Vintage Designer Menswear: Vogue Patterns

1970s Bill Blass men's jacket, sweater, shirt and necktie pattern with vintage Nikon camera - Vogue 2917
Vogue 2917 by Bill Blass (1973) Image: PatternVault shop.

It’s been some time since Vogue offered designer menswear patterns. In the 1970s and 1980s, home sewers could choose from licensed designs for everything from men’s shirts to outerwear and three-piece suits. In celebration of Father’s Day, here’s a selection of vintage menswear patterns from Vogue Patterns.


Vogue introduced designer menswear patterns in the early 1970s with designs by Bill Blass and Pierre Cardin. From Cardin, Vogue 2918 is a double-breasted coat in two lengths:

1970s Pierre Cardin men's coat pattern - Vogue 2918
Vogue 2918 by Pierre Cardin (1973) Image: Etsy.

1975 saw the release of some his-and-hers Valentino patterns. Vogue 1180, a men’s jacket and pants pattern, was photographed with a women’s Valentino ensemble, Vogue 1178:

1970s Valentino men's jacket and pants pattern - Vogue 1180
Vogue 1180 by Valentino (1975) Image: Vintage Patterns Wiki.

Polo by Ralph Lauren was introduced to Vogue customers in the summer of 1975. The safari-style Vogue 1237 and 1238 were photographed in India:

Polo Ralph Lauren men's patterns in Vogue Patterns May June 1975
Vogue 1237 and 1238 by Polo Ralph Lauren in Vogue Patterns, May/June 1975. Photos: Steve Horn. Image: Make Mine Vogue.

Also by Polo Ralph Lauren, Vogue 1581 is a double-breasted trench coat with detachable lining:

1970s Polo Ralph Lauren trench coat pattern Vogue American Designer 1581
Vogue 1581 by Polo by Ralph Lauren (c. 1977)

This Christian Dior shirt-jacket and pants is the only men’s Dior pattern I’ve seen:

1970s Christian Dior men's shirt-jacket and pants pattern - Vogue 1609
Vogue 1609 by Christian Dior (ca. 1977) Image: PatternVault shop.

This snappy three-piece suit is by Bill Blass:

1970s Bill Blass men's 3-piece suit pattern - Vogue 1620
Vogue 1620 by Bill Blass (1977) Image: patronescostura on Etsy.

There were two menswear patterns by Yves Saint Laurent: safari suits photographed by Chris von Wangenheim (see Paco’s related post here):

Yves Saint Laurent men's patterns in Vogue Patterns March April 1977
Vogue 1645 and 1644 by Yves Saint Laurent in Vogue Patterns, March/April 1977. Photos: Chris von Wangenheim. Image: Paco Peralta.

Givenchy licensed a trim three-piece suit, Vogue 2112:

1970s Givenchy menswear pattern - Vogue Paris Original 2112
Vogue 2112 by Givenchy (1979) Image: PatternVault shop.

In 1979 the company released a trio of menswear patterns by Calvin Klein—separate patterns for a shirt, jacket, and pants. Vogue 2256 is a pattern for slim, tapered men’s pants; view B is low-rise and flat-front:

1970s Calvin Klein men's trousers pattern - Vogue 2256
Vogue 2256 by Calvin Klein (1979) Image: Etsy.


The menswear releases tapered off in the 1980s. 1980 saw the release of two Bill Blass men’s patterns, for a three-piece suit and close-fitting shirt:

1980s Bill Blass men's shirt pattern - Vogue 2586
Vogue 2586 by Bill Blass (1980) Image: Etsy.

In 1988 Vogue released three menswear patterns by Perry Ellis, for a jacket, shirt, and pants. Vogue 2207 is a loose-fitting jacket:

1980s Perry Ellis men's jacket pattern - Vogue 2207
Vogue 2207 by Perry Ellis (1988) Image: Vintage Patterns Wiki.

Just for fun, I’ll close with this Pierre Cardin robe and pajamas, which included a logo appliqué:

1970s Pierre Cardin men's pajamas and robe pattern - Vogue 2798 - moustachioed man on telephone
Vogue 2798 by Pierre Cardin (c. 1972) Image: Etsy.

With menswear sales catching up with womenswear, perhaps Vogue Patterns will capitalize on this trend by restoring menswear to its designer licensing. I’d be first in line for a Saint Laurent pattern…

Happy Father’s Day!

5 thoughts on “Vintage Designer Menswear: Vogue Patterns

  1. I’ve got most of the Vogue mens’ designer patterns, and I’ve used some with mixed results – mostly due to choice of fabric more than anything else, but I’ve got much better at matching fabrics to patterns over the last few years.
    I’m lucky that I only need to make minor alterations to mens patterns for myself so instead of doing a test in calico I usually either compare the pattern measurements to clothes I already have that fit well and adjust the pattern accordingly, or I just make a pattern up and then perfect the fit before making it up the second time around.
    I’ve used the Perry Ellis shirt pattern from the late ’80s twice. I like the shoulder pleat detail (a Perry Ellis signature detail according to the recently released book on the designer) but because of the loose and box-y ’80s cut the shirt looks best when made out of a fabric with a soft drape (such as a loose twill weave), and not a crisp/stiff drape unless the shirt is to be worn tucked-in.
    I’ve used the Calvin Klein pants pattern twice (I made one each of styles A and B), a Calvin Klein jacket pattern twice (one single breasted and one double breasted) a Calvin Klein shirt pattern once, and a Bill Blass waistcoat pattern once. I didn’t like the Bill Blass waistcoat pattern because the armholes were too cut-away for my liking, but the Calvin Klein patterns were great.
    I have one of the Yves Saint Laurent patterns coming in the mail (the one pictured above, on the right – with the jacket with raglan sleeves) and once I find an appropriate fabric I’ll be making it up.
    Apart from any sense of glamour attached to designer patterns (which is mostly, if not wholly, in the mind of the sewer!) they often have the most interesting details and shapes that makes them stand out from the regular patterns. Also, with vintage designer patterns, there’s a definite history attached to the design.
    Regular patterns work out just as good, too, but for me there’s just that little something extra that makes a designer pattern that much more exciting to sew!

  2. Kudos to Dustin! It’s great to hear from a man like him.
    I suspect that — even in the rare case of a home sewer with real tailoring experience — finding appropriate menswear fabrics would have been almost impossible thirty years ago except in very large cities. (Where would your find rain-proof wool trenchcoat material in a town of 50,000?)
    Even now, with tailoring supplies and fabrics available on the internet, fabric choice has so much to do with feeling the hand and the drape of the material that I’d hesitate before buying high-quality wool blends without touching them. Perhaps many home stitchers got discouraged after one try at a man’s pattern. A ‘designer’ man’s suit that looked home-made would be a worse choice than a less expensive store-bought suit, in most cases.

  3. I wasn’t really aware that so many designer Menswear patterns existed. I am quite intrigued to try them. Obviously the economics don’t work these days, which is a great shame, as there are some really wonderful menswear designers around.

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