January 21, 2018 § 1 Comment
The new Design Download from SHOWstudio is an Alyx shirtdress. Alyx was founded in 2015 by Matthew M. Williams, a well-connected American designer now based in Ferrara, Italy. (For more, see Emilia Petrarca, “Kanye West and LVMH-Approved: Meet Designer Matthew Williams” and Matthew Schneier, “Matthew Williams, Renaissance Man.”)
For the Alyx Fall 2017 collection, Williams was inspired by Berlin fetish clubs. The pleat dress was shown in two versions—black leopard print:
And silver lamé:
Watch a video of Williams discussing a piece from the Alyx Spring ’18 menswear collection:
This year’s competition prize is an Alyx catalogue shot by Nick Knight. (Season unspecified.)
As before, the pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.
Download the dress pattern (22 pieces)
Notes: The original was silk. Skirt has bagged lining. Calls for fusible interfacing for the collar, cuffs, etc.
Notions: 3 small buttons, 7 smaller buttons + additional for concealed skirt closure; contrasting thread for edge stitching, bar tacks, piping, and belt loops.
Stay tuned for the submissions gallery: the contest closes March 30th, 2018. (Deadline updated.)
April 27, 2017 § 3 Comments
After a three-year hiatus, SHOWstudio has released a new Design Download: a skirt by Simone Rocha. The Dublin-born Central St Martins graduate won the British Womenswear Designer award for 2016, and now has stores in London and New York. (For more, see Matthew Schneier, “Simone Rocha, Born to Fashion, Makes Her Own Mark.”)
The three-bite pearl-embellished skirt is from Rocha’s Spring 2014 collection, which drew critical acclaim for its deconstructed femininity. (See Suzy Menkes’ review, “Simone Rocha, Family and Fashion.”) You can see the full collection at vogue.com, or check out the detail images at the designer’s website.
Pearl-edged slashes were a signature element of the collection, as were the pearl-trimmed knee-high stockings. (Rocha has said she is inspired by her grandmothers.)
Watch a 3D rendering video of the skirt in motion:
For their competition prize, SHOWstudio commissioned Fiona Gourlay to produce an original illustration of Rocha’s Spring 2014 ensemble:
The pattern download comes in a choice of A4 or A1 sheets, each with a test line to check the scale.
Download the skirt pattern (7 pieces)
Notes: The original was neoprene. The yoke calls for fused lining (fusible interfacing). Slashed edges are finished with binding.
Notions: 20 cm (8″) zipper.
View the submissions gallery.
December 8, 2015 § Leave a comment
SHOWstudio’s first Design Download, in May 2002, was a top by Yohji Yamamoto.
I couldn’t find a runway photo of the top, but it’s consistent with those seen in Yohji Yamamoto’s athletic wear-inspired Fall-Winter 2001 collection (full collection at Vogue Runway):
Here’s the collection image from L’Officiel 1000 modèles (click to enlarge):
This collection was Yamamoto’s first collaboration with Adidas. The year 2001 also marked the 20th anniversary of Yamamoto’s first Paris collection, in the fall of 1981. (See Suzy Menkes, “Fashion’s Poet of Black: Yamamoto.”)
Download the top pattern (2 pieces)
Recommended fabric: wool
Yardage requirements: approx. 1.25 yards (1.2 m) of 60″ fabric *
Notions: 21 mm button snap closure
* Source: Craftster discussion
September 24, 2015 § 3 Comments
Last week, Zandra Rhodes returned to London Fashion Week for her Spring 2016 collection. Famous for her colourful, hand-drawn prints, the bohemian cult favourite is also new to Vogue Patterns for Winter/Holiday 2015: Vogue 1472 is the first new Zandra Rhodes sewing pattern in thirty years. (Update: read a profile in Vogue Patterns magazine.) For knitters, the current issue of Rowan Knitting & Crochet has a Zandra Rhodes jacket pattern available as a free download.
Born in Chatham, Kent, Zandra Rhodes (b. 1940) trained as a textile designer at Medway College of Art, where her mother was a lecturer, and London’s Royal College of Art. Rhodes founded her own label in order to build garments around her prints. Her first, 1969 collection, Knitted Circle, was famously worn by Natalie Wood in Vogue magazine; the evening coat is now in the collection of the V&A:
Rhodes became known as the Princess of Punk following her Spring 1977 torn and safety-pinned Conceptual Chic collection, which was partly inspired by Schiaparelli’s Tears dress.
By the 1980s Rhodes was designing for Princess Diana. The princess wore this pink chiffon dress, embellished with crystal beads and pearl droplets, during her 1986 state visit to Japan (now in the collection of Historic Royal Palaces):
In 1985, Style Patterns released a handful of Zandra Rhodes sewing patterns. Rhodes was among the first designers to be included in the company’s short-lived designer line. (See my earlier posts on Bruce Oldfield and Frederick Fox.)
Update: I found a fourth Style pattern by Zandra Rhodes, Style 4398:
Style 4399 is a pattern for a wedding or evening dress in two lengths with characteristic serated frill:
Here’s the envelope description: Misses’ Lined Wedding Dress or Evening Dress in Two Lengths — Dress has shoulder yoke with serrated frill and pointed cape effect on bodice. Skirt has elasticated waistline. Model 1 bead trim is used on yoke and neck tie. Suggested fabrics: Lightweight silk types, crepe de chine, chiffon, shantung, lace, voile, batiste, organza. Lining: Jap silk, crepe de chine. Trim: wide ribbon and pearl beading or narrow ribbon.
Style 4400 is an off-the-shoulder wedding or bridesmaid’s dress with separate petticoat:
The envelope description reads: Misses’ Half-Lined Wedding Dress or Bridesmaid’s Dress and Petticoat — Dress has flounced bodice with elasticated waist. Skirt has layered net frills, with gathered net and ribbon trim. Bride and bridesmaid’s dress has petticoat in fabric and net. Suggested fabrics: Dress, Models 1 and 2: Organza, voile, silk or synthetic sheers, lightweight lace. Lining: silk types, taffeta, satin (nap irrelevant). Net or tulle: silk, nylon. Trim: wide ribbon, sequin trim, narrow ribbon.
The third dress design, Style 4400, has a low back décolletage and multi-tiered skirt:
You can see the same pattern with updated envelope here.
Here’s the envelope description: Misses’ Dress in Two Lengths — Dress has fitted bodice with elasticated waistline. Models 1 and 3 have bodice frill to waistline. Model 2 has shorter bodice frill. Models 1 and 2 have four-tiered skirt flounce. Model 3 has three-tiered skirt flounce. Suggested fabrics: Chiffon, georgette, voile, silk or synthetic sheers, organza. Also: lightweight lining fabric. Trim: wide ribbon; pearl trim (views 1 and 2).
The designs seem to be from Rhodes’ Spring 1985 collection, Images of Woman:
The trim and fabric specifications are catalogues of girliness: lightweight, floaty fabrics to be trimmed with the ribbon, sequins, and pearls. I love how Style 4495 suggests lining fabric as an alternative—perhaps with a budget-conscious youth market in mind.
For more on Zandra Rhodes, see the V&A’s article.
February 17, 2015 § 3 Comments
This month Gareth Pugh celebrates the 10-year anniversary of his label. SHOWstudio is marking the anniversary—and Pugh’s return to London Fashion Week—with an editorial project, Gareth Pugh: 10 Years, and Melissa’s London flagship is hosting a retrospective exhibition of the designer’s work. (See Samantha Conti, “Gareth Pugh Sets London Retrospective.”)
SHOWstudio’s Gareth Pugh Design Download is a pattern for the striped balloon from the designer’s 2003 Central Saint Martins graduation collection. According to the site’s original notes, “Rather than submitting a traditional garment pattern to the design_download series, Gareth Pugh chose to contribute a pattern for a balloon which he had previously created. The bold, red and white striped beach-ball fabric balloons are, like much of Pugh’s designs, inspired by shape, proportion and process.”
As Sarah Mower remarked in her review of the designer’s London Fashion Week debut (Fall 2006 RTW), “Pugh has a thing about balloons.” The red and white version was a recurring motif in his graduation collection and typifies his playful, experimental approach to fashion design.
(Click the above image for more runway looks from this collection.)
Nicola Formichetti, then senior fashion editor at Dazed & Confused, put one of Pugh’s balloon looks on the cover of the magazine:
A black and white version from Pugh’s Fashion in Motion event at the V&A:
Download the balloon pattern (7 pieces)
Fabric requirements: approx. 1 meter (1 yd 4″) each of fabric and contrast fabric.
Recommended fabrics: Non-stretch fabrics with a sheen. The originals were made in a thick, non-stretch acetate satin.
Notions: 18” (45 cm) invisible zipper to match contrast fabric, 1 large latex balloon.
Notes: includes 1 cm (approx. 3/8″) seam allowance. The pattern is laid out on A3 sheets, so copy shop printing is recommended.
See the SHOWstudio submissions gallery here.
May 5, 2014 § 8 Comments
As part of its current exhibition, Patrick Kelly: Runway of Love, the Philadelphia Museum of Art is sharing a pattern for a one-seam coat designed by Patrick Kelly in 1984. (See my post on Patrick Kelly’s Vogue patterns here.)
After Kelly moved to Paris in 1979, he worked as a costume designer for Le Palace nightclub while also selling his coats on the sidewalk of the Boulevard Saint-Germain. When he secured a stall at Les Puces de Saint-Ouen, the famous Porte de Clignancourt flea market, his raw-edged jersey tube dresses caught the attention of his first backer, Françoise Chassagnac of Victoire. Thanks to Chassagnac’s connections, Kelly’s entire collection was featured in Elle magazine:
Although the Philadelphia Museum of Art’s coat dates to 1985, the design is the same as those Kelly sold on the Boulevard Saint-Germain.
Kelly’s one-seam coat would become a recurring feature in the designer’s work. A rethinking of Cristóbal Balenciaga’s iconic 1961 one-seam coat, it may have been inspired by Issey Miyake’s cocoon coat—Kelly was once the house guest of Miyake’s publicist, Victoria Rivière, in Paris.
The original coat is a quilted cotton knit. It has a simple revers opening in front, box pleats in the back, and batwing sleeves formed by the shoulder seam:
These technical drawings show the coat front and back:
Size: One size fits all
Fabric requirements: About 3.5 yards (3.2 m) of 60″ (~150 cm) fabric
Recommended fabrics: Fabrics with a good hand and drape, e.g. double knits and double-faced fabrics. The original is a quilted single knit.
Finished length: 52″ (132 cm)
Pattern length from top to bottom: 57.5″ (146 cm)
Tips, caveats: No separate instructions; scale and seam allowances are not marked. The coat must be cut on the cross grain. The original coat has a simple turn and stitch finish, with a sleeve binding piece for the sleeve openings.
A Parisian friend of Kelly’s has posted instructions to make a doll-scale version based on her Patrick Kelly original.
Thanks to Monica Brown, Senior Collections Assistant, Costume and Textiles, for answering questions about the project, and Paula M. Sim, Costume and Textiles intern, for drafting the pattern.
December 25, 2013 § Leave a comment
SHOWstudio’s latest Design Download is a free pattern for a top and balloon skirt by J.W.Anderson. Anderson, who is creative director at Loewe as well as for his own label, was just named the BFA’s New Establishment Designer for 2013. (For more on Anderson see Susannah Frankel’s recent profile for W magazine, “The New Guard: J.W. Anderson.”)
As with last year’s Design Download, there’s an interactive component and also a contest. Those making up the ensemble are invited to submit photos for inclusion in a gallery on the SHOWstudio website, and J.W.Anderson and Nick Knight will choose one version to star in a special fashion film.
The asymmetrical top and skirt are from the current, Fall/Winter 2013 collection, which drew acclaim for its sculptural, experimental pieces in subdued neutrals enlivened by the odd splash of colour and comic-book prints. (See Suzy Menkes, “Maximalist Versus Minimalist“; full collection on vogue.com.) Here is SHOWstudio’s slate leather version on the runway:
The ensemble was also shown in midnight blue and white:
The look also made the fall advertising campaign—twice:
The pattern download comes in a choice of A4 or A1 sheets with a test line for checking the scale.
Download the top and skirt pattern (9 pieces: 4 for top, 5 for skirt)
Size: UK size 6
Recommended fabrics: leather, thick duffle wool, and other fray-resistant fabrics
Tools and notions: 20cm (8″) invisible zipper, hook and eye, seam binding or bondaweb. A rotary cutter is recommended for cutting the unfinished edges.
The deadline for contest submissions is Friday, March 31st, 2014 at midnight GMT. (See the SHOWstudio site for submission details.) Or if you’d rather snag the original, the midnight blue version of the top is on sale at net-a-porter.