Spring 2019 Designer Pattern Highlights

©Paco Peralta
Paco Peralta’s design drawing for V1619. Image courtesy Paco Peralta.

After 99 years on the newsstand, and just as stores are receiving the new designer patterns for Spring ’19, Vogue Patterns Magazine is ceasing publication.

VPM’s final issue—and the Spring release—sees the return of Thai-American model and photographer Piyawan Chitsamran, a.k.a. Piya Wan.

Piyawan Chitsamran photographed in V1614 by Tom and Linda Platt by Jack Deutsch for the final issue of Vogue Patterns Magazine
The final issue of Vogue Patterns Magazine, February/March 2019. Model: Piyawan Chitsamran. Photo: Jack Deutsch. Image: McCall’s.

The late, great Paco Peralta was promoting this pattern just days before his death. (See his design drawing at top of post.) As released, it includes the duster coat, shown in waxed polyester with a cotton poplin lining, and high-waisted gaucho pants. But as he told me, his submission also included the bias top.

Vogue 1619 by Paco Peralta (2019)
Vogue 1619 by Paco Peralta (2019) Image: McCall’s.

Zandra Rhodes is celebrating her label’s 50th anniversary in 2019. This jumpsuit with contrast binding is a Zandra Rhodes staple. The original is silk crepe de chine.

Vogue 1617 by Zandra Rhodes (2019)
Vogue 1617 by Zandra Rhodes (2019) Image: McCall’s.

The archival design, done in lipstick-print chiffon, was part of Rhodes’ second Archive collection for Matches Fashion.

Zandra Rhodes Archive II Lipstick jumpsuit in screen-printed silk chiffon. Image: Matches Fashion.

A silver version, for Fall 2018, was shot by Bridie O’Sullivan, the filmmaker / photographer behind Rhodes’ upcoming Jubilee documentary. (More at O’Sullivan’s website.)

Char Ellesse in Zandra Rhodes Party collection, Fall 2018
Zandra Rhodes Party collection, Fall 2018. Model: Charnah Ellesse. Photo: Bridie O’Sullivan. Image: Zandra Rhodes.

Badgley Mischka’s formal gown features a halter neckline with lace décolletage overlay.

Vogue 1615 by Badgley Mischka (2019)
Vogue 1615 by Badgley Mischka (2019) Image: McCall’s.

Add a beaded overbodice for a variation on the V1615 look.

Badgley Mischka’s gown with beaded tulle overbodice. Image: Badgley Mischka.

The striped dress on the back cover of the Spring lookbook is adapted from Carolina Herrera Resort ’18.

Vogue 9357 after Carolina Herrera, Vogue Patterns lookbook, Spring 2019. Image: Issuu.

The sleeveless midi dress is a Vogue Easy Options Custom Fit pattern, meaning it is adjustable for 4 cup sizes.

Vogue 9357 after Carolina Herrera (2019) Image: McCall’s.

The original is a linen-cotton denim that Vogue called “the standout material” of the collection’s casual pieces. As Nicole Phelps wrote, “Best of all was the sleeveless dress with contrast stitching, white buttons, and deep pockets.”

Carolina Herrera Resort 2018. Image: Vogue Runway.
Carolina Herrera Resort 2018
Carolina Herrera Resort 2018. Images: Moda Operandi.

Chop off the bodice for a tea-length skirt:

Carolina Herrera Resort 2018
Carolina Herrera Resort 2018. Image: Vogue Runway.

Another Vogue Easy Options design, the hi-low V9360 is Vogue’s adaptation of young London label Palmer Harding.

Vogue 9360 after Palmer Harding (2019) Image: McCall’s.

The Spring 2019 runway version—called the Streep—had dolman sleeves and a gathered back. Red latex gloves optional.

Palmer Harding Spring 2019. Photo: Luca Tombolini
Palmer Harding Spring 2019. Photo: Luca Tombolini. Image: Vogue Runway.

Add some asymmetry to the hemline and you have the Split and Super shirts:

Image: Palmer Harding.
Image: Palmer Harding.

Roland Mouret’s navy Barwick dress was worn by a certain duchess. Vogue shot its adaptation in Mouret’s trademark Peppermint, but the envelope shows the navy dress front and centre.

Vogue 9355 (2019) Adaptation of Roland Mouret's Barwick dress, worn by Meghan Markle V9355
Vogue 9355 (2019) Version of Roland Mouret’s Barwick dress. Image: McCall’s.

The Barwick dress, from Resort 2018, is still available from the designer website (link). The original is double wool crepe.

Barwick dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck
Barwick dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck. Image: Vogue Runway.

The same front neckline is seen in Roland Mouret’s Noblethorpe dress:

Noblethorpe dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck. Image: Vogue Runway.

For a more faithful copy, adjust the back neckline and add an exposed zipper.

Back view of Roland Mouret's Barwick dress
Back view of Roland Mouret’s Barwick dress. Image: Roland Mouret.

Finally, although Cynthia Rowley is absent from Simplicity’s Spring release, the company has reissued a late 1940s stole dress from the Simplicity Designer’s Pattern line.

1940s vintage reissue Simplicity 8876 (2019)
Simplicity 8876 (2019) Image: Simplicity.

The original fabric suggestions were: Silk, rayon or wool jersey; silk or rayon crepes; monotone or figured pure silk; taffeta; faille.

1940s stole dress pattern Simplicity Designer's Pattern 8108
Simplicity 8108 (1949) Image: Etsy.

In memoriam: Paco Peralta

Paco Peralta's drawing for V1567 ©2016
Paco Peralta drawing for Vogue Patterns in black and red, his favourite colour combination. ©2016. Courtesy Paco Peralta.

Paco Peralta, the beloved Spanish couturier and mentor to the online sewing community, died on Saturday in Barcelona. He was 57.

Adéu, Paco, dear friend. You will be greatly missed.

Francisco Peralta Rovira, known as Paco Peralta, born February 1, 1962, Huesca, Aragon, died February 2, 2019, Barcelona.

Milliner Cristina De Prada photographed by Germán Saiz in Paco Peralta's designs, 2013. Right: with Stephen Jones, Mabel Sanz, and Fátima de Burnay
Paco Peralta’s close friend, the milliner Cristina de Prada, wearing his designs in a 2013 millinery feature for S Moda. Photos: Germán Saiz. Images: El País.

Free Designer Pattern: Iris van Herpen Dress

Hacking Infity - Iris van Herpen Fall 2015 RTW. Photo: Frederik Heyman
Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.

SHOWstudio’s latest Design Download is a dress by Dutch wunderkind Iris van Herpen.

Iris van Herpen’s Hacking Infinity dress. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.
Iris van Herpen dress photographed by Thomas Alexander for SHOWstudio, 2018
Iris van Herpen dress, FW15 rtw. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.

The sheath dress is from Hacking Infinity, Iris van Herpen’s Fall 2015 ready-to-wear collection, which explored the idea of terraforming. (Read more at the designer’s site, or see Suzy Menkes on her 2015 studio visit.) The collection’s leather and 3D-printed shoes are by Noritaka Tatehana.

Iris van Herpen Fall 2015 rtw look 12 - SHOWstudio design download
Iris van Herpen Fall 2015 RTW. Photo: Kim Weston Arnold. Image: Vogue Runway.
Iris van Herpen Fall 2015 ready-to-wear. Image: firstVIEW.

Science, technology, and science fiction are strong influences for Van Herpen, and Vogue’s reviewer cited Paul Verhoeven’s Total Recall as an intro to the terraforming concept. Several looks referenced the stillsuits from David Lynch’s Dune.

Iris van Herpen Fall 2015 RTW
Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.
Hacking Infity - Iris van Herpen Fall 2015 RTW. Photo: Frederik Heyman
Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.
Chani (Sean Young) in David Lynch’s Dune (1984) Costume design: Bob Ringwood. Image: Pinterest.

The plissé material, seen in the SHOWstudio piece, appeared both as one element in a mix, and for entire garments in black and bronze.

Iris van Herpen Fall 2015 RTW. Images: firstVIEW.

For Fall 2015, Van Herpen developed a fine, metallic fabric woven from silk and stainless steel. The translucent silver material was coaxed into “a sheen of nebula-like colors” with heat and hand-burnishing. Plisséed and pleated into circular forms, it evoked planetary bodies and infinity.

