Elle Macpherson, Vogue Australia, March 1995. Photo: Andrew Macpherson. Image: Vogue Australia.
It’s spring in the southern hemisphere, and Australian Vogue is celebrating its 60th anniversary. The festivities kicked off in Canberra last week with the opening of Women in Vogue: Celebrating 60 years in Australia (at the National Portrait Gallery to November 24, 2019). A special anniversary issue of the magazine will hit newsstands in December.
Fernanda Ly, Akiima, Charlee Fraser, and Andreja Pejić on the cover of Vogue Australia, April 2018. Photo: Patrick Demarchelier. Editor: Christine Centenara. Image: Vogue Australia.
The late Tania Mallet graced the cover of Vogue Australia’s first issue in spring, 1959. (Click the image for a history published for the magazine’s 55th anniversary.)
Tania Mallet on the cover of the inaugural issue of Vogue Australia, Spring/Summer 1959. Photo: Norman Parkinson. Image: Vogue Australia.
Vogue Australia editor Edwina McCann sits on the board of directors of the new Australian Fashion Council, and the magazine’s cover archive is a gallery of famous faces, especially Australians like Cate Blanchett.
Cate Blanchett on the cover of Vogue Australia, January 2006. Photo: Richard Bailey. Image: Vogue Australia.
Vogue Patterns counts two Australians among its current designers: Rebecca Vallance and Nicola Finetti.
A Rebecca Vallance design on the cover of Vogue Patterns lookbook, Winter 2016. Image: Issuu.A Nicola Finetti design on the cover of the Vogue Patterns lookbook, Summer 2018. Image: Issuu.
Vogue Australia was still in its first decade when Butterick introduced two Aussies—Norma Tullo and Prue Acton—to its Young Designers line.
Butterick 5126 by Norma Tullo (ca. 1968) Image: Etsy.Butterick 5617 by Prue Acton (1969) Image: Etsy.
In the 1980s, Carla Zampatti and Frederick Fox both signed licensing deals with Style Patterns. The milliner to the Queen contributed more than one bridal design in classic Eighties style.
Style 4438 by Carla Zampatti (1986) Image: Etsy.Style 1249 by Frederick Fox (1987)
In the 1990s, Richard Tyler briefly designed for Anne Klein. It’s possible that an Anne Klein pattern or two showcases Tyler’s work.
Nadja Auermann in Richard Tyler for Anne Klein, Vogue, February 1995. Photo: Juergen Teller. Editor: Camilla Nickerson.Australian model Gemma Ward in Junya Watanabe, 2005. Photo: Nick Knight. Image: SHOWstudio.Vogue coverup (Adolfo hat), Wanda Beach, Australia. Photo: Helmut Newton. Vogue, May 1, 1964.
Vogue 1587 by Nicola Finetti (2018) Image: McCall’s.
Finetti also showed a longer, front-zip version of V1587. Just trim down the A-line skirt and add a midriff panel:
Nicola Finetti Fall 2016. Images: Not Just A Label.
This season’s backless showpiece is by Adam Andrascik for Laroche: a long-sleeved dress with front bodice drape and slim, layered skirt. Use a semi-sheer fabric for the full effect.
Vogue 1589 by Adam Andrascik for Guy Laroche (2018) Image: McCall’s.
The original is textured silk georgette in a chartreuse-tinged shade of La La Land yellow.
Guy Laroche by Adam Andrascik, Spring 2017. Image: vogue.com.
Andrascik showed two takes on the backless V1589 dress. (A famously backless, ’70s Guy Laroche gown is a perennial inspiration for today’s Laroche designers. French actor Mireille Darc’s gown, worn in the 1972 comedy Le grand blond avec une chaussure noire, also informed Hilary Swank’s Oscar dress.) Here, the V1589 dress is seen backstage:
A post shared by Guy Laroche (@guylarocheparis) on
On a black, sleeveless version, bead chains dangled from silver appliques:
Guy Laroche by Adam Andrascik, Spring 2017. Image: vogue.com.
Judging from the pattern number, the second Laroche may have been delayed from Vogue’s spring release. From Marcel Marongiu, it’s a long-sleeved dress with contrast collar, cuffs, and curved contrast panels in front and back.
Vogue 1577 by Marcel Marongiu for Guy Laroche (2018) Image: McCall’s.
Revered American designer Claire McCardell was the inspiration for Marongiu’s last collection for Laroche. The V1577 dress was shown both long-sleeved and sleeveless:
Guy Laroche by Marcel Marongiu, Spring 2015. Image: Guy Laroche.Guy Laroche by Marcel Marongiu, Spring 2015. Image: Guy Laroche.
As a grey and white coat dress, it swaps the button placket for jumbo exposed zippers:
Guy Laroche by Marcel Marongiu, Spring 2015. Image: Guy Laroche.
Marongiu’s shift dress version, with giant paillettes, was featured in the Laroche advertising campaign by Steve Hiett. Hiett also photographed the V1589 dress for Spring ’17:
Guy Laroche Spring 2015 by Marcel Marongiu. Images: Guy Laroche.Guy Laroche Spring 2015 and Spring 2017 ad campaigns by Steve Hiett.
New from Rachel Comey: the Popcorn dress. The Comey staple is shown in Spring 2017’s seersucker.
Vogue 1585 by Rachel Comey (2018) Popcorn dress. Image: McCall’s.
The pullover dress works for both solids and prints—even print-mixing with contrast skirt inserts. The current version is black rayon.
In her Spring 2007 collection, presented at the Altman building during New York Fashion Week, Comey showed the dress both loose and belted.
Rachel Comey Spring 2007. Images: ELLE.Backstage at Rachel Comey Spring 2007. Photos: Randy Brooke/WireImage.
A closer look reveals the print-mixing. There are only two prints here, with one, reminiscent of Biba’s famous banana print, in three colourways:
Rachel Comey Spring 2007. Images: firstVIEW.
The Summer patterns include two lace looks from Rebecca Vallance: a cutout dress and the Dolce Vita jumpsuit. (There’s one dress left at the Outnet.) The Dolce Vita is a cropped, wide-leg jumpsuit tied with grosgrain ribbon:
Vogue 1591 by Rebecca Vallance (2018) Image: McCall’s.
The jumpsuit is from Rebecca Vallance Summer 2016.
Cynthia Rowley Spring 2017. Photo: William Eadon. Image: vogue.com.
The original dress had a contrast back bodice:
Seeing designers’ alternate looks for the Spring/Summer pattern designs, it’s striking how Vogue no longer provides variant views in their designer line, whereas for Simplicity, it’s built in to the business. But armed with reference photos, it’s easy to transform a design.
PatternVault 