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High Fashion in the Mad Men Era

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Laura Ramsey Joy green dress The Jet Set Mad Men Season 2 Janie Bryant
Laura Ramsey as Joy in “The Jet Set” (Mad Men, season 2)

If you’re a fan of Mad Men, you’ve probably heard that the next season won’t be airing until early 2012. In the interim, I thought it would be fun to look at sewing patterns from the period covered by the series so far: the first half of the sixties. Mad Men seasons 1-4 have covered the years 1960 to 1965, and costume designer Janie Bryant’s meticulous work on the show has brought a lot of attention to early sixties fashion. Starting next week I’ll be presenting a multi-part series featuring the best of early sixties designer patterns. This week’s introductory post is devoted to context on the show and my personal references for early ’60s glamour.

Mad Men’s most prominent consumers of high fashion are the advertising executives’ affluent wives. The most conspicuously fashionable is Don Draper’s wife, the Bryn Mawr graduate, ex-model and stay-at-home mother Betty Draper (née Hofstadt). She also seems to get the most scenes involving evening wear…

Don and Betty Draper in their bedroom in
Don (Jon Hamm) and Betty Draper (January Jones) in “5G” (Mad Men, season 1) Image: AMC.

For me, Betty’s most memorable outfit is the one she wears for a night out in Rome in “Souvenir” (Mad Men, Season 3):

Betty in Rome in “Souvenir” (Mad Men, season 3)

Bryant has said she wanted a Fellini-esque vibe for Betty in this scene. In fact, when I think of early ’60s high style I think of Fellini—Claudia Cardinale in 8 1/2 or that party scene (the one with Nico) in La Dolce Vita:

Claudia Cardinale on the set of Fellini’s 8 1/2 (1963). Image: corriere.it.
Anouk Aimée in Fellini’s La Dolce Vita (1960). Image: Le Répertoire.

While Betty’s Roman look is a costume for a game of role-playing, Joy’s green dress in “The Jet Set” (Mad Men, Season 2), pictured at the top of this post, conveys serious glamour without a hint of dress-up. (This despite the dress’ being weighted with symbolic significance. Within the season’s network of references to Henrik Ibsen’s Peer Gynt, Joy seems to be a figure of the Green Woman, the daughter of the Mountain King—see discussion here and here.) With its Grecian lines, embellished waistband and floating shoulder panels, Joy’s green dress is my favourite from the series. I’m very curious about the model(s) for this gown (circa 1962)—I haven’t been able to find anything like it online.

In interviews, Janie Bryant has described the variety of methods used by Mad Men’s costume department, including designing from scratch, renting costumes, and reworking vintage garments. (Read a New York Times magazine interview here; read the Vanity Fair interview here.) Some of the costumes were also made using vintage patterns purchased online. I wonder which ones?

4 responses to “High Fashion in the Mad Men Era”

  1. Patricia Clements Avatar

    Vogue Jean Shrimpton pattern 1965

    1. PatternVault Avatar

      Of course! The draping on Vogue 1333 (which I’m planning to feature) does make it similar to Joy’s dress. But the design element I find unusual is the shoulder panels, which are a little like those on this ’70s Ungaro pattern: http://vintagepatterns.wikia.com/wiki/Vogue_1135
      Oddly, the Ungaro is also shown in green..

  2. […] With Mad Men entering its final season, my Mad Men-era series concludes with two posts on fashion designers whose work became available to home sewers in the mid-Sixties. (Browse the series by clicking the Mad Men era tag, or start at the beginning.) […]

  3. […] High Fashion in the Mad Men Era […]

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