Patterns in Vogue: Peter Lindbergh, 1944-2019

"Seeing Spots" by Peter Lindbergh - Vogue pattern 7054 Women's robe and shorts (1987) "Additional information: shorten shorts."
Naomi Campbell photographed by Peter Lindbergh for “Seeing Spots,” Vogue, June 1990. Editor: Grace Coddington.

Peter Lindbergh died yesterday. He was 74. (Read the WWD obituary.) The German photographer was a frequent collaborator of Grace Coddington’s. In these images, the duo captured Naomi Campbell and Anna Getaneh in silk pyjamas made from Vogue Patterns.

The patterns are Vogue 7054 and 7079.

Peter Lindbergh's "Nude Study" - Vogue pattern 7079 Men's robe (1987) in silk chiffon
Anna Getaneh photographed by Peter Lindbergh for “Nude Study,” Vogue, November 1989. Editor: Grace Coddington.

Patterns in Vogue: Polar Effects

Vogue 7849 unitard worn in Iceland by Karen Mulder
Karen Mulder in Iceland, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Iceland’s Vatnajökull National Park is one of the latest additions to UNESCO’s World Heritage List. In 1990’s “Polar Effects,” the Vatnajökull glacier and Jökulsárlón glacial lake co-star with supermodels Karen Mulder and Kirsten Owen, and two Vogue patterns.

Karen Mulder in Vogue 7849, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Both patterns are Very Easy designs. In the opening image, Karen Mulder’s unitard is made from an unspecified “shiny” stretch knit from B&J Fabrics. Kirsten Owen’s double-width dirndl skirt is silk taffeta from Jerry Brown Fabrics.

Kirsten Owen in Vogue 9813, Vogue, November 1990. Photo: Hans Feurer. Editor: Grace Coddington.

Patterns in Vogue: The Leather Forecast

Linda Evangelista photographed in V1175 at Stansted airport by Nick Knight, 1994. Editor: Camilla Nickerson.
Linda Evangelista at Stansted Airport, 1994. Photo: Nick Knight. Editor: Camilla Nickerson.

Nick Knight once photographed Linda Evangelista at London’s Stansted Airport in a Vogue minidress.

The pattern is Vogue 1175, a 5 Easy Pieces pattern, cut from white leather from Mystic Leather, NYC.

White looks right against a steely sky or industrial machinery…

Long synonymous with rough and rugged images, leather is being transformed into sleek, sexy shapes with a body-conscious fit (Left: Vogue Patterns; right: Marc Jacobs for Birger Christensen.) Vogue, October 1994 Photo: Nick Knight.
Linda Evangelista in “The Leather Forecast,” Vogue, October 1994. Photo: Nick Knight. Editor: Camilla Nickerson.

Patterns in Vogue: Pillow Talk

Dorothea McGowan in breakfast coat Vogue 9774, 1960 - "fresh, frothy, delicious - almost Victorian in feeling, even to the pale ribbon sash."
“Fresh, frothy, delicious” – breakfast coat worn by Dorothea McGowan in Vogue, May 1, 1960. Photo: Leombruno-Bodi.

This Galentine’s, a midcentury slumber party.

Leombruno-Bodi photographed three models, including Nena von Schlebrügge and Dorothea McGowan, in airy loungewear made from Vogue patterns.

Vogue 5032 and 9774 in Vogue, May 1, 1960. Photos: Leombruno-Bodi.

Left: Red polka dots printed on white cotton: brief panties, a top swung briskly from red ribbon shoulder straps. In Crown Soap n’ Water fabric. Centre: Candy-striped silk, slipping into a perfect fall from narrow, softly bowed ribbon straps. Pink and orange stripes skimming white silk; the ribbon, orange. A.P.Silk fabric. Right: White cotton batiste, embroidered with white medallions; single touch of colour, the trailing, sweet-blue ribbon. Emanuel Roth fabric. All ribbon by Century.

The patterns are Vogue 9774 and 5032, a ruffled breakfast coat and nightgown / short pyjamas and nightcap.

Late 1950s-early 1960s lingerie patterns Vogue 9774 and Vogue 5032 "Very Easy to Make"

Pattern images: Vintage Pattern Wiki, Pinterest.

Patterns in Vogue: Hutton Meets Warhol

Model reclines on a large Andy Warhol silver helium-filled pillow wearing a Vogue Pattern 6928 dress
Lauren Hutton with Warhol pillows. Photo: Gianni Penati. Image: flickr.

A Vreeland-era Vogue Patterns editorial shows Lauren Hutton with silver, helium-filled pillows by Andy Warhol, who would have been 90 this year.

Andy Warhol photographed by Stephen Shore at Silver Clouds, Leo Castelli Gallery, 1966
Andy Warhol at the Leo Castelli Gallery, 1966. Photo: Stephen Shore. Image: Phaidon.

The Mylar pillows were the stars of Warhol’s Silver Clouds show at the Leo Castelli Gallery in New York. (More here.) The patterns are Vogue 6733 and Vogue 6928, both “Easy to Make.” Shown in silver cloqué, the short dress was adapted as a dancing dress; the long dress was designed as a nightgown. (Regina Novelty earrings; Bernardo sandals. Hair by Marc Sinclaire.)

Happy New Year, everyone! All the best for 2019.

Lauren Hutton in Vogue, July 1966 Photo: Gianni Penati.
Lauren Hutton in Vogue, July 1966. Photo: Gianni Penati. Image: Youthquakers.
Lauren Hutton in Vogue, July 1966. Photo: Gianni Penati. Image: Youthquakers.

Vogue 6733 and Vogue 6928: 2 patterns worn by Lauren Hutton in Vogue, July 1966

Pattern images: Mrs. Wooster, Vintage Pattern Wiki.

Carolyn Murphy

Murphy in Armani, Vogue Italia, September 1998. Photo: Steven Meisel
Carolyn Murphy in Armani, Vogue Italia, September 1998. Photo: Steven Meisel. Image: Pleasure Photo.

Supermodel Carolyn Murphy can be seen on some ’90s Vogue patterns.

Born in Florida, Carolyn Murphy (b. 1973) studied art history and literature at the University of Virginia before her modelling career took off in the mid-1990s. For more, see her IMG Models page.

Carolyn Murphy photographed by Mario Testino in Spring 1998 Givenchy Couture by Alexander McQueen, Vogue Paris March 1998 cover
Carolyn Murphy in Givenchy Couture by Alexander McQueen, Vogue Paris, March 1998. Photo: Mario Testino. Image: Vogue Paris.

Before she cut her hair, Murphy did some work for Vogue Patterns. Chuck Baker photographed her for the summer 1994 issue of Vogue Patterns magazine.

Vogue 1443
Vogue 1443 in Vogue Patterns, July/August 1994. Photo: Chuck Baker.
1990s Vogue Sport pattern featuring Carolyn Murphy - jacket, dress, top, shorts & pants V1443
Vogue 1443 (1994) Image: Etsy.

Here’s the original caption: Work-out wear goes high fashion as athletic-inspired clothes come out of the gym and onto the streets. Vogue Sport presents a one-pattern wardrobe of high-function pieces that look great whatever your game. Reflective stripes stylishly accent as well as provide high visibility protection. 1443 includes a black nylon jacket with inside drawstring, pull on sweatpants, boxy fleece shorts, and a V-neck sweatshirt that elongates into a sweatdress for lounging or going out.

As well as the Vogue Sport pattern, Murphy also models 5 Easy Pieces separates “in chocolate and emerald”:

Vogue 1471 in Vogue Patterns, July/August 1994
Vogue 1471 in Vogue Patterns, July/August 1994. Photo: Chuck Baker.
1990s 5 Easy Pieces pattern feat. Carolyn Murphy - Vogue 1471
Vogue 1471 (1994) Image: Etsy.

Bonus: Murphy was also featured in this Marc Jacobs pattern hack, shot by Herb Ritts for Vogue. The Marc Jacobs slip dress (Vogue 1965) was shown in icy green velvet from Elegant Fabrics, NYC.

“The softness of pale-green velvet takes on an unexpected sexiness when it’s slit thigh-high. Dress with spaghetti straps, Vogue Pattern #1965. Fabric from Elegant Fabrics, NYC.” Herb Ritts/Brana Wolf
Carolyn Murphy in Vogue 1965 by Marc Jacobs. Vogue, October, 1997. Photo: Herb Ritts. Editor: Brana Wolf.
VogueOct1997_V1965
Vogue 1965 by Marc Jacobs – Vogue, October 1997.

Patterns in Vogue: Where There’s Sun There’s Silk

Vogue UK May1966 V6468
Detail, British Vogue, May 1966. Photo: Helmut Newton. Image: Youthquakers.

A mid-1960s Helmut Newton editorial features a leopard and a Vogue pattern.

The model on the right wears Vogue 6468’s beach coverup in white guipure from Ilo Lace. (Left: blue mini dress by John Bates at Jean Varon; Paco Rabanne earrings.)

Vogue 6468 "Where there's sun there's silk."
British Vogue, May 1966. Photo: Helmut Newton. Image: Youthquakers.

For the full editorial see Youthquakers.

1960s bathing suit and cover-ups pattern Vogue 6468
Vogue 6468 (1965) Image: Etsy.