“Fresh, frothy, delicious” – breakfast coat worn by Dorothea McGowan in Vogue, May 1, 1960. Photo: Leombruno-Bodi.
This Galentine’s, a midcentury slumber party.
Leombruno-Bodi photographed three models, including Nena von Schlebrügge and Dorothea McGowan, in airy loungewear made from Vogue patterns.
Vogue 5032 and 9774 in Vogue, May 1, 1960. Photos: Leombruno-Bodi.
Left: Red polka dots printed on white cotton: brief panties, a top swung briskly from red ribbon shoulder straps. In Crown Soap n’ Water fabric. Centre: Candy-striped silk, slipping into a perfect fall from narrow, softly bowed ribbon straps. Pink and orange stripes skimming white silk; the ribbon, orange. A.P.Silk fabric. Right: White cotton batiste, embroidered with white medallions; single touch of colour, the trailing, sweet-blue ribbon. Emanuel Roth fabric. All ribbon by Century.
The patterns are Vogue 9774 and 5032, a ruffled breakfast coat and nightgown / short pyjamas and nightcap.
Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.
SHOWstudio’s latest Design Download is a dress by Dutch wunderkind Iris van Herpen.
Iris van Herpen’s Hacking Infinity dress. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.Iris van Herpen dress, FW15 rtw. Model: Bethany Sophara Robbins. Photo: Thomas Alexander. Image: SHOWstudio.
The sheath dress is from Hacking Infinity, Iris van Herpen’s Fall 2015 ready-to-wear collection, which explored the idea of terraforming. (Read more at the designer’s site, or see Suzy Menkes on her 2015 studio visit.) The collection’s leather and 3D-printed shoes are by Noritaka Tatehana.
Iris van Herpen Fall 2015 RTW. Photo: Kim Weston Arnold. Image: Vogue Runway.Iris van Herpen Fall 2015 ready-to-wear. Image: firstVIEW.
Science, technology, and science fiction are strong influences for Van Herpen, and Vogue’s reviewer cited Paul Verhoeven’s Total Recall as an intro to the terraforming concept. Several looks referenced the stillsuits from David Lynch’s Dune.
Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.Hacking Infinity – Iris van Herpen Fall 2015 RTW. Model: Iekeliene Stange. Photo: Frederik Heyman. Image: Iris van Herpen.Chani (Sean Young) in David Lynch’s Dune (1984) Costume design: Bob Ringwood. Image: Pinterest.
The plissé material, seen in the SHOWstudio piece, appeared both as one element in a mix, and for entire garments in black and bronze.
Iris van Herpen Fall 2015 RTW. Images: firstVIEW.
For Fall 2015, Van Herpen developed a fine, metallic fabric woven from silk and stainless steel. The translucent silver material was coaxed into “a sheen of nebula-like colors” with heat and hand-burnishing. Plisséed and pleated into circular forms, it evoked planetary bodies and infinity.
Detail backstage at Iris van Herpen’s Fall 2015 show. Photo: Morgan O’Donovan. Image: Facebook.Iris van Herpen Fall 2015 RTW. Photos: Team Peter Stigter. Images: Iris van Herpen.Iris van Herpen dress in T Magazine, April 2015. Photo: Juergen Teller. Image: Iris van Herpen.
The pattern download comes in A4 sheets, with a test line to check the scale.
Iris van Herpen dress pattern diagram. Image: SHOWstudio.
Notes: Prints on 100 A4 sheets. Plissé panels are hand-sewn to base dress.
Fabric recommendations: Plissé panels: plissé or printed fabric on a cotton base fabric. Stretch fabric is recommended for the skirt. Straps & facings: silk, non-stretch fusible interfacing. Lining: silk or cupro.
Notions: Back zipper.
The competition is still open. Will you be entering?
Lauren Hutton with Warhol pillows. Photo: Gianni Penati. Image: flickr.
A Vreeland-era Vogue Patterns editorial shows Lauren Hutton with silver, helium-filled pillows by Andy Warhol, who would have been 90 this year.
Andy Warhol at the Leo Castelli Gallery, 1966. Photo: Stephen Shore. Image: Phaidon.
The Mylar pillows were the stars of Warhol’s Silver Clouds show at the Leo Castelli Gallery in New York. (More here.) The patterns are Vogue 6733 and Vogue 6928, both “Easy to Make.” Shown in silver cloqué, the short dress was adapted as a dancing dress; the long dress was designed as a nightgown. (Regina Novelty earrings; Bernardo sandals. Hair by Marc Sinclaire.)
Happy New Year, everyone! All the best for 2019.
Lauren Hutton in Vogue, July 1966. Photo: Gianni Penati. Image: Youthquakers.Lauren Hutton in Vogue, July 1966. Photo: Gianni Penati. Image: Youthquakers.
Anne St. Marie in McCall’s 3793, McCall’s Pattern Book, Fall 1956. Photo: The Dodenhoffs.
There are only two weekends left to catch Balenciaga: Master of Couture at the McCord Museum. Anne St. Marie’s look (above) was inspired by Balenciaga.
From the inside note: “The new straight-coat fashion favored by Balenciaga, fall and winter coverage for its own sheath dress and everything else in your wardrobe. In colorful Anglo tweed and coordinated red wool, interfaced with Armo hair canvas to hold its line. Earl-Glo Sanitized taffeta lining; B.G.E. buttons. Emme hat; Mark Cross bag; Superb gloves.”
Carolyn Murphy in Armani, Vogue Italia, September 1998. Photo: Steven Meisel. Image: Pleasure Photo.
Supermodel Carolyn Murphy can be seen on some ’90s Vogue patterns.
Born in Florida, Carolyn Murphy (b. 1973) studied art history and literature at the University of Virginia before her modelling career took off in the mid-1990s. For more, see her IMG Models page.
Carolyn Murphy in Givenchy Couture by Alexander McQueen, Vogue Paris, March 1998. Photo: Mario Testino. Image: Vogue Paris.
Before she cut her hair, Murphy did some work for Vogue Patterns. Chuck Baker photographed her for the summer 1994 issue of Vogue Patterns magazine.
Here’s the original caption: Work-out wear goes high fashion as athletic-inspired clothes come out of the gym and onto the streets. Vogue Sport presents a one-pattern wardrobe of high-function pieces that look great whatever your game. Reflective stripes stylishly accent as well as provide high visibility protection. 1443 includes a black nylon jacket with inside drawstring, pull on sweatpants, boxy fleece shorts, and a V-neck sweatshirt that elongates into a sweatdress for lounging or going out.
As well as the Vogue Sport pattern, Murphy also models 5 Easy Pieces separates “in chocolate and emerald”:
Bonus: Murphy was also featured in this Marc Jacobs pattern hack, shot by Herb Ritts for Vogue. The Marc Jacobs slip dress (Vogue 1965) was shown in icy green velvet from Elegant Fabrics, NYC.
Carolyn Murphy in Vogue 1965 by Marc Jacobs. Vogue, October, 1997. Photo: Herb Ritts. Editor: Brana Wolf.Vogue 1965 by Marc Jacobs – Vogue, October 1997.
Detail, British Vogue, May 1966. Photo: Helmut Newton. Image: Youthquakers.
A mid-1960s Helmut Newton editorial features a leopard and a Vogue pattern.
The model on the right wears Vogue 6468’s beach coverup in white guipure from Ilo Lace. (Left: blue mini dress by John Bates at Jean Varon; Paco Rabanne earrings.)
British Vogue, May 1966. Photo: Helmut Newton. Image: Youthquakers.
Vogue 8103 in Vogue Pattern Book, 1971. Photo: Arthur Elgort.
Arthur Elgort photographed this Miss Vogue design, Vogue 8103, ca. 1971. Shown in Abraham sheer wool challis, and apparently cut on the bias to play with the check. Note the covered button detail.
