Toddler’s Hooded Siren Suit

1940s Toddler's Hooded Siren Suit pattern Weldons 33
Weldons 33 (ca. 1940) Toddler’s hooded siren suit.

From Weldons’ wartime So-Easy line, an air raid suit for toddlers. One child appears to be carrying a gas mask case.

Other siren suit patterns were available for children, girls, and women, plus a “ten-second” siren wrap.

More on Weldons’ So-Easy patterns: There’s a War On | What to Wear in an Emergency

Patterns in Vogue: Anna Wintour Birthday Edition

Vogue 8155 cotton kimono in Vogue, January 1989
Kara Young, Carré Otis, and Jennifer Noble in Vogue, January 1989. Photo: Patrick Demarchelier. Editor: Grace Coddington.

Happy birthday to Anna Wintour, who turns 70 today.

Wintour included Vogue patterns in U.S. Vogue from her first issue as editor. Above, the models’ white cotton kimonos were made with a unisex robe pattern (Vogue 8155). Below, in Wintour’s first issue, Cathy Fedoruk wears a Very Easy dress (Vogue 7146) in cotton piqué.

"Hot Prospects" Vogue Nov 1988 Wintour 1st issue. The new colors for resort: gunmetal and white. Make the dress that may make your summer: for A.M./P.M., city/ resort, a textured cotton piqué dress with a square-necked front. Vogue Pattern no. 7146. Fabric, Batex S.P.A. Beauty and the back: sun protection from Ultima II ProCollagen SPF 4. Plain geometry: bold crisscross straps on dresses
Cathy Fedoruk in “Hot Prospects,” Vogue, November 1988. Photo: Patrick Demarchelier. Editor: Jenny Capitain.

In Wintour’s first Holiday issue, “Skirts are layered for a romantic ballerina look.” Carré Otis’ skirts (Vogue 7267) are cream polyester chiffon from Symphony Fabric Corp and blue Stehli Seiden silk-polyamid georgette; the Chanel-style jacket is a Vogue Career design (Vogue 7316) in linen from Hamilton Adams, worn with a Very Easy top (Vogue 7128) in Jasco matte rayon jersey. “Sewing tips: eliminate cuff and finish sleeve… Cut skirt to desired length.”

"Sheer Effects" Vogue Dec 1988 7267 skirt, 7316 jacket, 7128 top (1988). Skirts are layered for a romantic ballerina look. Two chiffon skirts give a classic jacket and top an unexpected twist. Skirts, Vogue Pattern no. 7267. Cream chiffon, Symphony Fabric Corp.; blue chiffon, Stehli Seiden at Gordon Textiles International. Jacket, Vogue Career Pattern no. 7316. Linen, Hamilton Adams. T-shirt, Vogue Pattern no. 7128. Jasco rayon matte jersey.
Carré Otis in “Sheer Effects,” Vogue, December 1988. Photo: Arthur Elgort. Editor: Jenny Capitain.

The Addams Family Patterns

Weird Is Relative - Poster for Barry Sonnenfeld's The Addams Family (1991)
Poster for Barry Sonnenfeld’s The Addams Family (1991) Image: IMDb.

This week, a look at official Addams Family patterns.

Ruth Myers’ costumes won her her first Academy Award nomination. (The second was for Emma.)

Morticia (Anjelica Huston) in The Addams Family (1991)
Anjelica Huston as Morticia Addams in The Addams Family (1991) Image: IMDb.

The 1991 Addams Family was a Thanksgiving movie, so the costume licensing came the following year, in time for Halloween 1992.

Simplicity had two costume patterns, for children and adults. The adults’ pattern was for adorable couple Morticia and Gomez.

1990s adults' The Addams Family costumes - Morticia and Gomez couple costume
Simplicity 7990 (1992) The Addams Family costumes ©1991 Paramount Pictures. Image: Etsy.

The children’s pattern adds Uncle Fester and Cousin It (with “optional face cut-out”). We can only speculate as to why there’s no Wednesday.

1990s children's The Addams Family costumes - Uncle Fester, Morticia, Gomez, and Cousin It
Simplicity 7991 (1992) The Addams Family costumes ©1991 Paramount Pictures. Image: Etsy.
Wednesday (Christina Ricci) in The Addams Family (1991)
Christina Ricci as Wednesday Addams in The Addams Family (1991) Image: IMDb.

Happy Halloween, everyone!

Vogue Australia at 60

Elle Macpherson, Vogue Australia, March 1995. Photo: Andrew Macpherson. Image: Vogue Australia.

It’s spring in the southern hemisphere, and Australian Vogue is celebrating its 60th anniversary. The festivities kicked off in Canberra last week with the opening of Women in Vogue: Celebrating 60 years in Australia (at the National Portrait Gallery to November 24, 2019). A special anniversary issue of the magazine will hit newsstands in December.

Fernanda Ly, Akiima, Charlee Fraser, and Andreja Pejić on the cover of Vogue Australia, 2018
Fernanda Ly, Akiima, Charlee Fraser, and Andreja Pejić on the cover of Vogue Australia, April 2018. Photo: Patrick Demarchelier. Editor: Christine Centenara. Image: Vogue Australia.

The late Tania Mallet graced the cover of Vogue Australia’s first issue in spring, 1959. (Click the image for a history published for the magazine’s 55th anniversary.)

Vogue AU Spring Summer 1959
Tania Mallet on the cover of the inaugural issue of Vogue Australia, Spring/Summer 1959. Photo: Norman Parkinson. Image: Vogue Australia.

Vogue Australia editor Edwina McCann sits on the board of directors of the new Australian Fashion Council, and the magazine’s cover archive is a gallery of famous faces, especially Australians like Cate Blanchett.

Vogue Australia, January 2006
Cate Blanchett on the cover of Vogue Australia, January 2006. Photo: Richard Bailey. Image: Vogue Australia.

Vogue Patterns counts two Australians among its current designers: Rebecca Vallance and Nicola Finetti.

V1524 by Rebecca Vallance design on the cover of Vogue Patterns lookbook, Winter 2016
A Rebecca Vallance design on the cover of Vogue Patterns lookbook, Winter 2016. Image: Issuu.
V1587 by Nicola Finetti on the cover of the Vogue Patterns lookbook, Summer 2018
A Nicola Finetti design on the cover of the Vogue Patterns lookbook, Summer 2018. Image: Issuu.

Vogue Australia was still in its first decade when Butterick introduced two Aussies—Norma Tullo and Prue Acton—to its Young Designers line.

Butterick 5126 by Norma Tullo
Butterick 5126 by Norma Tullo (ca. 1968) Image: Etsy.
Butterick 5617 by Prue Acton (1969) Image: Etsy.

In the 1980s, Carla Zampatti and Frederick Fox both signed licensing deals with Style Patterns. The milliner to the Queen contributed more than one bridal design in classic Eighties style.

1980s dress pattern by Carla Zampatti - Style 4438
Style 4438 by Carla Zampatti (1986) Image: Etsy.
1980s Frederick Fox bridal hat pattern Style 1249 with the royal warrant
Style 1249 by Frederick Fox (1987)

In the 1990s, Richard Tyler briefly designed for Anne Klein. It’s possible that an Anne Klein pattern or two showcases Tyler’s work.

Nadja Auermann in Richard Tyler for Anne Klein, Vogue February 1995
Nadja Auermann in Richard Tyler for Anne Klein, Vogue, February 1995. Photo: Juergen Teller. Editor: Camilla Nickerson.
Australian model Gemma Ward in Junya Watanabe, 2005. Photo: Nick Knight
Australian model Gemma Ward in Junya Watanabe, 2005. Photo: Nick Knight. Image: SHOWstudio.
Vogue coverup photographed by Helmut Newton at Wanda Beach, Australia (May 1964)
Vogue coverup (Adolfo hat), Wanda Beach, Australia. Photo: Helmut Newton. Vogue, May 1, 1964.

Fall 2019 Postscript (after Balenciaga)

Fall 2018 Balenciaga campaign image by Charlie White
Fall 2018 Balenciaga campaign image by Charlie White. Models: Eliza Douglas and Martina Almquist. Image: Fashion Gone Rogue.

Last week, it was announced that Demna Gvasalia is leaving Vetements, the label he founded in 2014. Vetements will continue under his brother, CEO Guram Gvasalia; the Georgian designer remains creative director of Balenciaga.

Martina Almquist in Balenciaga's Pre-Fall 2018 ad campaign photographed by Ilya Lipkin
Martina Almquist in Balenciaga’s Pre-Fall 2018 ad campaign. Photo: Ilya Lipkin. Editor: Lotta Volkova. Image: Balenciaga.

Left out of my Fall Vogues report were two Balenciaga adaptations.

Vogue 1638 after Balenciaga by Demna Gvasalia (2019)
Vogue 1638 after Balenciaga by Demna Gvasalia (2019) Image: McCall’s.

The godet draped skirt is a permanent design, seen variously in different wool checks with a partial raw edge, and in current-season stretch wool twill.

Balenciaga Pre-Fall 2018 by Demna Gvasalia
Balenciaga Pre-Fall 2018 by Demna Gvasalia. Image: Vogue Runway.

As the check reveals, the godet is true bias at the inner edges. (Also at Farfetch.)

Balenciaga asymmetric check skirt by Demna Gvasalia
Balenciaga asymmetric check skirt by Demna Gvasalia. Image: net-a-porter.
Balenciaga asymmetric Prince of Wales check skirt by Demna Gvasalia
Balenciaga asymmetric Prince of Wales check skirt by Demna Gvasalia. Image: Matches Fashion.

Here’s a fuchsia version from Pre-Fall 2019:

Balenciaga Pre-Fall 2019 by Demna Gvasalia
Balenciaga Pre-Fall 2019 by Demna Gvasalia. Image: Vogue Runway.

The stretch wool iteration was shown with a fluid silk blouse. (Also at Farfetch and net-a-porter.)

Balenciaga Godet Draped Skirt in rose bubble gum twill
Balenciaga Vareuse logo blouse and godet draped skirt in rose bubble gum twill. Image: Balenciaga.

Vogue’s second Balenciaga-inspired design can be shortened from dress to top. (View A, not photographed.)

Vogue 1632 after Balenciaga by Demna Gvasalia
Vogue 1632 after Balenciaga by Demna Gvasalia (2019) Image: McCall’s.

This one’s adapted from Balenciaga Fall 2018.

Balenciaga Fall 2018 by Demna Gvasalia - draped top in stretch crushed velvet
Balenciaga Fall 2018 by Demna Gvasalia. Model: Amanda Hermansson. Image: Vogue Runway.
Balenciaga Fall 2018 by Demna Gvasalia - draped mini dress in stretch velvet
Balenciaga Fall 2018 by Demna Gvasalia. Model: Sunniva Vaatevik. Image: Vogue Runway.

According to the Balenciaga webstore, the original was inspired by ice-skating. For knit fabrics with a lot of stretch.

Draped velvet dress by Demna Gvasalia for Balenciaga
Draped velvet dress by Demna Gvasalia for Balenciaga. Image: Browns.

Patterns in Vogue: Peter Lindbergh, 1944-2019

"Seeing Spots" by Peter Lindbergh - Vogue pattern 7054 Women's robe and shorts (1987) "Additional information: shorten shorts."
Naomi Campbell photographed by Peter Lindbergh for “Seeing Spots,” Vogue, June 1990. Editor: Grace Coddington.

Peter Lindbergh died yesterday. He was 74. (Read the WWD obituary.) The German photographer was a frequent collaborator of Grace Coddington’s. In these images, the duo captured Naomi Campbell and Anna Getaneh in silk pyjamas made from Vogue Patterns.

The patterns are Vogue 7054 and 7079.

Peter Lindbergh's "Nude Study" - Vogue pattern 7079 Men's robe (1987) in silk chiffon
Anna Getaneh photographed by Peter Lindbergh for “Nude Study,” Vogue, November 1989. Editor: Grace Coddington.