April 27, 2017 § 3 Comments
After a three-year hiatus, SHOWstudio has released a new Design Download: a skirt by Simone Rocha. The Dublin-born Central St Martins graduate won the British Womenswear Designer award for 2016, and now has stores in London and New York. (For more, see Matthew Schneier, “Simone Rocha, Born to Fashion, Makes Her Own Mark.”)
The three-bite pearl-embellished skirt is from Rocha’s Spring 2014 collection, which drew critical acclaim for its deconstructed femininity. (See Suzy Menkes’ review, “Simone Rocha, Family and Fashion.”) You can see the full collection at vogue.com, or check out the detail images at the designer’s website.
Pearl-edged slashes were a signature element of the collection, as were the pearl-trimmed knee-high stockings. (Rocha has said she is inspired by her grandmothers.)
Watch a 3D rendering video of the skirt in motion:
For their competition prize, SHOWstudio commissioned Fiona Gourlay to produce an original illustration of Rocha’s Spring 2014 ensemble:
The pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.
Download the skirt pattern (7 pieces)
Notes: The original was neoprene. The yoke calls for fused lining (fusible interfacing). Slashed edges are finished with binding.
Notions: 20 cm (8″) zipper.
View the submissions gallery.
December 11, 2016 § Leave a comment
We finally got some snow in Toronto. Here’s a winter-themed cover from the mid-1930s.
The pattern is McCall 8038, a suit consisting of a high-waisted skirt and tunic-length wrap coat with fur-trimmed collar.
(The NRA eagle logo shows compliance with the National Recovery Administration. For more on this Depression-era US policy, see Rebecca Onion for Slate.)
September 22, 2016 § 4 Comments
To celebrate the first day of autumn, here’s a vintage Butterick cover from fall, 1935.
The fur-collared cover look is Butterick 6399, “A brief and buttoned jacket, snugly fitted and collared with badger or wolf, plus a skirt worn shorter than the length you’re used to—these make the suit the epitome of fall chic.”
For more on vintage fur, both natural and faux, see Fur Cloth for Fall.
February 11, 2016 § 4 Comments
Now that the temperature has dropped, I wanted to share a near-antique McCall News from winter 1917-18.
The cover illustration shows two women skating on a frozen lake. The fur-trimmed dress on the left is McCall 8125, with ‘aviation cap’ McCall 8130; the dress on the right is McCall 8121.
Inside the leaflet are some interesting patterns for war work. You may recognize overall suit McCall 7860 from my Great War post. Here we see the sleeveless view worn over a blouse:
‘The Conservation Uniform,’ McCall 7970, is a dress apron designated “Official Food Conservation Uniform; for the use of women signing the Conservation Pledge of the Food Commission.” (Often called a Hoover apron—for more, see witness2fashion’s post.) The cap and cuffs were included in the pattern:
The ‘aviation cap’ from the cover is shown with McCall 7897, a ladies’ military dress with optional cape:
January 11, 2016 § 5 Comments
Happy New Year! Vintage reissues give a taste of the pleasures of sewing vintage, without the bidding wars and grading. Here is an overview—with rarely seen archival images—of the contemporary vintage pattern lines from Vogue, Butterick, and McCall’s. (Simplicity could not be reached for comment.)
Launched in time for Holiday 1998, Vogue Patterns’ Vintage Vogue line provides true reproductions of vintage patterns borrowed from private collectors. (See my earlier post and discussion, How Do You Take Your Vintage Vogue? or get the details on the Vintage Vogue Search.) Alas, the terms of the old licensing agreements mean that Vogue can’t reissue designer patterns.
Deco evening dress pattern Vogue 2241 remains a favourite; I recently came across a version at Toronto’s Spadina Museum. I found an illustration of the original, Vogue S-3543, in a Vogue Patterns news leaflet from December, 1931. The description reads, “Here is a frock that expresses the newest movement of the mode, its originality and charm. It has a slender moulded look from the décolletage to the circular panels that trail slightly on the ground”:
Butterick donated the original to the Commercial Pattern Archive:
Retro Butterick and McCall’s Archive Collection
Both Retro Butterick and McCall’s Archive Collection patterns are recreated and sometimes adapted from archival materials, not the original patterns. With archival images, sticklers for accuracy can restore these adaptations to the original vintage design.
Early Retro Butterick pattern B6408 is based on Butterick 4391, a “Quick and Easy” late 1940s design for an evening gown with hooded scarf:
McCall’s introduced The Archive Collection for Early Fall, 2014. The recent 1920s coat pattern, M7259, is based on McCall 5057, a 1927 design by Agnès:
The McCall 6057 gown is a couture adaptation: the design is after Patou. Here is the description from McCall’s magazine: “The Patou silhouette is beautifully exemplified in a formal evening gown which has curved bands at the neckline and hipline, a short bolero and inserted panels lengthening the skirt”:
For more on the McCall Pattern Company’s vintage lines, see We Sew Retro’s interview.
December 25, 2015 § 1 Comment
I wanted to share this mid-1920s, Christmas-themed cover of McCall Style News. From December, 1925, the illustration shows two women—well-dressed in coat ensembles—accompanying a young girl carrying a wreath. I love how makes it look like she has two mothers.
The patterns are McCall 4336, 4248, and 4337. This copy came from Bresee’s Oneonta Department Store in Oneonta, New York.
Merry Christmas and happy holidays!
July 23, 2015 § 3 Comments
Cycling. This cycling illustration graced the cover of the summer 1938 issue of Vogue Pattern Book:
The pattern is Vogue 8014, a sport or evening frock, bolero, and calot (hat) in the collection of CoPA: