Free Designer Pattern: McQueen Dress

Akuac Thiep photographed by Nick Knight in Alexander McQueen Spring 2020 by Sarah Burton
Akuac Thiep in Alexander McQueen SS 2020 by Sarah Burton. Photo: Nick Knight. Image: SHOWstudio.

In memory of Paco Peralta.

SHOWstudio’s latest Design Download is an Alexander McQueen dress.

Back view: Akuac Thiep photographed by Nick Knight in Alexander McQueen Spring 2020 by Sarah Burton
Akuac Thiep in Alexander McQueen SS 2020 by Sarah Burton. Photo: Nick Knight. Image: SHOWstudio.

A current-season design, it was the opening look in Sarah Burton’s Spring 2020 collection for McQueen.

Alexander McQueen Spring 2020 by Sarah Burton
Alexander McQueen Spring 2020 by Sarah Burton. Model: Vilma Sjoberg. Image: Vogue Runway.
Detail, Alexander McQueen Spring 2020 by Sarah Burton
Detail, Alexander McQueen Spring 2020 by Sarah Burton. Image: Vogue Runway.

This romantic collection drew comparisons with the couture, featuring reworked old patterns and past-season fabrics, as well as Irish linens, damask or beetled, fine wool suiting from the north of England, and hand embroidery worked by the entire McQueen studio.

“I love the idea of people having the time to make things together, the time to meet and talk together, the time to reconnect to the world.” – Sarah Burton

The dress re-envisions its show-opening counterpart in Alexander McQueen’s Eshu, named for the Yoruba trickster god and presented 20 years ago in a disused Hitchcock studio. (See Suzy Menkes, “London Crowns Its Fashion Kings,” and Savage Beauty.) As SHOWstudio notes, Burton’s “articulated puff-sleeve dress [is] a reimagining of the Autumn/Winter 2000 Eshu dress, originally crafted in calico with a focus on the silhouette.”

Alexander McQueen Fall 2000 - Eshu
Alexander McQueen Fall 2000 (Eshu). Image: Vogue Runway.

Steven Klein photographed Björk in a denim variation for Vogue’s September issue:

"A Brave New Björk," Vogue September issue 2000
Björk in a distressed denim dress from Eshu, Alexander McQueen FW 2000, Vogue, September 2000. Photo: Steven Klein. Editor: Phyllis Posnick. Image: bjork.fr.

In the same issue, the designer portfolio opens with a group portrait of McQueen and his team for Eshu, including model Liberty Ross, Isabella Blow, jeweller Shaun Leane, and the young Sarah Burton.

"How Many People Does It Take to Design a Dress?" Alexander McQueen and team, with Sarah Burton, near right, and Liberty Ross and Isabella Blow in looks from the Eshu collection, photographed by Annie Leibovitz. Vogue, September 2000
Alexander McQueen and team, with Sarah Burton at near right, Vogue, September 2000. Photo: Annie Leibovitz. Editor: Camilla Nickerson. Image: Vogue Archive.

Burton’s dress makes repeated appearances in the Spring 2020 campaign:

Alexander McQueen Spring 2020 ad campaign. Model: Felice Noordhoff. Photo: Jamie Hawkesworth. Art direction: M/M (Paris). Image: Alexander McQueen.
Alexander McQueen Spring 2020 ad campaign. Model: Vivien Solari. Photo: Jamie Hawkesworth. Art direction: M/M (Paris). Image: Alexander McQueen.

Also worn by Imaan Hammam in Masha Vasyukova’s campaign video (music by Isobel Waller-Bridge):

The pattern download comes in A4 sheets, with a test line to check the scale.

Image: SHOWstudio.

Download the dress pattern (18 pieces)

Size: Sample size. Update: Model Akuac Thiep is wearing the sample size. She is 5’10” and wears a size 8/36. (34″ bust | 25″ waist | 35″ hip) Source: Nevs Models.

Notes: Prints on 220 A4 sheets.

Notions: Back zipper.

Alexander McQueen Spring 2020 campaign
Alexander McQueen Spring 2020 ad campaign. Model: Vivien Solari. Photo: Jamie Hawkesworth. Art direction: M/M (Paris). Image: Alexander McQueen.
With thanks to Emily Knight.

Free Designer Pattern: Iris van Herpen Dress

Hacking Infity - Iris van Herpen Fall 2015 RTW. Photo: Frederik Heyman
Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.

SHOWstudio’s latest Design Download is a dress by Dutch wunderkind Iris van Herpen.

Iris van Herpen dress photographed by Thomas Alexander for SHOWstudio, 2018
Iris van Herpen’s Hacking Infinity dress. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.
Iris van Herpen dress photographed by Thomas Alexander for SHOWstudio, 2018
Iris van Herpen dress, FW15 rtw. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.

The sheath dress is from Hacking Infinity, Iris van Herpen’s Fall 2015 ready-to-wear collection, which explored the idea of terraforming. (Read more at the designer’s site, or see Suzy Menkes on her 2015 studio visit.) The collection’s leather and 3D-printed shoes are by Noritaka Tatehana.

Iris van Herpen Fall 2015 rtw look 12 - SHOWstudio design download
Iris van Herpen Fall 2015 RTW. Photo: Kim Weston Arnold. Image: Vogue Runway.
Iris van Herpen Fall 2015 ready-to-wear. Image: firstVIEW.

Science, technology, and science fiction are strong influences for Van Herpen, and Vogue’s reviewer cited Paul Verhoeven’s Total Recall as an intro to the terraforming concept. Several looks referenced the stillsuits from David Lynch’s Dune.

Iris van Herpen Fall 2015 RTW
Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.
Hacking Infity - Iris van Herpen Fall 2015 RTW. Photo: Frederik Heyman
Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.
Chani (Sean Young) in David Lynch’s Dune (1984) Costume design: Bob Ringwood. Image: Pinterest.

The plissé material, seen in the SHOWstudio piece, appeared both as one element in a mix, and for entire garments in black and bronze.

Iris van Herpen Fall 2015 RTW. Images: firstVIEW.

For Fall 2015, Van Herpen developed a fine, metallic fabric woven from silk and stainless steel. The translucent silver material was coaxed into “a sheen of nebula-like colors” with heat and hand-burnishing. Plisséed and pleated into circular forms, it evoked planetary bodies and infinity.

Detail backstage at Iris van Herpen's Fall 2015 show
Detail backstage at Iris van Herpen’s Fall 2015 show. Photo: Morgan O’Donovan. Image: Facebook.
Iris van Herpen Fall 2015 RTW
Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.
Hacking Infinity FW15 Iris van Herpen dress photographed by Juergen Teller
Iris van Herpen dress in T Magazine, April 2015. Photo: Juergen Teller. Image: Iris van Herpen.

The pattern download comes in A4 sheets, with a test line to check the scale.

Iris van Herpen SHOWstudio dress pattern diagram
Iris van Herpen dress pattern diagram. Image: SHOWstudio.

Download the dress pattern (34 pieces)

Size: 38

Notes: Prints on 100 A4 sheets. Plissé panels are hand-sewn to base dress.

Fabric recommendations: Plissé panels: plissé or printed fabric on a cotton base fabric. Stretch fabric is recommended for the skirt. Straps & facings: silk, non-stretch fusible interfacing. Lining: silk or cupro.

Notions: Back zipper.

The competition is still open. Will you be entering?

Free Designer Pattern: Callot Soeurs Pyjamas

Callot Soeurs lounging pyjamas, ca. 1913
Callot Soeurs lounging pyjamas, ca. 1913. Image: LACMA.

This week, a free couture pattern from Callot Soeurs.

Callot Soeurs was one of the old couture houses of Belle Époque Paris, founded in 1895 by the four Callot sisters. Not many Callot Soeurs garments survive, and the house is best remembered for its role in the early career of Madeleine Vionnet. But in 2015, the New Yorker published an article on a collection of Callot Soeurs dresses found stored in Villa La Pietra, a Florentine villa that was once home to American heiress Hortense Mitchell Acton. (See Jessamyn Hatcher, “Twenty-One Dresses.”) Click the image below to see the gallery of Acton’s Callot Soeurs gowns.

Callot Soeurs label inside one of Hortense Mitchell Acton's commissions found at Villa La Pietra, Florence. Photo: Pari Dukovic
Callot Soeurs label inside one of Hortense Mitchell Acton’s commissions found at Villa La Pietra, Florence. Photo: Pari Dukovic. Image: The New Yorker.

LACMA’s Callot Soeurs pyjama ensemble includes a delicate top and harem pants—a radical element of the new women’s silhouette. (See my sarouel post here.)

Here are the museum notes:

This thoughtfully crafted hand-sewn and machine-stitched lounging pajama was made bifurcated by the attachment of the skirt length from the center front of the waist to the center back through the legs. Vertical side-front seams of the skirt were sewn with openings for the feet to create a stylized harem pant. The silk charmeuse skirt draped and outlined each leg while silk tassels at the foot openings would have drawn attention to the wearer’s ankles as she walked. A bifurcated garment of any style during the early 1900s was a provocative fashion that challenged ideas about established gender-appropriate dress.

Callot Soeurs lounging pyjamas, ca. 1913
Detail, Callot Soeurs lounging pyjamas, ca. 1913. Image: LACMA.
Callot Soeurs lounging pyjamas; silk satin embellished shoes, London, England, ca. 1913
Detail, Callot Soeurs lounging pyjamas, ca. 1913. Image: LACMA.
Callot Soeurs sketch by Thomas John Bernard
Callot Soeurs sketch by Thomas John Bernard. Image: LACMA.

Download the pattern here.

Note: Gridded pattern. Does not include seam allowance.

Back waist length: 52 3/8″ (133 cm)

Notions: 10 spherical buttons, 4 5″ (12.7 cm) tassels, cord, 1/2″ (1.3 cm) bias tape, 3/4″ (1.9 cm) trim, ribbon for plackets, hooks and eyes.

For more historical patterns, see the LACMA Costume and Textile Pattern Project.

Free Designer Pattern: Alyx Pleat Dress

At the V&A in the Alyx pleat dress. Photo: Britt Lloyd. Model: Jazzelle Zanaughtti
At the V&A in the Alyx pleat dress. Photo: Britt Lloyd. Model: Jazzelle Zanaughtti. Image: SHOWstudio.

The new Design Download from SHOWstudio is an Alyx shirtdress. Alyx was founded in 2015 by Matthew M. Williams, a well-connected American designer now based in Ferrara, Italy. (For more, see Emilia Petrarca, “Kanye West and LVMH-Approved: Meet Designer Matthew Williams” and Matthew Schneier, “Matthew Williams, Renaissance Man.”)

For the Alyx Fall 2017 collection, Williams was inspired by Berlin fetish clubs. The pleat dress was shown in two versions—black leopard print:

Siouxsie Leenaars in Alyx Fall 2017
Alyx Fall 2017. Model: Siouxsie Leenaars. Image: vogue.com.

And silver lamé:

Siouxsie Leenaars in Alyx Fall 2017
Alyx Fall 2017. Model: Siouxsie Leenaars. Image: vogue.com.

For more views see the Alyx retail site (silver | black).

Watch a video of Williams discussing a piece from the Alyx Spring ’18 menswear collection:

This year’s competition prize is an Alyx catalogue shot by Nick Knight. (Season unspecified.)

Alyx Natural Order catalogue (Fall 2016) photographed by Nick Knight
Alyx Natural Order catalogue (Fall 2016) photographed by Nick Knight. Image: SHOWstudio.

As before, the pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.

Pattern pieces for SHOWstudio's Alyx design_download
Image: SHOWstudio.

Download the dress pattern (22 pieces)

Size: M

Notes: The original was silk. Skirt has bagged lining. Calls for fusible interfacing for the collar, cuffs, etc.

Notions: 3 small buttons, 7 smaller buttons + additional for concealed skirt closure; contrasting thread for edge stitching, bar tacks, piping, and belt loops.

Stay tuned for the submissions gallery: the contest closes March 30th, 2018. (Deadline updated.)

Update: View the submissions gallery here.

Free Designer Pattern: Simone Rocha Skirt

Model Ana Buljevic photographed by Rob Rusling in an ensemble from Simone Rocha's Spring 2014 collection
Ana Buljevic in Simone Rocha Spring 2014. Photo: Rob Rusling. Image: SHOWstudio.

After a three-year hiatus, SHOWstudio has released a new Design Download: a skirt by Simone Rocha. The Dublin-born Central St Martins graduate won the British Womenswear Designer award for 2016, and now has stores in London and New York. (For more, see Matthew Schneier, “Simone Rocha, Born to Fashion, Makes Her Own Mark.”)

The three-bite pearl-embellished skirt is from Rocha’s Spring 2014 collection, which drew critical acclaim for its deconstructed femininity. (See Suzy Menkes’ review, “Simone Rocha, Family and Fashion.”) You can see the full collection at vogue.com, or check out the detail images at the designer’s website.

A pearl-trimmed, black neoprene ensemble in Simone Rocha's Spring 2014 collection
Simone Rocha’s Spring 2014 collection. Image: vogue.com.

Pearl-edged slashes were a signature element of the collection, as were the pearl-trimmed knee-high stockings. (Rocha has said she is inspired by her grandmothers.)

Two pearl-trimmed looks from Simone Rocha's Spring 2014 collection
Two looks from Simone Rocha’s Spring 2014 collection. Images: vogue.com.

Watch a 3D rendering video of the skirt in motion:

For their competition prize, SHOWstudio commissioned Fiona Gourlay to produce an original illustration of Rocha’s Spring 2014 ensemble:

Simone Rocha 2014 - fashion illustration by Fiona Gourlay, 2016.
Simone Rocha illustration by Fiona Gourlay, 2016. Image: SHOWstudio.

The pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.

Simone Rocha skirt pattern pieces
Image: SHOWstudio.

Download the skirt pattern (7 pieces)

Notes: The original was neoprene. The yoke calls for fused lining (fusible interfacing). Slashed edges are finished with binding.

Notions: 20 cm (8″) zipper.

View the submissions gallery.

Free Designer Pattern: Yohji Yamamoto Top

Yohji Yamamoto top photographed by Nick Knight
Three views of a Yohji Yamamoto top. Photo: Nick Knight. Image: SHOWstudio.

SHOWstudio’s first Design Download, in May 2002, was a top by Yohji Yamamoto.

I couldn’t find a runway photo of the top, but it’s consistent with those seen in Yohji Yamamoto’s athletic wear-inspired Fall-Winter 2001 collection (view the collection at Vogue Runway):

Yohji Yamamoto FW2001 look 48
Yohji Yamamoto Fall 2001. Model: Colette Pechekhonova. Image: firstVIEW.

Here’s the collection image from L’Officiel 1000 modèles (click to enlarge):

Yohji Yamamoto FW 2001 in L'Officiel 1000 modèles
Yohji Yamamoto FW 2001 in L’Officiel 1000 modèles no. 17 (2001). Image: jalougallery.com.

This collection was Yamamoto’s first collaboration with Adidas. The year 2001 also marked the 20th anniversary of Yamamoto’s first Paris collection, in the fall of 1981. (See Suzy Menkes, “Fashion’s Poet of Black: Yamamoto.”)

Yohji Yamamoto pattern at SHOWstudio
Image: SHOWstudio.

Download the top pattern (2 pieces)

Recommended fabric: wool

Yardage requirements: approx. 1.25 yards (1.2 m) of 60″ fabric *

Notions: 21 mm button snap closure

See the submissions gallery here; Alabama Chanin post here. For more on Yamamoto, see Yohji Yamamoto at the V&A and the related article on processes and techniques.

* Source: Craftster discussion

Zandra Rhodes: Style Patterns

Zandra Rhodes and Rembrandt's portrait of Catrina Hooghsaet, 2014
Zandra Rhodes and Rembrandt’s portrait of Catrina Hooghsaet, 2014. Image: National Gallery.

Last week, Zandra Rhodes returned to London Fashion Week for her Spring 2016 collection. Famous for her colourful, hand-drawn prints, the bohemian cult favourite is also new to Vogue Patterns for Winter/Holiday 2015: Vogue 1472 is the first new Zandra Rhodes sewing pattern in thirty years.

Update: read a profile in Vogue Patterns magazine:

VPMDecJan15-16-Rhodes
Zandra Rhodes in Vogue Patterns Magazine, December/January 2015-16. Image: Issuu.

For knitters, the current issue of Rowan Knitting & Crochet has a Zandra Rhodes jacket pattern available as a free download.

Zandra Rhodes sketch with yarn charts and sample garment - Rowan 58 (Winter 2015)
Zandra Rhodes sketch with yarn charts and sample garment in Katy Bevan, “Dame Zandra’s Knitting Circle,” Rowan Knitting & Crochet 58 (Winter 2015). Image: Rowan.

Born in Chatham, Kent, Zandra Rhodes (b. 1940) trained as a textile designer at Medway College of Art, where her mother was a lecturer, and London’s Royal College of Art. Rhodes founded her own label in order to build garments around her prints. Her first, 1969 collection, Knitted Circle, was famously worn by Natalie Wood in Vogue magazine; the evening coat is now in the collection of the V&A:

Forecast: the London bit - Natalie Wood in hand-screened prints by Zandra Rhodes - Gianni Penati, ca. 1969
Natalie Wood wears a screen-printed felt evening coat and silk chiffon dress, both by Zandra Rhodes. Vogue, January 1970. Photo: Gianni Penati. Image: Youthquakers.

Rhodes became known as the Princess of Punk following her Spring 1977 torn and safety-pinned Conceptual Chic collection, which was partly inspired by Schiaparelli’s Tears dress.

Wedding dress and dress from Zandra Rhodes' Spring 1977 collection
A wedding dress and dress from Zandra Rhodes’ Spring 1977 collection at the PUNK: Chaos to Couture exhibit, 2014. Image: Metropolitan Museum of Art.

By the 1980s Rhodes was designing for Princess Diana. The princess wore this pink chiffon dress, embellished with crystal beads and pearl droplets, during her 1986 state visit to Japan (now in the collection of Historic Royal Palaces):

Zandra Rhodes sketch for Princes Diana. Image: SDNews.

In 1985, Style Patterns released a handful of Zandra Rhodes sewing patterns. Rhodes was among the first designers to be included in the company’s short-lived designer line. (See my earlier posts on Bruce Oldfield and Frederick Fox.)

Update: I found a fourth Style pattern by Zandra Rhodes, Style 4398:

1980s Zandra Rhodes dress pattern Style 4389
Style 4389 by Zandra Rhodes (1985)

Style 4399 is a pattern for a wedding or evening dress in two lengths with characteristic serated frill:

1980s Zandra Rhodes formal dress pattern - Style 4399
Style 4399 by Zandra Rhodes (1985) Image: Etsy.
Style 4399 schematic
Back view for Style 4399 (1985)

Here’s the envelope description: Misses’ Lined Wedding Dress or Evening Dress in Two Lengths — Dress has shoulder yoke with serrated frill and pointed cape effect on bodice. Skirt has elasticated waistline. Model 1 bead trim is used on yoke and neck tie. Suggested fabrics: Lightweight silk types, crepe de chine, chiffon, shantung, lace, voile, batiste, organza. Lining: Jap silk, crepe de chine. Trim: wide ribbon and pearl beading or narrow ribbon.

Style 4400 is an off-the-shoulder wedding or bridesmaid’s dress with separate petticoat:

1980s Zandra Rhodes formal dress pattern - Style 4400
Style 4400 by Zandra Rhodes (1985)
Style 4400 schematic
Technical drawing for Style 4400 (1985)

The envelope description reads: Misses’ Half-Lined Wedding Dress or Bridesmaid’s Dress and Petticoat — Dress has flounced bodice with elasticated waist. Skirt has layered net frills, with gathered net and ribbon trim. Bride and bridesmaid’s dress has petticoat in fabric and net. Suggested fabrics: Dress, Models 1 and 2: Organza, voile, silk or synthetic sheers, lightweight lace. Lining: silk types, taffeta, satin (nap irrelevant). Net or tulle: silk, nylon. Trim: wide ribbon, sequin trim, narrow ribbon.

The third dress design, Style 4400, has a low back décolletage and multi-tiered skirt:

1980s Zandra Rhodes dress pattern - Style 4495
Style 4495 by Zandra Rhodes (1985)
Style 4495 schematic
Technical drawing for Style 4495 (1985)

You can see the same pattern with updated envelope here.

Here’s the envelope description: Misses’ Dress in Two Lengths — Dress has fitted bodice with elasticated waistline. Models 1 and 3 have bodice frill to waistline. Model 2 has shorter bodice frill. Models 1 and 2 have four-tiered skirt flounce. Model 3 has three-tiered skirt flounce. Suggested fabrics: Chiffon, georgette, voile, silk or synthetic sheers, organza. Also: lightweight lining fabric. Trim: wide ribbon; pearl trim (views 1 and 2).

The designs seem to be from Rhodes’ Spring 1985 collection, Images of Woman:

Zandra Rhodes SS1985 a
Zandra Rhodes Spring/Summer 1985 collection. Image: UCA Library.
Zandra Rhodes SS1985 b
Zandra Rhodes Spring/Summer 1985 collection. Image: UCA Library.

The trim and fabric specifications are catalogues of girliness: lightweight, floaty fabrics to be trimmed with the ribbon, sequins, and pearls. I love how Style 4495 suggests lining fabric as an alternative—perhaps with a budget-conscious youth market in mind.

For more on Zandra Rhodes, see the V&A’s article.