Detail backstage at Iris van Herpen’s Fall 2015 show. Photo: Morgan O’Donovan. Image: Facebook.
Iris van Herpen Fall 2015 RTW
Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.
Hacking Infinity FW15 Iris van Herpen dress photographed by Juergen Teller
Iris van Herpen dress in T Magazine, April 2015. Photo: Juergen Teller. Image: Iris van Herpen.

The pattern download comes in A4 sheets, with a test line to check the scale.

Iris van Herpen SHOWstudio dress pattern diagram
Iris van Herpen dress pattern diagram. Image: SHOWstudio.

Download the dress pattern (34 pieces)

Size: 38

Notes: Prints on 100 A4 sheets. Plissé panels are hand-sewn to base dress.

Fabric recommendations: Plissé panels: plissé or printed fabric on a cotton base fabric. Stretch fabric is recommended for the skirt. Straps & facings: silk, non-stretch fusible interfacing. Lining: silk or cupro.

Notions: Back zipper.

The competition is still open. Will you be entering?

Silhouette News for Fall, 1956

McCalls PB Fall 1956
Anne St. Marie in McCall’s 3793, McCall’s Pattern Book, Fall 1956. Photo: The Dodenhoffs.

There are only two weekends left to catch Balenciaga: Master of Couture at the McCord Museum. Anne St. Marie’s look (above) was inspired by Balenciaga.

From the inside note: “The new straight-coat fashion favored by Balenciaga, fall and winter coverage for its own sheath dress and everything else in your wardrobe. In colorful Anglo tweed and coordinated red wool, interfaced with Armo hair canvas to hold its line. Earl-Glo Sanitized taffeta lining; B.G.E. buttons. Emme hat; Mark Cross bag; Superb gloves.”

Pattern: McCall’s 3793.

Mary Quant: Butterick Patterns

Tania Mallet wears Mary Quant and James Wedge on the cover of British Vogue, October 1, 1963
Tania Mallet wears Mary Quant (hat by James Wedge) on the cover of British Vogue, October 1, 1963. Photo: Brian Duffy. Image: eBay.

Nothing says Swinging London like Mary Quant. The pioneer of the Chelsea Look will receive a major retrospective at the Victoria and Albert Museum in 2019. (An earlier exhibit, Manchester Art Gallery’s Mary Quant: Fashion Icon, had to close early due to conservation issues.)

Design for a cowl neck minidress with mustard yellow tights by Mary Quant, about 1967, London. Museum no. E.525-1975. © Victoria and Albert Museum, London
Mary Quant sketch, ca. 1967. Image: V&A.

The V&A is seeking vintage Quant for the show, including garments — or even photos of garments — made with Mary Quant patterns. See here for more details, or email the curators at maryquant@vam.ac.uk. Update: submissions are now closed.

Ensemble of bolero waistcoat and skirt, Mary Quant, about 1964. Museum no. T.34-2013. © Victoria and Albert Museum, London
Celia Hammond and Jean Shrimpton in Mary Quant, ca. 1964. Photo: John French. Image: V&A.
Mary Quant London - Made in England for Lord & Taylor 100% PVC label at the Costume Institute
Image: Metropolitan Museum of Art.

Butterick licensed Mary Quant patterns from the mid-’60s to the early ’70s. (See my Mad Men-era post.)

Mary Quant pantdress pattern 4779 in the Butterick retail catalog, November 1969
Right: Mary Quant pantdress pattern 4779 in the Butterick retail catalogue, November 1969. Image: Etsy.

For knitters, there were also ultra-mod knitting patterns. Some of these vintage booklets are available as official reissues, like these ones from Mary Maxim. (More on Ravelry.)

1960s Patons Courtelle knitting patterns by Mary Quant
1960s Patons Courtelle knitting patterns by Mary Quant. Images: Mary Maxim.

Mary Quant and her husband were profiled in Life magazine as early as 1960. (View story here.)

Mary Quant and Alexander Plunkett-Greene photographed on Park Avenue by Ken Heyman for Life magazine, 1960
Mary Quant and Alexander Plunket Greene on Park Avenue, LIFE, December 5, 1960. Photo: Ken Heyman. Image: LIFE archive.

For his 1963 Life feature on the Chelsea Look, Norman Parkinson photographed Melanie Hampshire and Jill Kennington in these Mary Quant dresses:

Melanie Hampshire and Jill Kennington photographed by Norman Parksinson in Mary Quant's Bank of England and Eton striped wool dresses, LIFE magazine, 1963
Melanie Hampshire and Jill Kennington in Mary Quant’s Bank of England and Eton dresses, LIFE, October 18, 1963. Photo: Norman Parkinson. Image: Iconic Images.

