May 19, 2018 § Leave a comment
Gnyuki Torimaru, or Yuki, is most famous for dressing Princess Diana on her 1986 state visit to Japan. But his licensed sewing patterns date to the year before.
Born in Miyazaki Prefecture, Japan, Gnyuki Torimaru (b. 1937) studied architecture in Chicago before settling in London, where he attended the London College of Fashion. He launched his own label, Yuki, in 1972, after stints at Norman Hartnell in London and Pierre Cardin in Paris. (For more, see Suzanne Kampner, “Out Goes Majolica, In Goes Nothing.”)
Visitors to the Boston Museum of Fine Art can see his blue, pleated gown and other designs in the museum’s extensive Yuki collection.
Torimaru made his name in the 1970s with his draped jersey gowns. Jerry Hall’s cream Yuki gown, seen on the cover of British Vogue and in Barry Lategan’s editorial, “Dare the Ritz,” has a hem that doubles back as a hood. The Boston Museum of Fine Art has a silk version; model-turned-actor Gayle Hunnicutt donated her carnation version to the V&A.
Hunnicutt wore two Yuki pieces in her 1973 British Vogue editorial. The second, low-backed gown is carnation jersey, cut in one piece. She later wore it to a ball at Windsor Castle.
Yuki also designed the costumes for Frank D. Gilroy’s romantic comedy Once in Paris… (1978), which starred his client, Hunnicutt.
Style Patterns’ earliest designer series includes two Yuki designs. Both dresses, one a voluminous one size fits all, showcase his trademark draping.
Misses’ Dress in Two Lengths: Dress is gathered from yoke. Draped sleeves are raglan. Opening is button loops. All edges are topstitched. Suggested fabrics—Fine silk or synthetic jersey, lightweight silk types, lightweight crepe types, crepe de chine, georgette. One size.
Misses’ Dress in Two Lengths: Dress has fitted under-bodice with draped front and back, which is gathered on padded shoulder and forms fluted sleeve. Skirt is slim with centre back split on full length version. Suggested fabrics—Fine silk or synthetic jersey, lightweight silk types, crepe types, crepe de chine.
Click the Style Patterns tag for more British designer patterns.
May 18, 2018 § 3 Comments
Manuel Pertegaz was born on this day in 1918. Paco Peralta asked me to contribute to his post for the designer’s centenary; see it here.
March 12, 2018 § 3 Comments
Farewell to Hubert de Givenchy, truly one of the greats.
Read the couturier’s Vogue Paris obituary.
November 30, 2017 § 11 Comments
Paco Peralta has seen some major milestones lately. Last fall, the Barcelona couturier became Vogue Patterns’ first Spanish designer in half a century, and this year his blog, BCN – UNIQUE Designer Patterns, is celebrating a decade online. (Like Toronto’s YYZ, BCN is both the airport code for Barcelona and shorthand for the city itself.)
The licensing deal brings a new audience to Peralta’s precision-cut designs. Peralta himself was already a pillar of the online sewing community, both for his fine sewing tutorials and as a purveyor of couture patterns, all hand-traced in his studio not far from Gaudí’s Sagrada Família basilica.
Born in Huesca, Aragon, Peralta studied at Barcelona’s Institut Català de la Moda before apprenticing in some of the city’s couture ateliers, who kept alive the traditions of Balenciaga and Rodríguez. He became interested in commercial patterns in the 1980s, when a friend gave him a copy of Vestidal; his first pattern purchase was a Vogue Individualist design by Issey Miyake.
Peralta may also be the world’s foremost collector of Yves Saint Laurent patterns, and his blog doubles as a window into this private archive. As regular readers of this blog will recognize, any high fashion sewing history owes much to his work.
Vogue Patterns introduced Peralta with two designs in last year’s holiday issue. (Click to enlarge.)
You can skip the buttonholes with this short-sleeved jacket: it has a midriff inset instead. For the original ensemble, Peralta used a double-sided Italian wool twill-crepe for the jacket, wool-cashmere for the trousers, and for the shirt, a sturdy Egyptian cotton.
