February 13, 2018 § 3 Comments
Happy Mardi Gras! To celebrate the last day of Carnival, here’s a look at the star of Helmut Newton’s 1966 Venetian shoot: Italian model and socialite Mirella Petteni Haggiag.
Born in Bergamo, Mirella Petteni moved to Milan to work as a model. As the wife of film producer Robert Haggiag, Petteni was also a society figure with residences in Venice, Tuscany, New York, and Rome’s Palazzo Mengarini. (See T magazine.) She retired from modelling to become an editor at Vogue Italia.
Petteni can be seen on many Vogue Couturier Designs by Italian designers.
Here she wears Galitzine’s halter and culotte:
Here, in Pucci’s bestselling cape-jacket ensemble, Petteni’s aspirational hair is an added bonus:
In white dresses from Fabiani and Forquet:
Sorbet colour-blocking from Pucci:
In Forquet’s short, half-bias evening dress:
Here she poses with Benedetta Barzini in early Valentino:
January 2, 2018 § Leave a comment
British model-turned-photographer Jill Kennington turns 75 today.
Born and raised in Lincolnshire, Jill Kennington (b. 1943) moved to London at 18, working at Harrods and staying with her aunt, who was a buyer there. Scouted by Michael Whittaker, the founder of the Whittaker Enterprises agency, she was hired as a house model at Norman Hartnell before she could finish the agency course.
Kennington was one of two models in John Cowan’s famous shoot in the Canadian Arctic. (See the full editorial at vogue.com.) You might recognize her from Michelangelo Antonioni’s Blow-Up. (Read her reminiscences in Vanity Fair.)
That’s Kennington in Emmanuelle Khanh’s dress pattern in Queen magazine. (Previously seen in my Butterick Young Designers post.)
Here she models some mod knitwear by Mary Quant:
Kennington can be seen on some of Vogue’s earliest Givenchy patterns. This evening dress was also featured on the cover of the February retail catalogue:
In Vogue 1707 by Fabiani:
More Vogue Paris Originals and Couturier patterns featuring Kennington:
In a flight-themed British Vogue editorial, wearing Young Fashionables hooded jumpsuit Vogue 6376:
Happy birthday, Ms. Kennington!
July 20, 2017 § Leave a comment
A late ’60s loungewear pattern is the star of “Making Up a Legend,” photographed for British Vogue by David Bailey.
Celia Hammond wears Vogue 7430, made up in wave-patterned Schwarzenbach brocade in green and gold Lurex, with gold Mary Quant tights pulled up to cover the bare midriff. The gold belt is by the late, great Kenneth Jay Lane.
(See Youthquakers for more from this issue.)
June 6, 2017 § 1 Comment
Model and Bond girl Tania Mallet (b. 1941) was born in Blackpool to English and Russian-English parents. (Her mother, Olga Mironoff, was Helen Mirren’s paternal aunt.) She began working as a model in the late 1950s after taking a course at the Lucie Clayton Charm Academy. You may recognize her from her role as Tilly Masterson in Goldfinger (1964).
Mallet’s modelling work in the 1960s included editorials for Vogue patterns and Vogue Knitting Book.
The earliest patterns I’ve found featuring Mallet are by French and Italian designers—Jacques Heim and Simonetta:
Later patterns are by London designers like Ronald Paterson and Jo Mattli:
This daffodil evening ensemble was featured in my Bellville Sassoon post:
Here Mallet wears a goddess gown by John Cavanagh:
Full marks for hats and coiffure, don’t you think?
February 15, 2017 § Leave a comment
Marisa Berenson (b. 1947) turns 70 today. Though best known for her work as a film actor in movies like Visconti’s Death in Venice (1971), Cabaret (1972), and Barry Lyndon (1975), Berenson grew up wanting to be a fashion model. Her career was launched when she met Diana Vreeland at a society ball, and she became one of the most successful models of the ’60s and ’70s. For more, see the visual biography Marisa Berenson: A Life in Pictures (Rizzoli, 2011).
As far as I know, Berenson appears on only one pattern envelope: Vogue 2369 by Oscar de la Renta. Taken in a New York interior, the photo was also published in a 1970 Vogue Pattern Book feature on the designer:
Berenson can also be seen in Vreeland-era pattern editorials in Vogue magazine, like this shoot by Guy Bourdin (see my earlier post):
The issue of Vogue Pattern Book with the Berenson cover (shown above) includes more of her editorial work. In “New Evening Splendour,” she wears the cover look, caftan Vogue 7827, as well as Vogue 7834 and Vogue 7836:
Berenson also models some jumpsuits in a summer portfolio—Vogue 7697 in a groovy print:
High-waisted jumpsuit Vogue 7818:
And short jumpsuit and wrap skirt Vogue 7812:
Happy birthday, Ms. Berenson!
December 31, 2016 § Leave a comment
A Gordon Parks editorial for British Vogue features Brigitte Bauer in NYE-worthy evening patterns.
The patterns are Vogue 6628 and Vogue 6596, both Vogue Special designs. The cocktail sheath was made up in pale apple green wild silk from Dickins & Jones, the one-shouldered gown in light almond green Abraham silk crepe from Allan’s of Duke Street.
See Youthquakers for more of the November issue.
Happy New Year, all the best for 2017!
December 16, 2016 § 3 Comments
This week, a look at the late James Galanos’ licensed Vogue patterns. (See my McCall’s post here.)
Vogue Patterns introduced James Galanos patterns in late 1967, with two dress designs modelled by Maud Adams and Lauren Hutton. The counter catalogue promotes Galanos’ “masterful touch” with an alternate shot of Vogue 1854, an A-line dress with side pleats at right front and left back:
Lauren Hutton models Vogue 1855, a coat dress with double inverted pleats in the back:
This short, wrap-effect evening dress has square armholes and front pleats concealing pockets:
Later Galanos patterns were photographed on location in New York, where the designer showed his collections. This dress goes one further than Vogue 1855 and has double inverted pleats in both front and back:
Jumpsuit Vogue 2524 features a shoulder yoke, pintucks, and wide, corded belt:
The latest Galanos pattern I’ve seen is Vogue 2639, a long-sleeved evening dress with front slit and waistline smocking detail:
A dreamy illustration made the cover of the news leaflet: