For her first appearance in American Vogue, Anjelica Huston flew to rural Ireland with Richard Avedon and fashion editor Polly Mellen. Mellen opted to use several Vogue Patterns on the shoot.
Mellen’s selections include designs by Yves Saint Laurent and Pierre Cardin, all made up in leather, suede, and chamois. (Hats by Jackie Rogers and Ruza Creations; bags, Louis Vuitton and Karavan. Hair by Ara Gallant.)
As part of its recent Mary Quant exhibit, the V&A shared a pattern for an early Quant design. The Georgie dress dates to the Bazaar days, before Quant’s deal with Butterick.
The V&A’s Georgie dress— purchased new in Truro, Cornwall — is striped cotton lined with cotton batiste.
As Quant’s archive shows, the dress was also available in taffeta-lined chiffon as the Rosie, in black, pink, or jade.
The Georgie pattern was developed from Quant’s original by London’s Alice & Co Patterns, a mother and daughter team with a connection to the museum: the younger generation, Lilia Prier Tisdall, works there as a costume display specialist.
The dress has a surplice bodice, three-quarter sleeves, pleated skirt, and sash belt. For the original’s lively, reverse stripe effect, cut the skirt on a different grain than the sleeves and bodice.
The pattern gives detailed instructions, including for the pleated trim.