
My Winter patterns report comes a little late: I’ve been busy working to save a historic hotel-turned-tavern here in Hamilton. (Read my op-ed | #SaveHanrahans) Without further ado, here’s a look at the last patterns of the decade.

Vogue’s cover look is a white jersey gown from Badgley Mischka. As worn on the pattern envelope by new model Shaya Ali:

The new Guy Laroche — a minimalist pantsuit with contrast trim — is the company’s first by Richard René.

René’s second collection for Laroche was inspired by art brut and the graphic potential of a blank sheet of paper. According to Vogue, he showed structured pieces for strong personalities, with details like “stand-up edging that adds a cape-like extra inch or two to the shoulders.”

From Cynthia Rowley, a pattern for the Eden dress and top.

The original Eden dress in polished cotton. (The top version is a lightweight printed cotton: webstore | Rent the Runway.)

This flounced dress by Cynthia Rowley is seen variously in the designer’s Inverness Fish print and bias-cut silk lamé.

Rowley’s longtime collaborator William Eadon photographed the lookbook in her hometown of Barrington, Illinois. The lookbook was styled by her daughter, Kit Keenan.

For a subtle variation, close the front bodice seam.

These pleated trousers are adapted from Celine by Hedi Slimane.


McCall’s chic cover look is a version of Max Mara’s hooded cape coat.


Here’s the Max Mara original in cashmere twill:

Vogue Couturier patterns are the original Vogue designer knockoffs. The new Vintage Vogue is a Couturier coat from 1949:




The new Custom Fit patterns are also designer adaptations. View A of V1654 is after Gucci.


And V1667 is a version of Prabal Gurung’s tulip sleeve jacket. (Trousers not included.)

Vogue noted Gurung’s “sharp-yet-curvy, cherry-red pantsuit.”

The tulip-sleeve suit comes in many variations, such as zebra print, sequins, and an ecru check. The latter is a very fine houndstooth in stretch poly-viscose.


With a few tweaks you can sew the look, as worn by Beyoncé.
