Patterns in Vogue: Shimmering Sensations

Ariane Koizumi photographed by Bert Stern in Vogue 1651 by Yves Saint Laurent and Vogue 1654 by Emanuel Ungaro, 1985
Ariane Koizumi wears Vogue patterns by Yves Saint Laurent and Emanuel Ungaro, Vogue, November 1985. Photo: Bert Stern.

In 1985, Bert Stern captured Ariane Koizumi in two Vogue Paris Originals, made in metallic velvet for festive evenings.

The patterns are a wrap dress by Yves Saint Laurent and tunic/skirt ensemble from Emanuel Ungaro (Vogue 1651 and Vogue 1654), both shown in silk blend panné velvet from Lafitte. (Earrings, Lecour Johnson and Pellini Bijoux; bracelets, Debra Fine Yohai and Wendy Gell Jewelry; Charles Jourdan body stocking. Shoes, Manolo Blahnik and Yves Saint Laurent.)

Paco’s post about YSL wrap dresses.

Happy new year, everyone! All the best for 2020.

Patterns in Vogue: Anna Wintour Birthday Edition

Vogue 8155 cotton kimono in Vogue, January 1989
Kara Young, Carré Otis, and Jennifer Noble in Vogue, January 1989. Photo: Patrick Demarchelier. Editor: Grace Coddington.

Happy birthday to Anna Wintour, who turns 70 today.

Wintour included Vogue patterns in U.S. Vogue from her first issue as editor. Above, the models’ white cotton kimonos were made with a unisex robe pattern (Vogue 8155). Below, in Wintour’s first issue, Cathy Fedoruk wears a Very Easy dress (Vogue 7146) in cotton piqué.

"Hot Prospects" Vogue Nov 1988 Wintour 1st issue. The new colors for resort: gunmetal and white. Make the dress that may make your summer: for A.M./P.M., city/ resort, a textured cotton piqué dress with a square-necked front. Vogue Pattern no. 7146. Fabric, Batex S.P.A. Beauty and the back: sun protection from Ultima II ProCollagen SPF 4. Plain geometry: bold crisscross straps on dresses
Cathy Fedoruk in “Hot Prospects,” Vogue, November 1988. Photo: Patrick Demarchelier. Editor: Jenny Capitain.

In Wintour’s first Holiday issue, “Skirts are layered for a romantic ballerina look.” Carré Otis’ skirts (Vogue 7267) are cream polyester chiffon from Symphony Fabric Corp and blue Stehli Seiden silk-polyamid georgette; the Chanel-style jacket is a Vogue Career design (Vogue 7316) in linen from Hamilton Adams, worn with a Very Easy top (Vogue 7128) in Jasco matte rayon jersey. “Sewing tips: eliminate cuff and finish sleeve… Cut skirt to desired length.”

"Sheer Effects" Vogue Dec 1988 7267 skirt, 7316 jacket, 7128 top (1988). Skirts are layered for a romantic ballerina look. Two chiffon skirts give a classic jacket and top an unexpected twist. Skirts, Vogue Pattern no. 7267. Cream chiffon, Symphony Fabric Corp.; blue chiffon, Stehli Seiden at Gordon Textiles International. Jacket, Vogue Career Pattern no. 7316. Linen, Hamilton Adams. T-shirt, Vogue Pattern no. 7128. Jasco rayon matte jersey.
Carré Otis in “Sheer Effects,” Vogue, December 1988. Photo: Arthur Elgort. Editor: Jenny Capitain.