Peralta also used Italian satin-backed wool twill-crepe for his wrap skirt and coat-length jacket. The latter sports a tuxedo-style shawl collar, while the pussy-bow blouse, made in silk crepe de Chine, has French cuffs:
This tunic and pants ensemble was the summer bestseller. The long version is a heavy linen, while the short, gaucho version is a lightweight silk/rayon. Both have silk organza insets.
For the holiday season, mix and match with party separates: a dolman-sleeved top and winter-weight handkerchief skirt, shown in cotton knit and silk-viscose duchesse satin.
Coming soon: even more Paco Peralta designs exclusive to Vogue Patterns.
With thanks to my friend, Paco Peralta.
August 17, 2017 § Leave a comment
August 10, 2017 § Leave a comment
Betsey Johnson turns 75 today. Four decades on, the designer’s 1970s Butterick patterns are still very popular. Here’s a look at Johnson’s early work, with an emphasis on more seldom seen archival images.
Betsey Johnson (b. 1942) has made a career of creating irreverent, youth-oriented clothes that stand a bit outside the mainstream. She learned sewing and pattern drafting while running a dance school as a teen, but got her official start in the business designing for Youthquake boutique Paraphernalia. By 1970 she was the designer for Alley Cat, a junior sportswear label. (For more see Vogue.com and Anne-Marie Schiro, “Betsey Johnson: Honor for a Life of Celebrating Youth.”)
In 1971, Johnson won a Coty Award for her work at Alley Cat (see the New York Times notice). The following year, Butterick launched its Betsey Johnson patterns in the Spring 1972 catalogue. The designs were also cross-promoted (along with Cyrus Clark cotton chintz) with a Barbara Bordnick editorial in Seventeen magazine.
The earliest of Johnson’s Butterick Young Designer patterns refer to her as Betsey Johnson of Alley Cat, and most seem to predate the founding of her company in 1978. Here’s Butterick 6979 on the cover of the March 1973 issue of Butterick’s news leaflet:
The young Patti Hansen in Alley Cat:
One of the first items I sold on Etsy was this 1975 issue of Butterick Fashion News with a Betsey Johnson cover. (Click to see inside.) The same embroidered pinafore was featured on the home catalogue cover:
The pinafore also appears in this cute advertisement with Butterick 4088:
The Spring 1976 catalogue used illustrated photographs to present this DIY series, which also included a hat and shoes (1st page, Butterick 4680; 3rd page Butterick 4681, with Joyce Walker on the right):
Another 1976 Butterick ad shows a Betsey Johnson jumper (Butterick 4956) with deep ribbon trim—perfect for a late-summer Cape Cod getaway:
Happy birthday, Betsey Johnson!
With thanks to Heidi at Gold Country Girls.
June 18, 2017 § 1 Comment
“Our Man in Leather”: Vogue Patterns introduced Bobby Breslau, one of the company’s rare designers of accessories, with a winking acknowledgement of the gay community.
Bobby Breslau (ca. 1943-1987) was a friend of Halston, Stephen Burrows, and Keith Haring; photographer Charles Tracy, who took Breslau’s portrait, was a member of the same social circle. Breslau’s training was in the garment industry, but a toy commission from Halston set him on the path of accessory and furniture design. His tactile, unstructured style of bag showed a sculptor’s eye for colour and texture; the New York Times called it “the handbag of the 1970’s.” (See Robin Givhan’s The Battle of Versailles and Suzanne Slesin, “Beyond the Fringe: A Designer’s Zany World in Leather.”) Breslau was the manager of Keith Haring’s Pop Shop until his death from complications of AIDS in early 1987.
In 1979, Breslau licensed two bag patterns with Vogue. Each design could be made in three sizes. Vogue 2153 is a “draw-stringer and scarf tie-up”:
Vogue 2184 is a saddlebag and roll pouch: