PatternVault

The reputation of Madeleine Vionnet (1876-1975), the brilliant innovator in draping and the bias cut, has only increased with time. The label she founded in 1912 was recently revived, and Betty Kirke’s book is back in print for the house’s 100th anniversary. You can see Vionnet pieces online at the V&A and the Costume Institute. There’s even an animated video on Vimeo demonstrating the construction of one Vionnet dress. (For more on Vionnet, see Lisa’s Coletterie post; Betty Kirke’s 1989 Threads article; and Sandra Ericson’s revised 2010 Threads article, in pdf here.)

Vionnet advertisement, 1926. Illustration: Reynaldo Luza. Image via HPrints.com.

In recent years, those who wished to reproduce a Vionnet design could trace their pattern from a book. Janet Arnold’s Patterns of Fashion 2: Englishwomen’s Dresses and their Construction, c. 1860-1940 (Macmillan, 1982) includes five Vionnet patterns, and the Japanese companion volume to Kirke’s book (Bunka Fashion College, 2002; available on amazon.co.jp) contains tested, traceable versions of twenty-eight of Kirke’s Vionnet patterns. Costumer Koshka has made the 1919 Vionnet dress in Patterns of Fashion, while the Vionnet Identique project saw all the designs in Kirke’s book made up in half-scale for an exhibition and book (for photos see this Threads post and the book preview).

Label from an evening cape by Madeleine Vionnet, c. 1930. Image via the Metropolitan Museum of Art.

In the 1920s and 1930s, dressmakers could sew Vionnet designs using commercial patterns. McCall’s released patterns based on Vionnet originals, while companies like Pictorial Review sold adaptations of Vionnet designs. Here is a selection of Vionnet patterns.

These two patterns for a negligee and day dress date to 1926. The negligee is reversible:

McCall 4467 by Vionnet (1926) Reversible negligee.

McCall 4468 by Vionnet (1926) Dress.

Vionnet was known for her robes à mouchoirs, or handkerchief dresses, like this evening dress:

McCall 4855 by Vionnet (1927) Evening dress. Image via eBay.

This formal dress is another handkerchief dress. Note the triangular sleeve insets:

McCall 5635 by Vionnet (1928) Dress.

Here’s a magazine illustration of McCall 5635 from the following year. The accompanying text reads, “A Vionnet gown characteristic of the graceful new formal frocks is simply made to fall in points at the center front and at the sides and back”:

Illustration from McCall’s magazine, April 1929.

Both McCall’s and Pictorial Review released patterns for this circa 1931 ensemble:

Pictorial 5592 adapted from Vionnet. Pictorial Review, June 1931.

McCall’s magazine showed two illustrations for this design (McCall 6451); the text on the first page reads, “A masterpiece in simplicity that only Vionnet could have created. The chic contrasting bodice top is sleeveless and joins the skirt in a coat-dress closing”:

McCall’s magazine, 1931. Image via Etsy.

McCall’s magazine, 1931. Image via Etsy.

The ensemble was also illustrated on the cover of McCall Style News shown at the top of this post. Here’s the full illustration:

McCall Style News, March 1931.

This 1932 Pictorial Review design for an asymmetrical day dress was adapted from Vionnet. The skirt and applied front are cut on the bias:

Pictorial 6143 adapted from Vionnet (1932) Dress.

Here’s the corresponding illustration in Pictorial Review magazine. The accompanying text reads, “Yes, it’s a Vionnet, we knew you would recognize it in the characteristic handling of the diagonal seaming, in the clever use of button trimming, and in its absolute simplicity. Make it in a sheer linen with contrasting button accents”:

Pictorial 6143 and 6147, both adapted from Vionnet. Pictorial Review, July 1932.

Finally, a three-piece suit pattern from the same year, consisting of a short-sleeved blouse, high-waisted suspender skirt, and jacket that criss-crosses in the front:

McCall 6999 by Vionnet (1932) Three piece suit.

This illustration for McCall 6999 accompanies a trend report on suits:

Illustration from the McCall Fashion Bi-Monthly, July-August 1932. Image via carbonated on flickr.

And if you’d like to try your hand at some Vionnet-style fabric embellishment, the Center for Pattern Design sells a pattern for Vionnet roses.

Madeleine Vionnet is said to have considered herself a “geometrician”; the brilliance of her technique reveals itself in her garments’ construction. Have you tried making any Vionnet designs?