old, does it?
For more discussion and links, see Michelle Lee’s post.
June 6, 2017 § 1 Comment
Model and Bond girl Tania Mallet (b. 1941) was born in Blackpool to English and Russian-English parents. (Her mother, Olga Mironoff, was Helen Mirren’s paternal aunt.) She began working as a model in the late 1950s after taking a course at the Lucie Clayton Charm Academy. You may recognize her from her role as Tilly Masterson in Goldfinger (1964).
Mallet’s modelling work in the 1960s included editorials for Vogue patterns and Vogue Knitting Book.
The earliest patterns I’ve found featuring Mallet are by French and Italian designers—Jacques Heim and Simonetta:
Later patterns are by London designers like Ronald Paterson and Jo Mattli:
This daffodil evening ensemble was featured in my Bellville Sassoon post:
Here Mallet wears a goddess gown by John Cavanagh:
Full marks for hats and coiffure, don’t you think?
May 30, 2017 § 1 Comment
The World of Anna Sui opened at the Fashion and Textile Museum in London last weekend. It’s the museum’s first retrospective on a living American designer, with an accompanying book by Tim Blanks—out today from Abrams.
Anna Sui licensed her work with Vogue Patterns for some 16 years, from the mid-1990s to 2011. Read my series on Vogue patterns by Anna Sui:
I’ve just listed this pattern for two dresses from Sui’s Mudd Club collection:
For more on Sui and her work, see Tim Blanks’ essay for the Business of Fashion, “Anna Sui, America’s Most Underrated Fashion Designer.”