Fall 2019 Designer Pattern Highlights

Guinevere van Seenus in Rachel Comey Fall 2018. Photo: Annie Powers. Editor: Samira Nasr
Guinevere van Seenus in Rachel Comey Fall 2018. Photo: Annie Powers. Editor: Samira Nasr. Image: Vogue Runway.

This season, Vogue patterns have a new format. For Fall 2019, illustrations are out, and photography is in, even for the company’s house line. Also consolidated is the line branding and numbering, which used to differ between licensed and internal designs. Paris Originals, Designer Originals, even Vogue designer knockoffs — they all have the same new look.

Vogue Patterns Fall 2019 lookbook cover with V1633 dress
Vogue Patterns Fall 2019 lookbook. Model: Tatyana Cooper. Image: Issuu.

Autumn means outerwear, and Laroche comes through with a chic trench coat with interesting details: a storm flap, arm band, and oversized belt carriers.

Adam Andrascik for Guy Laroche FW 2017 trench coat pattern V1650
Vogue 1650 by Adam Andrascik for Guy Laroche (2019) Model: Amber Mitchell. Image: McCall’s.

The coat is a design from Fall 2017, Adam Andrascik’s last collection for Laroche. The original also sports a collar hook and jumbo belt buckle.

Guy Laroche by Adam Andrascik, Fall 2017. Image: Vogue Runway.

Vogue noted the alternate version in tobacco leather — also seen in the Swiss magazine, Annabelle, which has a nice view of the shoulder dart.

Guy Laroche by Adam Andrascik, Fall 2017. Image: Vogue Runway.
Guy Laroche leather coat in Annabelle, October 2017. Image: Guy Laroche.

From the late Paco Peralta, a cropped jumpsuit with Custom Fit sizing (for multiple cup sizes). The contrast insets are a signature touch, also seen on the bestselling V1550.

Paco Peralta jumpsuit pattern V1647
Vogue 1647 by Paco Peralta (2019) Model: Lauren Buys. Image: McCall’s.

There are two new patterns by Rachel Comey. First, the coat ensemble at the top of this post: a collarless, raglan-sleeved coat and the Oscillate skirt, a gored, high-waisted skirt with notched waistband detail.

Rachel Comey coat and skirt pattern V1646
Vogue 1646 by Rachel Comey (2019) Model: Tatyana Cooper. Image: McCall’s.

Comey’s Fall 2018 collection was modelled by Guinevere van Seenus, in a lookbook shot by Annie Powers and styled by Vanity Fair’s Samira Nasr.

Guinevere van Seenus in Rachel Comey Fall 2018
Rachel Comey Fall 2018. Model: Guinevere van Seenus. Photo: Annie Powers. Editor: Samira Nasr. Image: Vogue Runway.

The second Rachel Comey is the Steadfast jumpsuit, a cropped-leg style with square armholes and wrap overlay.

Rachel Comey Steadfast jumpsuit pattern V1645
Vogue 1645 by Rachel Comey (2019) Model: Tatyana Cooper. Image: McCall’s.

For Pre-Fall 2017, the designer showed it layered, jumper-style, with a blouse.

Rachel Comey Pre-Fall 2017 Steadfast jumpsuit blouse look
Rachel Comey Pre-Fall 2017. Image: Vogue Runway.

As worn in white by the editor Giannie Couji:

Giannie Couji wears Rachel Comey's Steadfast jumpsuit in white
Steadfast jumpsuit in white Italian Foam. Model: Giannie Couji. Image: Rachel Comey.

Vogue’s latest Gucci adaptation includes a jacket, dress, and pleated skirt. (Also sized for petites.)

Gucci knockoff pattern V1643
Vogue 1643 after Gucci (2019) Model: Lauren Buys. Image: McCall’s.

Some will recognize the long, tan Gucci jacket from Peter Schlesinger’s photobook for Pre-Fall 2018 (last seen in my Summer post). Pair with a print dress and coronet for the full maximalist effect.

Unia Pakhomova photographed by Peter Schlesinger in Gucci Pre-Fall 2018
Gucci by Alessandro Michele, Pre-Fall 2018. Model: Unia Pakhomova. Photo: Peter Schlesinger. Image: Vogue Runway.

Gucci’s red, cardigan-style jacket and pleated skirt were a key look for Spring 2018.

Gucci by Alessandro Michele red jacket and white, pleated skirt, Spring 2018
Gucci by Alessandro Michele, Spring 2018. Model: Sarah Wilson. Image: Vogue Runway.

As seen in the brand’s digitally painted Spring ’18 ad campaign:

Gucci Spring 2018 campaign illustration by Ignasi Monreal
Gucci Spring 2018 campaign. Illustration: Ignasi Monreal. Image: Gucci.

Vogue’s other Custom Fit design for Fall is a version of Roland Mouret’s Royston dress.

Roland Mouret Royston dress knockoff pattern V1631
Vogue 1631 after Roland Mouret (2019) Model: Amber Mitchell. Image: McCall’s.

First presented for Resort ’18, the Royston is an update of the hit Galaxy dress. For an even more faithful copy, serge the sleeve edge and add an exposed zipper. The dress is currently available in navy, white, and red through Roland Mouret’s webstore, or at Selfridges in new-season pink:

Roland Mouret’s Royston dress in new-season pink, 2019. Image: Selfridges.

The Royston dress is also the basis for Mouret’s Clovelly bridal gown.

And rounding out the Fall collection, a version of an Alexander McQueen coat reminiscent of Spring ’99 Givenchy. (Includes petite sizing.)

Alexander McQueen by Sarah Burton blanket coat knockoff pattern V1649
Vogue 1649 after Alexander McQueen by Sarah Burton (2019) Model: Tatyana Cooper. Image: McCall’s.

Metamorphosis was the theme of Sarah Burton’s Fall 2018 collection for McQueen. Military touches in red and black referenced the Household Cavalry, the Queen’s bodyguard. Exhibit A: Burton’s asymmetrical blanket coat, as worn on the runway by Stella Tennant.

Alexander McQueen by Sarah Burton, Fall 2018. Model: Stella Tennant. Image: Vogue Runway.

A closer look at the fringed edge reveals a meticulous finish on the reverse:

Detail, Alexander McQueen by Sarah Burton, Fall 2018
Detail, Alexander McQueen by Sarah Burton, Fall 2018. Image: Vogue Runway.

Those military colours are also seen in this season’s ad campaign featuring Kate Moss. McQueen Fall 2019 was inspired by the textile mills of Northern England, where Burton grew up.

Alexander McQueen Fall 2019 ad campaign. Model: Kate Moss. Photo: Jamie Hawkesworth. Art direction: M/M (Paris). Image: Alexander McQueen.

Biba: McCall’s Patterns

1970s Biba cover - 19 magazine, January 1971 photographed by David Tack
A Biba look on the cover of 19 magazine, January 1971. Photo: David Tack.

I started this blog eight years ago this month. To celebrate, here’s a look at some all-but-forgotten licensing: patterns by Barbara Hulanicki for Biba.

Ingrid Boulting wearing Tiger Lily dress by Biba at Lacock Abbey, British Vogue, July 1970. Photo: Norman Parkinson
Ingrid Boulting wears Biba’s Tiger Lily dress at Lacock Abbey, British Vogue, July 1970. Photo: Norman Parkinson. Image: Iconic Images.

Biba might be the biggest brand you’ll never see on a pattern. Born in Warsaw, Biba founder Barbara Hulanicki (b. 1936) grew up in Palestine and Brighton, where she attended Brighton Art School. She worked as a fashion illustrator before starting the Biba label with her husband, Stephen “Fitz” Fitz-Simon. Sometimes called the first lifestyle brand, Biba was a runaway success in Swinging London, selling everything from cosmetics to couture.

Biba designs for Seventeen - McCall's Pattern no. 2725
Biba design for Seventeen, Brighton Museum, 2013. Image: The cherry blossom girl.

In 1970, Hulanicki licensed patterns with McCall’s as a way to launch her brand in North America. The main promotion was in Seventeen Magazine, as it was Seventeen editor Rosemary McMurtry who first approached Hulanicki about the idea. Hulanicki mentions the McCall’s deal in her memoirs, as well as The Biba Years, 1963-1975, which she co-wrote with Martin Pel, curator of Brighton’s Biba and Beyond: Barbara Hulanicki.

Book cover for Barbara Hulanicki and Martin Pel's The Biba Years, 1963-1975 (V&A 2014)
Barbara Hulanicki and Martin Pel, The Biba Years, 1963-1975 (V&A 2014) Image: V&A.
Biba label - the Costume Institute
Image: Costume Institute.

Around New Year’s, 1971, Seventeen readers could peruse the new Biba patterns in a dreamy Sarah Moon editorial shot in Paris. Among the models was Ingrid Boulting, the face of Biba Cosmetics (another Sarah Moon project). As Hulanicki writes in her memoir, From A to Biba, the setting for the shoot was the round tower of Au Printemps, the storied Paris department store. The printed fabrics — cotton satin, rayon crepe, cotton voile, twill, and broadcloth — were all Tootal for Biba, and available at retailers like Macy’s in New York. (More at Sweet Jane. Seventeen scans courtesy of Musings from Marilyn.)

Sarah Moon's "Biba Boutique" McCall's editorial in Seventeen Magazine, Jan. 1971
“Biba Boutique,” Seventeen Magazine, January 1971. Photos: Sarah Moon. Images: Musings from Marilyn.
Sarah Moon's "Biba Boutique" McCall's editorial in Seventeen Magazine, Jan. 1971
“Biba Boutique,” Seventeen Magazine, January 1971. Photos: Sarah Moon. Images: Musings from Marilyn.
Sarah Moon's "Biba Boutique" McCall's editorial in Seventeen Magazine, Jan. 1971
“Biba Boutique,” Seventeen Magazine, January 1971. Photos: Sarah Moon. Images: Musings from Marilyn.

The patterns were even covered more than once in Women’s Wear Daily.

Robert Melendez Biba illustration in Women's Wear Daily, 1971
From “Viva Biba,” WWD, January 5, 1971. Illustration: Robert Melendez. Image: Shrimpton Couture.

The designs consisted of a top and skirt, separates and a hat, a long-sleeved dress and short-sleeved coatdress, and a midi or maxi dress, all in junior sizes only. Two included a matching choker. Customers could see the Biba logo in McCall’s retail catalogues, but the pattern envelopes give no indication they’re Biba designs.

1970s Biba pattern McCall's 2725
McCall’s 2725 by Biba (1971)
1970s Biba pattern McCall's 2728
McCall’s 2728 by Biba (1971)
1970s Biba pattern McCall's 2746
McCall’s 2746 by Biba (1971)
1970s Biba pattern McCall's 2747
McCall’s 2747 by Biba (1971)

McCall’s Pattern Fashions featured the Biba patterns in a four-page illustrated portfolio called “Seventeen Magazine Pattern Selections.” The write-up emphasizes Biba’s novelty in North America: Now Seventeen Magazine brings Biba to America … You, too, can be a Biba girl without crossing the Atlantic.

Seventeen Magazine Pattern Selections: Now Seventeen Magazine brings Biba to America in an exclusive group of McCall's patterns
Biba patterns in McCall’s Pattern Fashions, Spring 1971.
Seventeen Magazine Pattern Selections: You, too, can be a Biba girl without crossing the Atlantic
Biba patterns in McCall’s Pattern Fashions, Spring 1971.

Curiously, the Biba patterns aren’t in McCall’s back index, but one of them appears in this croquet-themed textiles ad — at left, in printed Dacron crepe:

McCall's Pattern Fashions Spring 1971 Klopman
Klopman advertisement in McCall’s Pattern Fashions, Spring 1971.

The peplum blouse with short “mushroom” sleeves (McCall’s 2725, view B) is very similar to a Biba evening suit seen in a 19 cover portfolio by David Tack. (Cover at top of post.) Like Seventeen, the British teen magazine also published its feature around the time of New Year’s, 1971.

Have you sewn any of the Biba patterns?

David Tack, Biba screen-printed satin evening suit in 19 magazine, January 1971
Biba screen-printed satin evening suit in 19 magazine, January 1971. Photo: David Tack. Image: Vintage-a-Peel.

Patterns in Vogue: Polar Effects

Vogue 7849 unitard worn in Iceland by Karen Mulder
Karen Mulder in Iceland, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Iceland’s Vatnajökull National Park is one of the latest additions to UNESCO’s World Heritage List. In 1990’s “Polar Effects,” the Vatnajökull glacier and Jökulsárlón glacial lake co-star with supermodels Karen Mulder and Kirsten Owen, and two Vogue patterns.

Karen Mulder in Vogue 7849, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Both patterns are Very Easy designs. In the opening image, Karen Mulder’s unitard is made from an unspecified “shiny” stretch knit from B&J Fabrics. Kirsten Owen’s double-width dirndl skirt is silk taffeta from Jerry Brown Fabrics.

Kirsten Owen in Vogue 9813, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Couturissime: The Mugler Connection

Alan Strutt, Yasmin Le Bon On Stage at the London Palladium, London, 1997; Evening Standard, October 31, 1997. Ensemble: Thierry Mugler, Chimera collection, haute couture fall/winter 1997-1998. Long sheath gown with scale-look body, feathers and horsehair embroidered with rhinestones, articulated golden bodice created in collaboration with Jean‑Jacques Urcun and Mr. Pearl.
Yasmin Le Bon in Mugler Fall 1997 couture. Photo © Alan Strutt. Image: Musée des beaux-arts de Montréal.

On now at the Montreal Museum of Fine Arts: Thierry Mugler: Couturissime, another blockbuster curated by Thierry-Maxime Loriot, the force behind the museum’s 2011 Gaultier show. (A previous Mugler show wrapped at FIDM last year. For more see Suzy Menkes’ interview.) The catalogue design is by Paprika, who also designed the Gaultier catalogue.

Thierry-Maxime Loriot, ed. Thierry Mugler: Couturissime (Montreal Museum of Fine Arts, 2019
Thierry-Maxime Loriot, ed., Thierry Mugler: Couturissime (Montreal Museum of Fine Arts, 2019) Design: Paprika. Image: Phaidon.

Mugler himself never signed with Paris Originals, but there are still some Vogue patterns with a connection to the designer. The Dutch-born Mei Xiao Zhou (who, like Mugler, is a former ballet dancer) was hired by Laroche after six years as Mugler’s assistant in the 1990s.

Karen Mulder wears Mugler Spring 1997 couture on the cover of George magazine, February 1997. Photo: Jean-Baptiste Mondino. Image: eBay.

Zhou designed two collections for Laroche in the early aughts, resulting in a handful of Vogue patterns, circa 2002. Even if the pattern envelopes downplay it, his designs for Laroche have a vampy futurism that gives them a Mugler-esque edge. For more see my post.

Mei Xiao Zhou for Guy Laroche Fall 2001 runway
Mei Xiao Zhou for Guy Laroche Fall 2001 runway. Images: firstVIEW.
Mei Xiao Zhou for Guy Laroche Fall 2001 runway
Mei Xiao Zhou for Guy Laroche Fall 2001 runway. Images: firstVIEW.
Guy Laroche advertising campaign, Fall 2001.
Guy Laroche advertising campaign (Mei Xiao Zhou for Laroche), Fall 2001. Image: jalougallery.com.

VISIBLE feat. Paco Peralta

Sketch for V1602 by Paco Peralta ©2017. Courtesy Paco Peralta.

This month in Galicia, the late Paco Peralta is among the artists whose work is on view in Visible (Visibility), a Pride Month exhibit curated by the photographer Daniel Agra.

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Este año se cumplen los 50 años de lucha por los derechos LGBTQ + . Desde spazo y CPSspazo queremos hacer desde el arte nuestro particular homenaje este mes de Junio, con nuestra mini colectiva “Visible” en las que participan artistas y defensores de los derechos LGBTQ +. Todo empezó el 28 de junio de 1969 en la ciudad de Nueva York, con el allanamiento por parte de la policía del Stonewall Inn, uno de los bares frecuentados por la comunidad LGBTQ +, que lejos de rendirse, un grupo de personas valientes se puso de pie. Esto generó cinco noches de protestas por los derechos LGBTQ +, fue la chispa que puso en marcha estos 50 años de Orgullo. Después de esto incidentes, las organizaciones de derechos LGBTQ + comenzaron a surgir en los Estados Unidos y en todo el mundo. El 27 y 28 de junio de 1970 en Nueva York, Los Ángeles, San Francisco y Chicago, fueron los primeros desfiles del Orgullo que conmemoraban a Stonewall Inn. En estos 50 años del movimiento de derechos LGBTQ +, ha habido muchos éxitos, pero queda mucho camino por recorrer, pero el legado de Stonewall vive cada día del año y en especial en cada marcha del Orgullo. . A Flaira [] A Coruña [] Pintora Multidisciplinar Paco Peralta [] Barcelona [] Modista Alta Costura – Designer Vogue Patterns De Rey [] A Coruña [] Escritor – Poeta Mabi Cerdán [] Navarra [] Pintora y Activista Pro Derechos Chelo Facal [] A Coruña [] Pintora y Escultora Lázaro Louzao [] A Coruña [] Director de Cine – Fotógrafo Javi Pita [] A Coruña [] Artista Multidisciplinar Martínez [] A Coruña [] Pintora – Restauradora – Encuadernadora – Técnico en Dorado Clara Lelarge [] A Coruña [] Fotógrafa Ana Soto [] A Coruña [] Ilustradora – Pintora Daniel Agra [] A Coruña [] Fotógrafo Estáis invitados… Os esperamos el Viernes día 7 a las 20.00 !!! . #espacio #spazovisible #setumismo #setumisma #talycomoeres #expositivo #expresiones #lenguajes #pensamientos #artgallery #artecontemporaneo #contemporaryart #contemporaryartist #coleccionistasdearte #artcollector #exhibition #exposicion #galeria #arte #coruna #coruña #acoruña #galicia #galiza #spazospazo

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Agra was a close friend of Paco Peralta. For the exhibit, he has included the designer’s original sample garments for Vogue 1602, a sculpted top and skirt in sequinned tweed. Peralta’s originals were worn by Nadja Giramata for last year’s Winter/Holiday release.

Nadja Giramata in an ensemble by Paco Peralta on view at CPS Spazo gallery, Galicia. Photo: Jack Deutsch. Image: McCall’s.

Behind the scenes note: makeup was by Joseph Boggess / YSL Beauty. Peralta was a great collector of Yves Saint Laurent.

A Vogue pattern by Paco Peralta will remain on permanent exhibit at the Galician gallery.

Vogue 1602 by Paco Peralta
Vogue 1602 by Paco Peralta (2018) Image: McCall’s.

Update: Paco’s friend Tany has also posted about the exhibit.

Visible is at A Coruña’s CPS spazo gallery through the month of June.

Visible, Friday, June 7th to Friday, June 28th, 2019

CPS spazo, Avda Mallos, 1, 15007 A Coruña, Galicia, Spain

http://www.spazo.es/

Summer 2019 Designer Pattern Highlights

Zandra Rhodes 1973 Field of Lilies / Summer gown photographed by Claire Rothstein
Pat and Anna Cleveland, both in Zandra Rhodes’ Summer gown. Photo: Claire Rothstein. Image: Instagram.

Have you seen the new summer patterns?

Cover look V1627 is an archival design by Zandra Rhodes, as worn by the Latvian-American model Ana Kondratjeva.

Zandra Rhodes pattern V1627 as worn by Ana Kondratjeva on the cover of the Vogue Patterns lookbook, Summer 2019
Zandra Rhodes dress pattern V1627 as worn by Ana Kondratjeva on the cover of the Vogue Patterns lookbook, Summer 2019. Image: Issuu.

Rhodes reissued her 1973 Field of Lilies dress — renamed the Summer, in memory of Donna Summer — for Matches Fashion’s recent 30th anniversary. The designer commissioned Claire Rothstein to take the mother-and-daughter portrait at the top of this post, in which Pat Cleveland and her daughter, Anna, both model the dress. The original is printed silk chiffon.

Vogue 1627 by Zandra Rhodes
Vogue 1627 by Zandra Rhodes (2019) Model: Ana Kondratjeva. Image: McCall’s.
Matches Fashion 30th anniversary illustration by Zandra Rhodes, 2017
Matches Fashion 30th anniversary illustration by Zandra Rhodes, 2017. Image: Instagram.

Inspired by Alessandro Michele’s Gucci, the new Very Easy Vogue pyjama is illustrated with ribbon trim, and in a version of the Gucci Flora print.

V9375
Vogue 9375 after Gucci (2019) Image: McCall’s.

For Gucci Pre-Fall 2018, in place of a more conventional lookbook, American artist Peter Schlesinger shot a photobook on location in Rome. Called Disturbia, it was inspired by the films of Dario Argento, the director behind the original Suspiria.

Inside Disturbia – Gucci Pre-Fall 2018 by Alessandro Michele. Photos: Peter Schlesinger. Image: Another Man.

A variation of the Gucci Flora pyjamas in printed silk twill.

Gucci by Alessandro Michele, Pre-Fall 2018. Photo: Peter Schlesinger. Image: Vogue Runway.

Michele paired a full-length version of the trousers, trimmed in the distinctive Gucci ribbon, with a faux-fur coat.

Gucci by Alessandro Michele, Pre-Fall 2018. Photo: Peter Schlesinger. Image: Vogue Runway.

The Pre-Fall 2019 ad campaign features another version of the Gucci Flora pyjama, as seen in the ancient ruins of Selinunte, Sicily. Vogue’s reference kimono top and pant (on pre-order at Neiman Marcus) is silk georgette.

Gucci PreFall 2019
Gucci Pre-Fall 2019, with members of Brooklyn punk band Surfbort. Photo: Glen Luchford. Image: Instagram.

The new Tracy Reese sundress has a cowl neckline, criss-cross back, and midriff that extends into waist ties. (See WWD for recent news.)

V1625 by Tracy Reese
Vogue 1625 by Tracy Reese (2019) Model: Ana Kondratjeva. Image: McCall’s.

Martha Graham was the inspiration for Reese’s Spring 2015 collection, where the dress was shown with a kimono jacket in the same botanical print.

Tracy Reese Spring 2015
Tracy Reese Spring 2015. Photo: Alessandro Garofalo. Image: Vogue Runway.

There are two patterns from Rachel Comey. The first: the Willow peasant top and Basin pant with grosgrain waistband. Judging from the pattern number, it may have been delayed from the Spring release. Hopefully this doesn’t signal the wrapping up of the designer’s contract. (See: Laroche?)

Vogue 1618 by Rachel Comey
Vogue 1618 by Rachel Comey (2019) Willow top, Basin pant. Model: Heather Aboff. Image: McCall’s.

Both pieces made their début in Comey’s country-and-western themed Pre-Fall 2016 collection, shot by New York street photographer Gus Powell. The original Willow top (right) is rayon gauze.

