February 3, 2016 § 3 Comments
It’s unseasonably warm here in Toronto, so instead of my planned wintry ephemera, here’s a resort-themed cover from the late 1930s.
Although it’s a winter issue, the February 1939 Butterick Fashion News shows a woman leaning off the rigging of a yacht. The pattern is Butterick 8245, a short-sleeved sports dress with matching shorts.
This is an English copy, from the John Lewis flagship on Oxford Street. On the back cover, the caption reads, “When your dirndl skirt blows wide open to the wind, let your admiring public see under it matching, brief new ‘baby shorts!’ Your shirt wears initials on its pocket and may have either the collarless or convertible neckline.” The pattern seems to call specifically for striped fabric:
January 11, 2016 § 5 Comments
Happy New Year! Vintage reissues give a taste of the pleasures of sewing vintage, without the bidding wars and grading. Here is an overview—with rarely seen archival images—of the contemporary vintage pattern lines from Vogue, Butterick, and McCall’s. (Simplicity could not be reached for comment.)
Launched in time for Holiday 1998, Vogue Patterns’ Vintage Vogue line provides true reproductions of vintage patterns borrowed from private collectors. (See my earlier post and discussion, How Do You Take Your Vintage Vogue? or get the details on the Vintage Vogue Search.) Alas, the terms of the old licensing agreements mean that Vogue can’t reissue designer patterns.
Deco evening dress pattern Vogue 2241 remains a favourite; I recently came across a version at Toronto’s Spadina Museum. I found an illustration of the original, Vogue S-3543, in a Vogue Patterns news leaflet from December, 1931. The description reads, “Here is a frock that expresses the newest movement of the mode, its originality and charm. It has a slender moulded look from the décolletage to the circular panels that trail slightly on the ground”:
Butterick donated the original to the Commercial Pattern Archive:
Retro Butterick and McCall’s Archive Collection
Both Retro Butterick and McCall’s Archive Collection patterns are recreated and sometimes adapted from archival materials, not the original patterns. With archival images, sticklers for accuracy can restore these adaptations to the original vintage design.
Early Retro Butterick pattern B6408 is based on Butterick 4391, a “Quick and Easy” late 1940s design for an evening gown with hooded scarf:
McCall’s introduced The Archive Collection for Early Fall, 2014. The recent 1920s coat pattern, M7259, is based on McCall 5057, a 1927 design by Agnès:
The McCall 6057 gown is a couture adaptation: the design is after Patou. Here is the description from McCall’s magazine: “The Patou silhouette is beautifully exemplified in a formal evening gown which has curved bands at the neckline and hipline, a short bolero and inserted panels lengthening the skirt”:
For more on the McCall Pattern Company’s vintage lines, see We Sew Retro’s interview.
July 24, 2015 § 4 Comments
Equestrian. This Depression-era pattern for fall-front jodhpurs has jaunty cuffed trousers, the requisite reinforced inner leg, and three pocket pieces, including one for a watch pocket:
(Click the image to see sold listing with back of envelope.)
Interestingly, this copy of Butterick 5647 is stamped Pattern Made in Canada. Although the pattern was produced in women’s, misses’ and girls’ sizes, the early equestrian patterns that survive are usually in smaller sizes—intended for riding lessons, perhaps?
For more vintage equestrian patterns see my Year of the Horse post.
July 23, 2015 § 3 Comments
Cycling. This cycling illustration graced the cover of the summer 1938 issue of Vogue Pattern Book:
The pattern is Vogue 8014, a sport or evening frock, bolero, and calot (hat) in the collection of CoPA:
July 21, 2015 § 5 Comments
Rhythmic gymnastics. This early 1930s gym and dance costume was available in misses’ and juniors’ sizes. The costume includes a long-sleeved or sleeveless blouse with elasticized lower edge and two styles of tap pant:
Like other sportswear patterns, McCall 6498 stayed in print for several years: Allison Marchant/carbonated’s copy is copyright 1934.
July 20, 2015 § 6 Comments
This week the Pan Am Games continue in Toronto. In honour of the Games, here’s a look at vintage patterns and illustrations showing women’s sports.
First up: Pan Am sports that have already concluded for 2015.
Archery. From a 1933 issue of McCall’s magazine, this archery scene was illustrated by Jean des Vignes:
Golf. Ben-Hur Baz (later known for his pin-ups) illustrated this golf scene for McCall’s magazine, circa 1930:
Donna Karan designed these mid-1970s golf separates, hat included, when she was at Anne Klein. You can buy it for your own golfing needs from the PatternVault shop.
Roller skating. Simplicity 3890, a World War 2-era skating pattern, includes this roller skating illustration:
Sailing. This 1930s sailor dress has a contrast collar and big buttons at the side-front closure:
The swimsuit was photographed by Richard Rutledge for Vogue Pattern Book:
Tennis. The cover of the McCall Quarterly for Spring 1932 has this tennis-themed illustration featuring two dresses by Bruyère:
(For more tennis patterns see my Tennis, Anyone? post.)
Stay tuned for more vintage sports wear… I’ll be looking at a different Pan Am sport and related vintage pattern every day this week.
May 4, 2015 § 7 Comments
This year marks the 150th anniversary of Alice’s Adventures in Wonderland. Liberty London is celebrating with an Alice-inspired Spring/Summer 2015 fabric collection. At the V&A Museum of Childhood, an exhibition on Alice’s influence on fashion, The Alice Look, runs to November 1, 2015, and on Saturday the museum is also hosting a conference, Alice & Fashion. (Read the press release.) The exhibition and conference are part of curator Kiera Vaclavik’s larger research project, Addressing Alice: The Emergence of a Style Icon.
To celebrate Alice’s 150th, here’s a look at some rarely seen vintage Alice in Wonderland patterns.
This Alice in Wonderland doll pattern with flamingo, McCall 145, dates to 1933:
The costume of the McCall Alice doll seems to refer to Charlotte Henry’s Alice in Paramount’s Alice in Wonderland (1933). According to Vaclavik, the film appears to have “prompted the adoption of the Alice band as hair accessory of choice at hunt balls and wedding processions across Britain” (see her article in the Independent):
Nearly two decades later, Walt Disney’s animated Alice in Wonderland (1951) set the image of Alice as we picture her today. Disney licensed two Alice patterns with McCall’s: McCall’s 8626, a girls’ Alice ensemble, and McCall’s 1643, unisex children’s costumes for the Mad Hatter and March Hare. McCall’s 8626 includes a puff-sleeved dress, apron, coverall, and jacket with rabbit-shaped pocket:
You can see the back of the pattern envelope here.
The Alice pattern was promoted in the August 1951 issue of McCall’s Style News with additional sketches of the White Rabbit, the Cheshire Cat, and Tweedledee and Tweedledum. It’s worth quoting the original description: “Alice-in-Wonderland dress, inspired by Walt Disney’s ‘Alice in Wonderland’ motion picture. Not a fancy-dress costume, but a 4-part ensemble to wear any day of the week. Straight-from-Wonderland ruffled apron that can accompany the little puff-sleeved, full-skirted dress everywhere—to school, to church, to parties. For helping Mother around the house, a jumper-like coverall. And to complete the ensemble, a reversible jacket with the ‘White Rabbit’ in pocket form”:
This photo from McCall’s Pattern Book shows the March Hare costume and Alice outfit made up:
It’s interesting that the 1950s Alice pattern isn’t a costume pattern, but a set of pieces for everyday wear. The pattern adds ruffles to the pinafore, but is otherwise close to Disney’s animated Alice, whose style was based on Mary Blair’s concept art:
Happy anniversary, Alice!