Pucci 70th Anniversary

May 4, 2017 § Leave a comment

McCall's 3980 by Emilio of Capri photographed on the beach by Howell Conant, McCall's Pattern Book, Spring 1957

A dress by Emilio of Capri in McCall’s Pattern Book, Spring 1957. Photo: Howell Conant.

Pucci has been in the news this week with the announcement that Josephus Thimister will consult on the next collection, following the departure in April of head designer Massimo Giorgetti. (See WWD.) The house of Pucci is also celebrating its 70th anniversary this year.

Before becoming a Vogue Couturier in the 1960s, Emilio Pucci designed exclusive patterns for McCall’s. Howell Conant photographed Pucci’s earliest pattern designs, including the harlequin dress above, for McCall’s Pattern Book. For more on Pucci see my Mad Men-era series post, The Europeans.

Happy 70th anniversary, Pucci!

1960s Pucci Vogue Couturier sewing pattern Vogue 1351

Vogue 1351 by Pucci (1964) Image: PatternVault on Etsy.

Free Designer Pattern: Simone Rocha Skirt

April 27, 2017 § 3 Comments

Ana Buljevic photographed by Rob Rusling in an ensemble from Simone Rocha's Spring 2014 collection

Model: Ana Buljevic. Photo: Rob Rusling. Image: SHOWstudio.

After a three-year hiatus, SHOWstudio has released a new Design Download: a skirt by Simone Rocha. The Dublin-born Central St Martins graduate won the British Womenswear Designer award for 2016, and now has stores in London and New York. (For more, see Matthew Schneier, “Simone Rocha, Born to Fashion, Makes Her Own Mark.”)

The three-bite pearl-embellished skirt is from Rocha’s Spring 2014 collection, which drew critical acclaim for its deconstructed femininity. (See Suzy Menkes’ review, “Simone Rocha, Family and Fashion.”) You can see the full collection at vogue.com, or check out the detail images at the designer’s website.

A pearl-trimmed, black neoprene ensemble in Simone Rocha's Spring 2014 collection

Simone Rocha’s Spring 2014 collection. Image: vogue.com.

Pearl-edged slashes were a signature element of the collection, as were the pearl-trimmed knee-high stockings. (Rocha has said she is inspired by her grandmothers.)

Two pearl-trimmed looks from Simone Rocha's Spring 2014 collection

Two looks from Simone Rocha’s Spring 2014 collection. Images: vogue.com.

Watch a 3D rendering video of the skirt in motion:

For their competition prize, SHOWstudio commissioned Fiona Gourlay to produce an original illustration of Rocha’s Spring 2014 ensemble:

Simone Rocha 2014 - fashion illustration by Fiona Gourlay, 2016.

Illustration by Fiona Gourlay, 2016.

The pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.

Simone Rocha skirt pattern pieces

Image: SHOWstudio.

Download the skirt pattern (7 pieces)

Notes: The original was neoprene. The yoke calls for fused lining (fusible interfacing). Slashed edges are finished with binding.

Notions: 20 cm (8″) zipper.

View the submissions gallery.

Patterns in Vogue: Winona Ryder by Ellen von Unwerth

April 17, 2017 § 1 Comment

Ellen von Unwerth – Heimat at the Taschen Gallery, Los Angeles, 2017. Image: Taschen.

If you’re in LA this month, you can catch Ellen von Unwerth’s new show, Heimat, at the Taschen Gallery (to May 1st, 2017). A catalogue is available in two limited editions.

Ellen von Unwerth, Heimat - Bavarian show catalogue, 2017

Ellen von Unwerth, Heimat (Taschen, 2017) Image: Taschen.

In 1993, von Unwerth photographed Winona Ryder for a Vogue cover feature showcasing the season’s silver trend. One of the silver looks—shown twice—was made using a Vogue pattern.

"Riding High" Winona Ryder Vogue feature photographed by Ellen von Unwerth, 1993. "After three intense, adult dramas and the breakup of one romance and the start of another, Winona Ryder celebrates her twenty-second birthday this month with a stellar performance in The Age of Innocence. She tells David Handelman about her cheery new outlook on life and models this season's silver for Ellen Von Unwerth"

Winona Ryder in Vogue, October 1993. Photo: Ellen von Unwerth. Editor: Camilla Nickerson.

"Riding High" - Winona Ryder Vogue feature photographed by Ellen von Unwerth, 1993

Winona Ryder in V1446 silver leather coat, Vogue, October 1993. Photo: Ellen von Unwerth. Editor: Camilla Nickerson.

"Riding High" - Winona Ryder Vogue feature photographed by Ellen von Unwerth, 1993

Winona Ryder in a Betsey Johnson silver lamé suit and Converse sneakers. Vogue, October 1993. Photo: Ellen von Unwerth. Editor: Camilla Nickerson.

"Riding High" - Winona Ryder Vogue feature photographed by Ellen von Unwerth, 1993

Winona Ryder wears a silver leather coat made using Vogue 1446. Vogue, October 1993. Photo: Ellen von Unwerth. Editor: Camilla Nickerson.

Ryder’s duster is the long, view D version of Vogue 1446, made up in silver leather from Libra Leather.

Vogue 1446 (ca. 1984)

Vogue 1446 (ca. 1984) Image: Sew Exciting Needleworks.

Mei Xiao Zhou for Guy Laroche: Vogue Patterns

March 14, 2017 § 6 Comments

Guy Laroche advertising campaign, Fall 2001

Guy Laroche advertising campaign, Fall 2001.

Word is Guy Laroche patterns are set to return after a two-year hiatus. (The last Laroche, and last Paris Original, to be released was V1450 in Summer, 2015.) In anticipation, my ongoing Laroche series resumes with a look at the early 2000s designs of Mei Xiao Zhou.

Born in the Netherlands, Mei Xiao Zhou came to a career in fashion after working as a ballet dancer and video director in New York and Tokyo. He spent six years as an assistant to Thierry Mugler before he was hired as head designer at Guy Laroche. (See WWD, “Guy Laroche Taps Zhou.”)

Zhou designed two collections for Laroche, both presented in 2001.

1. Guy Laroche Prêt-à-porter Fall/Winter 2001 (shown March 2001)

Mei Xiao Zhou’s first collection for Laroche radiated energy, with vibrant colour and prints underlining the skillful cut. (See WWD, “Static State, Forties-Something, and the ‘Casino’ Factor.”) Here’s the collection image from L’Officiel 1000 modèles:

Guy Laroche Fall 2001 collection by Mei Xiao Zhou

Guy Laroche Fall 2001 collection by Mei Xiao Zhou in L’Officiel 1000 modèles. Image: jalougallery.com.

The hardest to find of Zhou’s Laroche patterns, Vogue 2650 is a bias-cut, halter-neck wrap dress that can be made in cocktail and evening length (both size ranges available in the shop):

Fall 2001 Mei Xiao Zhou for Guy Laroche bias dress pattern Vogue 2650

Vogue 2650 by Mei Xiao Zhou for Guy Laroche (2002) Image: PatternVault on Etsy.

Vogue 2650 by Mei Ziao Zhou for Guy Laroche - two runway versions

Guy Laroche Fall 2001 runway. Images: firstVIEW.

Vogue 2668’s trouser suit includes a short jacket with three-quarter sleeves. On the runway, the revers on the red version revealed a flash of sequins:

Fall 2001 Mei Xiao Zhou for Guy Laroche pantsuit pattern Vogue 2668

Vogue 2668 by Mei Xiao Zhou for Guy Laroche (2002) Image: Etsy.

Vogue 2668 - white and red versions on the Guy Laroche Fall 2001 runway

Guy Laroche Fall 2001 runway. Images: firstVIEW.

Vogue 2689 is a sleek skirt suit with concealed closure and clavicle-framing standing collar. The skirt has a zippered side slit:

Fall 2001 Mei Xiao Zhou for Guy Laroche skirt suit pattern Vogue 2689

Vogue 2689 by Mei Xiao Zhou for Guy Laroche (2002) Image: PatternVault on Etsy.

Vogue 2689 - two versions on the Guy Laroche Fall 2001 runway

Guy Laroche Fall 2001 runway. Images: firstVIEW.

L’Officiel included one of Zhou’s op-art print pieces in the Sixties-inspired editorial “Mille neuf cent soixante-trois“:

Mariacarla Boscono in Guy Laroche by Mei Xiao Zhou photographed by Nicolas Hidiroglou, 2001

Guy Laroche, L’Officiel, October 2001. Model: Mariacarla Boscono. Photo: Nicolas Hidiroglou. Editor: Jennifer Eymère. Image: jalougallery.com.

2. Guy Laroche Prêt-à-porter Spring/Summer 2002 (shown October 2001)

For his romantic second collection for Laroche, Zhou covered the runway in water, sending out looks with an Asian influence in a palette of white, yellow, ochre, chocolate brown, and black. (See L’Officiel 1000 modèles and AP, “Louis Vuitton Show Goes Creative.”) Here’s the collection image:

Guy Laroche Spring 2002 collection by Mei Xiao Zhou

Guy Laroche Spring 2002 collection by Mei Xiao Zhou in L’Officiel 1000 modèles. Image: jalougallery.com.

Raquel Zimmerman in an all-white look from Mei Xiao Zhou's Spring 2002 collection for Guy Laroche

A look from Mei Xiao Zhou’s Spring 2002 collection for Guy Laroche. Model: Raquel Zimmerman. Image: livingly.

The Spring 2002 campaign echoed the runway’s aquatic motif:

A backless dress in Guy Laroche advertising campaign, Spring 2002

Guy Laroche advertising campaign, Spring 2002.

Because this collection is not well documented online, it’s difficult to identify corresponding sewing patterns. Vogue 2752 looks to be one of the canary yellow suits, with flared kimono sleeves and rounded lapels that match descriptions of the show:

Vogue 2752 by Mei Xiao Zhou for Guy Laroche

Vogue 2752 by Mei Xiao Zhou for Guy Laroche (2002) Image: PatternVault on Etsy.

Although I can’t confirm it, Vogue 2736 may also be a Spring 2002 design. The jacket has a bustier-effect bias inset, and the pants have high slits in the back seams:

2000s Guy Laroche pinstriped pantsuit pattern Vogue 2736

Vogue 2736 by Guy Laroche (2003) Image: Etsy.

Mei Xiao Zhou brought the verve of Mugler to his runway shows for Laroche. Although his first collection was well received, the house was sold to a new parent company, which hired a new designer for Fall 2002 (Laetitia Hecht). Like other designer patterns of this period, Zhou’s Laroche patterns highlight the widening gulf between catwalk and sewing-editorial styling—which is ultimately the gulf between the fashion and home sewing industries.

Previous Laroche posts:

Red Carpet Roundup

February 25, 2017 § 2 Comments

Vogue 1078 by Damian Yee for Guy Laroche on the runway

Vogue 1078 on the runway. Image: Vogue Italia.

Will you be watching the Oscars on Sunday? Here’s a roundup of my posts on red carpet dressing.

Hervé L. Leroux for Guy Laroche – Hilary Swank chose her Oscars gown from Leroux’s debut collection for Laroche. Vogue Patterns released two designs from this collection: cocktail dress V2899 and a backless evening pantsuit. (Bonus: check out this red Laroche gown on 1stdibs.)

Vogue 2937 by Hervé L. Leroux for Guy Laroche

Damian Yee for Guy Laroche – Leroux’s successor at Laroche has two evening designs with Vogue Patterns, including this gown from the house’s Jubilee collection.

Vogue 1078 by Damian Yee for Guy Laroche

Clash of the Titans: Goddess Gowns – My first Oscars post on the Academy Awards staple. This late ’40s gown might be this blog’s most-pinned image:

McCall 7862

Rock the Caftan – A non-Western formal alternative with origins in ancient Persia.

Billie Blair in Dior caftan V1346

Red Carpet Fashion: Evening Pantsuits – A trend that continues to pick up steam (see Hannah Marriot, “Red-carpet rebels: why trousers for women are a political act“).

Donna Karan bustier pantsuit pattern Vogue 1076

Jane Fonda in Yves Saint Laurent at the 44th Academy Awards, April 1972. Image: tumblr.

Jane Fonda in Yves Saint Laurent at the 44th Academy Awards, April 1972. Image: tumblr.

Marisa Berenson

February 15, 2017 § Leave a comment

Marisa Berenson in Vogue 7827 on the cover of Vogue Pattern Book, June/July 1970

Marisa Berenson on the cover of Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Marisa Berenson (b. 1947) turns 70 today. Though best known for her work as a film actor in movies like Visconti’s Death in Venice (1971), Cabaret (1972), and Barry Lyndon (1975), Berenson grew up wanting to be a fashion model. Her career was launched when she met Diana Vreeland at a society ball, and she became one of the most successful models of the ’60s and ’70s. For more, see the visual biography Marisa Berenson: A Life in Pictures (Rizzoli, 2011).

Marisa Berenson promoting Kubrick's Barry Lyndon on the cover of Interview, Jan. 1975

Marisa Berenson as the Countess of Lyndon on the cover of Andy Warhol’s Interview, January 1975. Image: eBay.

As far as I know, Berenson appears on only one pattern envelope: Vogue 2369 by Oscar de la Renta. Taken in a New York interior, the photo was also published in a 1970 Vogue Pattern Book feature on the designer:

1970s Oscar de la Renta dress pattern feat. Marisa Berenson, Vogue 2369

Vogue 2369 by Oscar de la Renta (1970) Image: Etsy.

Berenson can also be seen in Vreeland-era pattern editorials in Vogue magazine, like this shoot by Guy Bourdin (see my earlier post):

Marisa Berenson photographed by Guy Bourdin in Vogue pattern 6916

Marisa Berenson in Vogue, August 15, 1966. Photos: Guy Bourdin.

Irving Penn’s “Look Marvellous” editorial, showcasing clothes in American fabrics, included Berenson in Vogue 7017 and Vogue 7022 (via Youthquakers):

Marisa Berenson photographed by Irving Penn in Vogue 7017 and 7022, shown in Forstmann and Anglo wool

“Look Marvellous”: Marisa Berenson in Vogue, January 15, 1967. Photos: Irving Penn. Image: Youthquakers.

This Gianni Penati editorial shows two Vogue Paris Originals by Marc Bohan for Dior, Vogue 1787 and Vogue 1792:

Marisa Berenson photographed by Gianni Penati in Dior patterns 1787 and 1792

“Hit Knits: the geometric jerseys.” Marisa Berenson in Vogue, June 1967. Photos: Gianni Penati.

The issue of Vogue Pattern Book with the Berenson cover (shown above) includes more of her editorial work. In “New Evening Splendour,” she wears the cover look, caftan Vogue 7827, as well as Vogue 7834 and Vogue 7836:

vpb junjul 1970 7836

Vogue 7836 caftan, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Vogue 7827 caftan in Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Vogue 7827 caftan, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Vogue 7834 Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Vogue 7834 poncho and pants, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.

Berenson also models some jumpsuits in a summer portfolio—Vogue 7697 in a groovy print:

7697 Vogue Pattern Book, June/July 1970

Vogue 7697 in Vogue Pattern Book, June/July 1970.

High-waisted jumpsuit Vogue 7818:

7818 Vogue Pattern Book, June/July 1970.

Vogue 7818 in Vogue Pattern Book, June/July 1970.

And short jumpsuit and wrap skirt Vogue 7812:

Vogue Pattern Book, June/July 1970

Vogue 7812 in Vogue Pattern Book, June/July 1970.

Happy birthday, Ms. Berenson!

Marisa Berenson on the Tom Ford Spring 2011 runway

Marisa Berenson on the runway for Tom Ford’s Spring 2011 collection. Photo: Terry Richardson. Image: Harper’s Bazaar.

Patterns in Vogue: The Insiders (Galentine’s Day Edition)

February 13, 2017 § Leave a comment

Detail - Regina Jaffrey photographed in Vogue 8888 by Chris von Wangenheim, 1974

Detail, Vogue, November 1974. Photo: Chris von Wangenheim. Image: The Fashion Spot.

Galentine’s Day calls for slumber party-worthy loungewear. “The Insiders,” a mid-1970s Chris von Wangenheim editorial photographed in interior designer Angelo Donghia’s New York townhouse, includes three Vogue patterns made up in gleaming satin.

"The Insiders" - Regina Jaffrey and unknown model in Vogue 8888, 1127, and 8855 photographed by Chris von Wangenheim, 1974

“The insiders… make their own gleam”: loungewear patterns in Vogue, November 1974. Photos: Chris von Wangenheim. Image: The Fashion Spot.

On the left, Regina Jaffrey wears robe Vogue 8888 and trousers Vogue 1127; the model on the right is wearing jacket and drawstring pants Vogue 8855. Both ensembles were made in Qiana nylon, from American Silk Mills and Jules Moskowitz. (Hair by Maury Hopson; jewels: Van Cleef & Arpels.)

Detail - model photographed in Vogue 8855 by Chris von Wangenheim, 1974

Detail, Vogue, November 1974. Photo: Chris von Wangenheim. Image: The Fashion Spot.

See Sighs and Whispers’ repost for the full editorial.

1970s patterns Vogue 8888, Vogue 1127, and Vogue 8855

Pattern images: Roma’s Maison, Vintage Pattern Wiki.

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