Current trends – Page 3

Incroyables ensemble, ca. 1790-95. Image: LACMA.

Happy quatorze juillet! For Bastille Day, here’s a pattern for an Incroyables tailcoat.

The tailcoat, which dates to Revolutionary France, was part of the Los Angeles County Museum of Art’s 2016 Reigning Men exhibit, currently on view at Sydney’s Powerhouse Museum.

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Previewing #ReigningMen @lacma #LosAngeles caught between a #1790 Incroyable and a #1775 #macaroni and coveting both their ensembles and isn't that @officiallibertine under wraps? Coveting that too @voguemagazine

A post shared by Hamish Bowles (@hamishbowles) on Feb 11, 2016 at 5:17am PST

Incroyables and Merveilleuses were the dandies and fashionistas of the revolutionary period. Today, Directoire style evokes glam rock, Marat/Sade, and John Galliano. The style famously inspired Galliano’s 1984 graduation collection, entitled Les Incroyables, as well as his work for Givenchy.

Adam and the Ants, Prince Charming (1981) Image: Discogs.

David Bowie 50th birthday distressed frock coat 1997 — David Bowie at his 50th birthday concert, 1997. Image: Pushing Ahead of the Dame.

The Royal Shakespeare Company presents Peter Brook's motion picture "The Persectution and Assassination of Jean-Paul Marat as performed by the inmates of the asylum of Charenton under the direction of the Marquis de Sade, by Peter Weiss — John Steiner and Glenda Jackson in Peter Brook’s *Marat/Sade* © 1967 United Artists.

Givenchy Haute Couture by John Galliano, 1996. Steven Meisel / Grace Coddington — Linda Evangelista in Givenchy Haute Couture by John Galliano, *Vogu*e, December 1996. Photo: Steven Meisel. Fashion Editor: Grace Coddington.

Here are the museum notes:

This handsewn silk tailcoat, with its high collar, wide lapels, short front, and long back exemplifies how French fashion extremists (incroyables) adopted and exaggerated traditional wool riding coats from England. The sleeves of this tailcoat, set unnaturally close together, forced the wearer to hold his shoulders back and thrust his chest forward to create a “pouter pigeon” silhouette which was fashionable in the late eighteenth century.