Rachel Comey Pre-Fall 2016
Rachel Comey Pre-Fall 2016. Photo: Gus Powell. Image: Vogue Runway.

For Fall 2016, Comey showed the top in a cute print. Later, it could even be seen in a lace and gingham combo.

Rachel Comey Fall 2016
Rachel Comey Fall 2016. Image: Vogue Runway.

The second Rachel Comey is a pair of unisex shirts. The unisex / menswear angle is welcome, since Comey made her name with men’s shirts. (See my earlier post.)

V1622 Rachel Comey unisex shirt pattern
Vogue 1622 by Rachel Comey (2019) Tre and Selleck unisex shirts. Image: McCall’s.

The Selleck shirt is short-sleeved, with seam interest, while the Tre shirt is a long-sleeved button-down. Both were shown in Comey’s Spring 2017 15th anniversary collection, which saw the launch of her unisex line.

Rachel Comey’s Selleck shirt, 2017. Image: Uncover LA.
Rachel Comey Spring 2017. Image: Vogue Runway.
Detail, Tre shirt by Rachel Comey in printed charmeuse, 2017. Image: Lyst / Farfetch.

After a decade of licensing, Simplicity has released a swimwear design by Cynthia Rowley. The colour-blocked one-piece is called the Heather, and retails in Rowley’s signature neoprene.

Simplicity 8928 by Cynthia Rowley (2019)
Simplicity 8928 by Cynthia Rowley (2019) Image: Simplicity.
Cynthia Rowley’s Heather one-piece in colour-blocked neoprene. Image: Cynthia Rowley.

The new pattern also includes a button-front maxi dress with ruffle sleeves. Add bodice tucks and you have the Nairobi kaftan — Rowley’s opening look for Spring 2017. The original caftan dress is 100% cotton.

Cynthia Rowley Spring 2017. Photo: William Eadon. Image: Vogue Runway.

Finally, a stealth bridal pattern: Very Easy Vogue V9373, a version of a Stella McCartney gown that was the first change of a newly minted duchess. (More at Vogue.)

V9373
Vogue 9373 after Stella McCartney (2019) Image: McCall’s.
Meghan Markle in Stella McCartney bridal, with Prince Harry, Windsor Castle, May 2018
The newly married Meghan Markle, Duchess of Sussex, and Prince Harry, Duke of Sussex, leave Windsor Castle to attend an evening reception at Frogmore House, May 2018. Photo: Steve Parsons. Image: AFP/Getty via Vogue.

The bride’s silk crepe, open-backed gown was an advance look at the Stella McCartney Made With Love collection, which launched in autumn, 2018.

McCartneyBridal1
Stella McCartney Made With Love bridal collection. Images: Stella McCartney.

Make in cruelty-free, sustainable fabrics for the authentic Stella McCartney touch.

McCartney-bridal2
Stella McCartney Made With Love bridal collection. Images: Stella McCartney.

Patterns in Vogue: The Leather Forecast

Linda Evangelista photographed in V1175 at Stansted airport by Nick Knight, 1994. Editor: Camilla Nickerson.
Linda Evangelista at Stansted Airport, 1994. Photo: Nick Knight. Editor: Camilla Nickerson.

Nick Knight once photographed Linda Evangelista at London’s Stansted Airport in a Vogue minidress.

The pattern is Vogue 1175, a 5 Easy Pieces pattern, cut from white leather from Mystic Leather, NYC.

White looks right against a steely sky or industrial machinery…

Long synonymous with rough and rugged images, leather is being transformed into sleek, sexy shapes with a body-conscious fit (Left: Vogue Patterns; right: Marc Jacobs for Birger Christensen.) Vogue, October 1994 Photo: Nick Knight.
Linda Evangelista in “The Leather Forecast,” Vogue, October 1994. Photo: Nick Knight. Editor: Camilla Nickerson.