Spring 2019 Designer Pattern Highlights

©Paco Peralta
Paco Peralta’s design drawing for V1619. Image courtesy Paco Peralta.

After 99 years on the newsstand, and just as stores are receiving the new designer patterns for Spring ’19, Vogue Patterns Magazine is ceasing publication.

VPM’s final issue—and the Spring release—sees the return of Thai-American model and photographer Piyawan Chitsamran, a.k.a. Piya Wan.

Piyawan Chitsamran photographed in V1614 by Tom and Linda Platt by Jack Deutsch for the final issue of Vogue Patterns Magazine
The final issue of Vogue Patterns Magazine, February/March 2019. Model: Piyawan Chitsamran. Photo: Jack Deutsch. Image: McCall’s.

The late, great Paco Peralta was promoting this pattern just days before his death. (See his design drawing at top of post.) As released, it includes the duster coat, shown in waxed polyester with a cotton poplin lining, and high-waisted gaucho pants. But as he told me, his submission also included the bias top.

Vogue 1619 by Paco Peralta (2019)
Vogue 1619 by Paco Peralta (2019) Image: McCall’s.

Zandra Rhodes is celebrating her label’s 50th anniversary in 2019. This jumpsuit with contrast binding is a Zandra Rhodes staple. The original is silk crepe de chine.

Vogue 1617 by Zandra Rhodes (2019)
Vogue 1617 by Zandra Rhodes (2019) Image: McCall’s.

The archival design, done in lipstick-print chiffon, was part of Rhodes’ second Archive collection for Matches Fashion.

Zandra Rhodes Archive II Lipstick jumpsuit in screen-printed silk chiffon. Image: Matches Fashion.

A silver version, for Fall 2018, was shot by Bridie O’Sullivan, the filmmaker / photographer behind Rhodes’ upcoming Jubilee documentary. (More at O’Sullivan’s website.)

Char Ellesse in Zandra Rhodes Party collection, Fall 2018
Zandra Rhodes Party collection, Fall 2018. Model: Charnah Ellesse. Photo: Bridie O’Sullivan. Image: Zandra Rhodes.

Badgley Mischka’s formal gown features a halter neckline with lace décolletage overlay.

Vogue 1615 by Badgley Mischka (2019)
Vogue 1615 by Badgley Mischka (2019) Image: McCall’s.

Add a beaded overbodice for a variation on the V1615 look.

Badgley Mischka’s gown with beaded tulle overbodice. Image: Badgley Mischka.

The striped dress on the back cover of the Spring lookbook is adapted from Carolina Herrera Resort ’18.

Vogue 9357 after Carolina Herrera, Vogue Patterns lookbook, Spring 2019. Image: Issuu.

The sleeveless midi dress is a Vogue Easy Options Custom Fit pattern, meaning it is adjustable for 4 cup sizes.

Vogue 9357 after Carolina Herrera (2019) Image: McCall’s.

The original is a linen-cotton denim that Vogue called “the standout material” of the collection’s casual pieces. As Nicole Phelps wrote, “Best of all was the sleeveless dress with contrast stitching, white buttons, and deep pockets.”

Carolina Herrera Resort 2018. Image: Vogue Runway.
Carolina Herrera Resort 2018
Carolina Herrera Resort 2018. Images: Moda Operandi.

Chop off the bodice for a tea-length skirt:

Carolina Herrera Resort 2018
Carolina Herrera Resort 2018. Image: Vogue Runway.

Another Vogue Easy Options design, the hi-low V9360 is Vogue’s adaptation of young London label Palmer Harding.

Vogue 9360 after Palmer Harding (2019) Image: McCall’s.

The Spring 2019 runway version—called the Streep—had dolman sleeves and a gathered back. Red latex gloves optional.

Palmer Harding Spring 2019. Photo: Luca Tombolini
Palmer Harding Spring 2019. Photo: Luca Tombolini. Image: Vogue Runway.

Add some asymmetry to the hemline and you have the Split and Super shirts:

Image: Palmer Harding.
Image: Palmer Harding.

Roland Mouret’s navy Barwick dress was worn by a certain duchess. Vogue shot its adaptation in Mouret’s trademark Peppermint, but the envelope shows the navy dress front and centre.

Vogue 9355 (2019) Adaptation of Roland Mouret's Barwick dress, worn by Meghan Markle V9355
Vogue 9355 (2019) Version of Roland Mouret’s Barwick dress. Image: McCall’s.

The Barwick dress, from Resort 2018, is still available from the designer website (link). The original is double wool crepe.

Barwick dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck
Barwick dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck. Image: Vogue Runway.

The same front neckline is seen in Roland Mouret’s Noblethorpe dress:

Noblethorpe dress, Roland Mouret Resort 2018. Model: Shujing Zhou. Photo: Maria Ziegelböck. Image: Vogue Runway.

For a more faithful copy, adjust the back neckline and add an exposed zipper.

Back view of Roland Mouret's Barwick dress
Back view of Roland Mouret’s Barwick dress. Image: Roland Mouret.

Finally, although Cynthia Rowley is absent from Simplicity’s Spring release, the company has reissued a late 1940s stole dress from the Simplicity Designer’s Pattern line.

1940s vintage reissue Simplicity 8876 (2019)
Simplicity 8876 (2019) Image: Simplicity.

The original fabric suggestions were: Silk, rayon or wool jersey; silk or rayon crepes; monotone or figured pure silk; taffeta; faille.

1940s stole dress pattern Simplicity Designer's Pattern 8108
Simplicity 8108 (1949) Image: Etsy.

Winter/Holiday 2017 Designer Highlights

A look from Adam Andrascik's Fall 2015 collection for Laroche. Photo: Yannis Vlamos
A look from Adam Andrascik’s Fall 2015 collection for Laroche. Photo: Yannis Vlamos. Image: Vogue.com.

From Guy Laroche to Paco Peralta, Vogue’s designer patterns for Winter/Holiday 2017 offer a range of festive looks for the coming season.

The new Guy Laroche is a skinny jean and party top, recommended for lamé:

Vogue 1573 by Adam Andrascik for Guy Laroche
Vogue 1573 by Adam Andrascik for Guy Laroche (2017) Image: McCall’s

The ensemble is the first pattern to be drawn from Adam Andrascik’s debut collection for Laroche.

V1573 by Adam Andrascik for Guy Laroche on the runway
V1573 by Adam Andrascik for Guy Laroche on the Fall 2015 runway. Photo: Yannis Vlamos. Image: Vogue.com.

Gleaming tartan jacquard is the star of this ensemble from Anne Klein, now designed by Sharon Lombardo:

Vogue 1571 by Sharon Lombardo for Anne Klein
Vogue 1571 by Sharon Lombardo for Anne Klein (2017) Image: McCall’s.

Guinevere Van Seenus wore a similar look for the Fall 2016 campaign, photographed by Annemarieke van Drimmelen:

Anne Klein Fall 2016 ad campaign. Photo: Annemarieke van Drimmelen. Model: Guinevere Van Seenus. Image: Behance.

Like fall’s V1561 jacket, the two Zandra Rhodes offerings are from the Fall 2016 collection, which was sponsored by Kraftangan Malaysia. (Kraftangan is Malay for ‘handicraft.’) As always with Rhodes’ work, the focus is on textiles, here on a double-sided fabric such as metallic jacquard:

Vogue 1566 by Zandra Rhodes
Vogue 1566 by Zandra Rhodes (2017) Image: McCall’s.

Shot by Andrew Woffinden, the collection lookbook was styled by Grace Woodward with Nicholas Kirkwood shoes and a turban by Piers Atkinson:

Zandra Rhodes’ Songket dress, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.

Vogue chose three of Rhodes’ Songket pieces—a dress, peplum top, and trousers—for the Winter/Holiday collection. Songket is a traditional metallic brocade produced in Southeast Asia.

Vogue 1572 by Zandra Rhodes
Vogue 1572 by Zandra Rhodes (2017) Image: McCall’s.
Zandra Rhodes’ Songket top, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.
Zandra Rhodes’ Songket trousers, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.

Paco Peralta’s latest design for Vogue is a dolman-sleeved knit top and handkerchief skirt. Festive and versatile, the skirt even has pockets:

Vogue 1567 by Paco Peralta
Vogue 1567 by Paco Peralta (2017) Image: McCall’s.

I have some Lurex in my stash, don’t you?

If you’re fresh out of shiny fabric, you might be interested in Gorgeous Fabrics’ farewell sale. Last weekend, owner Ann Steeves announced that she is closing shop after 11 years in business.

Amanda Murphy photographed by Lachlan Bailey in Laroche by Adam Andrascik, for Vogue Paris September 2015
Amanda Murphy wears Laroche by Adam Andrascik, Miss Vogue supplement, Vogue Paris, September 2015. Photo: Lachlan Bailey. Editor: Géraldine Saglio. Image: Guy Laroche.

Zandra Rhodes: Style Patterns

Zandra Rhodesand Rembrandt's Portrait of Catrina Hooghsaet, 2014
Zandra Rhodes and Rembrandt’s portrait of Catrina Hooghsaet, 2014. Image: National Gallery.

Last week, Zandra Rhodes returned to London Fashion Week for her Spring 2016 collection. Famous for her colourful, hand-drawn prints, the bohemian cult favourite is also new to Vogue Patterns for Winter/Holiday 2015: Vogue 1472 is the first new Zandra Rhodes sewing pattern in thirty years. (Update: read a profile in Vogue Patterns magazine.) For knitters, the current issue of Rowan Knitting & Crochet has a Zandra Rhodes jacket pattern available as a free download.

Zandra Rhodes sketch with yarn charts and sample garment - Rowan 58 (Winter 2015)
Zandra Rhodes sketch with yarn charts and sample garment in Katy Bevan, “Dame Zandra’s Knitting Circle” in Rowan Knitting & Crochet 58 (Winter 2015). Image: Rowan.

Born in Chatham, Kent, Zandra Rhodes (b. 1940) trained as a textile designer at Medway College of Art, where her mother was a lecturer, and London’s Royal College of Art. Rhodes founded her own label in order to build garments around her prints. Her first, 1969 collection, Knitted Circle, was famously worn by Natalie Wood in Vogue magazine; the evening coat is now in the collection of the V&A:

Forecast: the London bit - Natalie Wood in hand-screened prints by Zandra Rhodes - Gianni Penati, ca. 1969
Natalie Wood wears a screen-printed felt evening coat and silk chiffon dress, both by Zandra Rhodes. Vogue, January 1970. Photo: Gianni Penati. Image: Youthquakers.

Rhodes became known as the Princess of Punk following her Spring 1977 torn and safety-pinned Conceptual Chic collection, which was partly inspired by Schiaparelli’s Tears dress.

Wedding dress and dress from Zandra Rhodes' Spring 1977 collection
A wedding dress and dress from Zandra Rhodes’ Spring 1977 collection at the PUNK: Chaos to Couture exhibit, 2014. Image: Metropolitan Museum of Art.

By the 1980s Rhodes was designing for Princess Diana. The princess wore this pink chiffon dress, embellished with crystal beads and pearl droplets, during her 1986 state visit to Japan (now in the collection of Historic Royal Palaces):

Zandra Rhodes sketch for Princes Diana. Image: SDNews.

In 1985, Style Patterns released a handful of Zandra Rhodes sewing patterns. Rhodes was among the first designers to be included in the company’s short-lived designer line. (See my earlier posts on Bruce Oldfield and Frederick Fox.)

Update: I found a fourth Style pattern by Zandra Rhodes, Style 4398:

1980s Zandra Rhodes dress pattern Style 4389
Style 4389 by Zandra Rhodes (1985)

Style 4399 is a pattern for a wedding or evening dress in two lengths with characteristic serated frill:

1980s Zandra Rhodes formal dress pattern - Style 4399
Style 4399 by Zandra Rhodes (1985) Image: Etsy.
Style 4399 schematic
Back view for Style 4399 (1985)

Here’s the envelope description: Misses’ Lined Wedding Dress or Evening Dress in Two Lengths — Dress has shoulder yoke with serrated frill and pointed cape effect on bodice. Skirt has elasticated waistline. Model 1 bead trim is used on yoke and neck tie. Suggested fabrics: Lightweight silk types, crepe de chine, chiffon, shantung, lace, voile, batiste, organza. Lining: Jap silk, crepe de chine. Trim: wide ribbon and pearl beading or narrow ribbon.

Style 4400 is an off-the-shoulder wedding or bridesmaid’s dress with separate petticoat:

1980s Zandra Rhodes formal dress pattern - Style 4400
Style 4400 by Zandra Rhodes (1985)
Style 4400 schematic
Technical drawing for Style 4400 (1985)

The envelope description reads: Misses’ Half-Lined Wedding Dress or Bridesmaid’s Dress and Petticoat — Dress has flounced bodice with elasticated waist. Skirt has layered net frills, with gathered net and ribbon trim. Bride and bridesmaid’s dress has petticoat in fabric and net. Suggested fabrics: Dress, Models 1 and 2: Organza, voile, silk or synthetic sheers, lightweight lace. Lining: silk types, taffeta, satin (nap irrelevant). Net or tulle: silk, nylon. Trim: wide ribbon, sequin trim, narrow ribbon.

The third dress design, Style 4400, has a low back décolletage and multi-tiered skirt:

1980s Zandra Rhodes dress pattern - Style 4495
Style 4495 by Zandra Rhodes (1985)
Style 4495 schematic
Technical drawing for Style 4495 (1985)

You can see the same pattern with updated envelope here.

Here’s the envelope description: Misses’ Dress in Two Lengths — Dress has fitted bodice with elasticated waistline. Models 1 and 3 have bodice frill to waistline. Model 2 has shorter bodice frill. Models 1 and 2 have four-tiered skirt flounce. Model 3 has three-tiered skirt flounce. Suggested fabrics: Chiffon, georgette, voile, silk or synthetic sheers, organza. Also: lightweight lining fabric. Trim: wide ribbon; pearl trim (views 1 and 2).

The designs seem to be from Rhodes’ Spring 1985 collection, Images of Woman:

Zandra Rhodes SS1985 a
Zandra Rhodes Spring/Summer 1985 collection. Image: UCA Library.
Zandra Rhodes SS1985 b
Zandra Rhodes Spring/Summer 1985 collection. Image: UCA Library.

The trim and fabric specifications are catalogues of girliness: lightweight, floaty fabrics to be trimmed with the ribbon, sequins, and pearls. I love how Style 4495 suggests lining fabric as an alternative—perhaps with a budget-conscious youth market in mind.

For more on Zandra Rhodes, see the V&A’s article.