Butterick released its first Mary Quant patterns in fall, 1964. Here’s Celia Hammond on the cover of the retail catalogue:

Butterick catalogue cover showing 3288 by Mary Quant - October 1964
Butterick 3288 by Mary Quant. Butterick catalogue, October 1964. Photo: Terence Donovan. Model: Celia Hammond. Image: eBay.

The Butterick Home Catalog hailed Quant as the originator of the Chelsea Look.

London: Mary Quant. A new group of Butterick designs by the originator of the Chelsea Look and winner o the International Fashion Award for Great Britain. Butterick Fall 1964 Quant
Mary Quant in the Butterick Home Catalog, Fall 1964.

The earliest Mary Quant patterns pre-date the Young Designer line. This dress pattern even includes the rosette:

1960s Mary Quant dress pattern Butterick 3499
Butterick 3499 by Mary Quant (1965) Image: PatternVault shop.

British copies of this dress pattern say “featured in Queen magazine.” Jill Kennington wore this and other Butterick Young Designers in what was billed as “The Queen’s first ever make-it-yourself fashion.”

1960s Mary Quant dress pattern Butterick 3716
Butterick 3716 by Mary Quant (ca. 1965)
1960s Jean Muir of Jane & Jane and Mary Quant dress patterns Butterick 3722, 3707, 3716
“How to be a self made sensation.” Right, Jill Kennington in Butterick 3716 by Mary Quant. Queen magazine, August 11, 1965. Image: eBay.

Here Moyra Swan models a mod scooter dress. Suggested fabrics include linen, jersey, lightweight wool, and knits.

1960s Mary Quant dress pattern Butterick 4578
Butterick 4578 by Mary Quant (ca. 1967) Image: PatternVault shop.

This jumpsuit or playsuit came with a matching mini skirt — “the latest put-togethers”:

Butterick 5404 by Mary Quant (1969) Image: Etsy.

What to wear with a Mary Quant mini dress? Why, go-go boots, of course:

1960s Mary Quant dress pattern Butterick 5475
Butterick 5475 by Mary Quant (1969)

By 1970, a Quant jumpsuit was more fluid, with a pointed collar; this pattern also includes a maxi-length cardigan. The catalogue gives a better view of the inflatable chair:

1970s Mary Quant jumpsuit and cardigan pattern Butterick 5857
Butterick 5857 by Mary Quant (1970) Image: Etsy.
Mary Quant's Butterick 5857 jumpsuit in the Fall 1970 catalogue
Mary Quant’s Butterick 5857 jumpsuit in the Fall 1970 catalogue. Image: tumblr.

Mary Quant in a more romantic mode means a sheer tunic worn with knickers. View B is a maxi dress.

1970s Mary Quant pattern Butterick 6256
Butterick 6256 by Mary Quant (ca. 1971)

After 1971 or so, Butterick Young Designer patterns had illustrations, not photos. This Mary Quant dress dates to circa early ’73.

1970s Mary Quant dress pattern Butterick 6916
Butterick 6916 by Mary Quant (ca. 1973) Image: Etsy.

Have you made anything from a Mary Quant pattern?

Maren Greve in Butterick 4128 by Mary Quant, 1966
Butterick 4128 by Mary Quant, Butterick catalogue, October 1966. Model: Maren Greve. Image: Instagram.

In memoriam: Joy Emery

Joy Spanabel Emery, A History of the Paper Pattern Industry: The home dressmaking fashion revolution
A History of the Paper Pattern Industry, by Joy Spanabel Emery. Image: Bloomsbury.

Joy Emery, Professor Emerita of the University of Rhode Island and curator of the Commercial Pattern Archive, has died. She was 81.

Emery is the author of Stage Costume Techniques (Prentice-Hall, 1981) and A History of the Paper Pattern Industry (Bloomsbury, 2014), which I reviewed for this blog. Memorial donations may be made to the Joy Spanabel Emery Endowment Fund.

Read her obituary, or a 2016 URI profile upon winning USITT’s Distinguished Achievement Award in Costume Design and Technology.