Leombruno-Bodi photographed three models, including Nena von Schlebrügge and Dorothea McGowan, in airy loungewear made from Vogue patterns.
Left: Red polka dots printed on white cotton: brief panties, a top swung briskly from red ribbon shoulder straps. In Crown Soap n’ Water fabric. Centre: Candy-striped silk, slipping into a perfect fall from narrow, softly bowed ribbon straps. Pink and orange stripes skimming white silk; the ribbon, orange. A.P.Silk fabric. Right: White cotton batiste, embroidered with white medallions; single touch of colour, the trailing, sweet-blue ribbon. Emanuel Roth fabric. All ribbon by Century.
The patterns are Vogue 9774 and 5032, a ruffled breakfast coat and nightgown / short pyjamas and nightcap.
SHOWstudio’s latest Design Download is a dress by Dutch wunderkind Iris van Herpen.
The sheath dress is from Hacking Infinity, Iris van Herpen’s Fall 2015 ready-to-wear collection, which explored the idea of terraforming. (Read more at the designer’s site, or see Suzy Menkes on her 2015 studio visit.) The collection’s leather and 3D-printed shoes are by Noritaka Tatehana.
Science, technology, and science fiction are strong influences for Van Herpen, and Vogue’s reviewer cited Paul Verhoeven’s Total Recall as an intro to the terraforming concept. Several looks referenced the stillsuits from David Lynch’s Dune.
The plissé material, seen in the SHOWstudio piece, appeared both as one element in a mix, and for entire garments in black and bronze.
For Fall 2015, Van Herpen developed a fine, metallic fabric woven from silk and stainless steel. The translucent silver material was coaxed into “a sheen of nebula-like colors” with heat and hand-burnishing. Plisséed and pleated into circular forms, it evoked planetary bodies and infinity.
The pattern download comes in A4 sheets, with a test line to check the scale.
Notes: Prints on 100 A4 sheets. Plissé panels are hand-sewn to base dress.
Fabric recommendations: Plissé panels: plissé or printed fabric on a cotton base fabric. Stretch fabric is recommended for the skirt. Straps & facings: silk, non-stretch fusible interfacing. Lining: silk or cupro.
Notions: Back zipper.
The competition is still open. Will you be entering?
In honour of Burns Night, a guide to Outlander patterns.
Outlander is now in its fourth season; it’s been renewed for two more. Adapted from the popular series by Diana Gabaldon, the time-travelling romance has plenty of source material: Gabaldon is currently working on her ninth Outlander book.
Sunday’s season finale will be the last episode to feature costumes by Terry Dresbach. Trisha Biggar is the new costume designer for season 5. Biggar, who is from Glasgow, is best known for her work on the Star Wars prequel trilogy.
In 2017, Simplicity’s unofficial Outlander patterns prompted Dresbach to take down her website. (It’s back now.) The next year, McCall’s started releasing official, licensed Outlander patterns.
Simplicity’s adapted-from-Outlander patterns are by American Duchess, a historical costuming company based in Reno, Nevada. The three patterns are based on Claire’s costumes in seasons 1 and 2: 18th-century Highland dress and an unusual court gown. There’s also a free pattern for her crocheted cowl.
It was this version of Claire’s red dress that caused such consternation online. Claire wears the original during her visit to Versailles in “Not in Scotland Anymore,” the episode that earned Outlander its first Emmy nomination for costume design. It was also seen in promotional materials for season 2 (see top of post). The pattern is still in print, but as with Simplicity’s Game of Thrones patterns, the colour was soon changed to a less provocative teal.
McCall’s started licensing official Outlander patterns in 2018. (Company founder James McCall was a Scottish immigrant, and McCall’s UK — McCalls Ltd — is not a pattern company, but a Highlandwear outfitters.) McCall’s Outlander patterns cover both women’s and men’s costumes, with many available as instant downloads. For the first few releases this meant Claire and Jamie Fraser, or 18th-century Scottish highlander garb.
Next came the couple’s wedding clothes: Jamie’s frock coat and Claire’s wedding dress.
Outerwear was the focus of the Summer release, with patterns for Claire’s fur-trimmed riding jacket and Jamie’s leather coat.
Jamie is still wearing the coat in season 2, when he joins up with Bonnie Prince Charlie. Dresbach suited the latter not in the Stuart, but the MacQueen tartan.
This fall, we finally saw a costume for British officer Jonathan “Black Jack” Randall, plus Claire’s blue riding jacket-and-waistcoat combo from season 3’s Emmy-nominated episode, “Freedom & Whisky.” The title is a Burns quote, and the episode sees Claire sewing the outfit herself, for time travel. A costume book lies open by her sewing machine, and her ensemble looks to be based on a memorable riding habit in Janet Arnold’s classic, Patterns of Fashion.
This year, McCall’s Outlander patterns caught up to the show with this caraco jacket and skirt. The jacket looks to be one of Claire’s remade outfits, courtesy of Jamie’s aunt Jocasta.
Slàinte! To freedom and whisky.
Update (April 2019): This new release includes Claire’s peplum jacket and fichu (scarf), plus a chemise:
A Vreeland-era Vogue Patterns editorial shows Lauren Hutton with silver, helium-filled pillows by Andy Warhol, who would have been 90 this year.
The Mylar pillows were the stars of Warhol’s Silver Clouds show at the Leo Castelli Gallery in New York. (More here.) The patterns are Vogue 6733 and Vogue 6928, both “Easy to Make.” Shown in silver cloqué, the short dress was adapted as a dancing dress; the long dress was designed as a nightgown. (Regina Novelty earrings; Bernardo sandals. Hair by Marc Sinclaire.)
Grunge is back. Marc Jacobs has reissued looks from his Spring 1993 “grunge” collection for Perry Ellis as Redux Grunge.
Juergen Teller’s ad campaign shows Jacobs’ iconic grunge pieces, resurrected from vintage and available exclusively from the designer’s website.
I wrote about Vogue’s two grunge Perry Ellis patterns back in 2013, as part of my series on early Marc Jacobs.
Now that Vogue has posted the entire collection online, we can ID the other dress. The button-front slip dress was originally worn layered, Seattle-style.
None of the three pattern looks is part of the reissue, but the short version of the maxi dress—worn by Carla Bruni in 1992—can be seen on Lili Sumner in Teller’s campaign. (There’s also a new, flower chain print version of the ’90s floral dress.) As the web store notes, the dress was inspired by 1930s nightgowns. Just shorten V1304 to sew the look.