For Summer, 2020, Rachel Comey covers the Vogue Patterns lookbook for the second season in a row.
Like Spring’s Agave suit, the aqua and gold cover look is from Rachel Comey Spring 2019. The Amplus top features big puffed sleeves and overcast edge detail, while the New Joust trousers are high rise with a tapered leg. Both pieces were offered in a linen blend.
The second Rachel Comey design is the Frida jacket, seen here in cotton-blend seersucker. Ruffles abound on this fun, cropped jacket, including the raw-edged trim for the elbow cutouts.
The new Guy Laroche is from Fall 2018, the same collection as Winter’s V1666 pantsuit. The runway version better shows the seaming detail:
From Badgley Mischka, a pattern for the Belcanto dress. The duo’s Spring 2018 collection was inspired by Capri.
Triple-tiered tassels not included.
In terms of adaptations, there’s a version of The Row’s Abel blouse.
A maxi version opened the Spring 2019 presentation.
For Spring 2020, Oscar de la Renta designers Laura Kim and Fernando Garcia were inspired by the Dominican Republic. Margot Robbie wore their blue, wide-leg jumpsuit — bowless — on The Tonight Show in February. The moiré faille is a cotton-viscose blend.
It’s always nice to see current-season looks. The new Cynthia Rowley jumpsuit is from the Spring 2020 collection, which the designer presented on a Dr. Seuss runway near her new Tribeca headquarters. Rowley’s original is Tencel, a sustainable cellulose fibre. (View in webstore.)
Reviewing Rowley’s hometown Resort ’18 lookbook, I thought this dress looked sewist-friendly. Simplicity didn’t include it in their Spring lookbook, so I missed adding it to my previous pattern report.
For variations, add contrast trim, use a print, or make it a maxi with sequin appliqué.
Marisa Berenson (b. 1947) turns 70 today. Though best known for her work as a film actor in movies like Visconti’s Death in Venice (1971), Cabaret (1972), and Barry Lyndon (1975), Berenson grew up wanting to be a fashion model. Her career was launched when she met Diana Vreeland at a society ball, and she became one of the most successful models of the ’60s and ’70s. For more, see the visual biography Marisa Berenson: A Life in Pictures (Rizzoli, 2011).
As far as I know, Berenson appears on only one pattern envelope: Vogue 2369 by Oscar de la Renta. Taken in a New York interior, the photo was also published in a 1970 Vogue Pattern Book feature on the designer:
Berenson can also be seen in Vreeland-era pattern editorials in Vogue magazine, like this shoot by Guy Bourdin (see my earlier post):
Irving Penn’s “Look Marvellous” editorial, showcasing clothes in American fabrics, included Berenson in Vogue 7017 and Vogue 7022 (via Youthquakers):
This Gianni Penati editorial shows two Vogue Paris Originals by Marc Bohan for Dior, Vogue 1787 and Vogue 1792:
The issue of Vogue Pattern Book with the Berenson cover (shown above) includes more of her editorial work. In “New Evening Splendour,” she wears the cover look, caftan Vogue 7827, as well as Vogue 7834 and Vogue 7836:
Berenson also models some jumpsuits in a summer portfolio—Vogue 7697 in a groovy print: