March 1, 2018 § 4 Comments
Arthur Elgort photographed this Miss Vogue design, Vogue 8103, ca. 1971. Shown in Abraham sheer wool challis, and apparently cut on the bias to play with the check. Note the covered button detail.
February 13, 2018 § 3 Comments
Happy Mardi Gras! To celebrate the last day of Carnival, here’s a look at the star of Helmut Newton’s 1966 Venetian shoot: Italian model and socialite Mirella Petteni Haggiag.
Born in Bergamo, Mirella Petteni moved to Milan to work as a model. As the wife of film producer Robert Haggiag, Petteni was also a society figure with residences in Venice, Tuscany, New York, and Rome’s Palazzo Mengarini. (See T magazine.) She retired from modelling to become an editor at Vogue Italia.
Petteni can be seen on many Vogue Couturier Designs by Italian designers.
Here she wears Galitzine’s halter and culotte:
Here, in Pucci’s bestselling cape-jacket ensemble, Petteni’s aspirational hair is an added bonus:
In white dresses from Fabiani and Forquet:
Sorbet colour-blocking from Pucci:
In Forquet’s short, half-bias evening dress:
Here she poses with Benedetta Barzini in early Valentino:
January 25, 2018 § Leave a comment
Have you seen the new designer patterns for Spring 2018?
Badgley Mischka are celebrating their fifth wedding anniversary this March, so it’s a treat to see their work on the cover of Vogue’s Spring lookbook. (Click their portrait for my 2013 Just Married post.)
The Spring collection also marks the return of Tracy Reese. (The Detroit native was last seen in Vogue Patterns in 2016.) The new Reese design is a dress with contrast yoke and sleeves—great for those matching sheer/opaque print combos:
Sew Today’s latest issue tipped us off to Reese’s comeback:
The dark floral was a signature print in her Fall 2016 collection, where it could be seen on dresses, sheer blouses, and a long, cuffed skirt:
Reese was inspired by Detroit for this collection, and she opened her presentation with a short film starring local model Catherine Nako:
The film stills are by Detroit-based cinematographer Ray Rushing.
Bonus: I published my Winter/Holiday post before the McCall’s Winter release, which included two Nicole Miller patterns. This asymmetrical top and flared trousers look to be from the Spring 2017 collection:
Miller’s Gladiator gown uses contrast binding to punctuate the classic goddess dress. (Still available in white from the designer’s retail site.)
The original was silk chiffon.
See you in the arena!
January 2, 2018 § Leave a comment
British model-turned-photographer Jill Kennington turns 75 today.
Born and raised in Lincolnshire, Jill Kennington (b. 1943) moved to London at 18, working at Harrods and staying with her aunt, who was a buyer there. Scouted by Michael Whittaker, the founder of the Whittaker Enterprises agency, she was hired as a house model at Norman Hartnell before she could finish the agency course.
Kennington was one of two models in John Cowan’s famous shoot in the Canadian Arctic. (See the full editorial at vogue.com.) You might recognize her from Michelangelo Antonioni’s Blow-Up. (Read her reminiscences in Vanity Fair.)
That’s Kennington in Emmanuelle Khanh’s dress pattern in Queen magazine. (Previously seen in my Butterick Young Designers post.)
Here she models some mod knitwear by Mary Quant:
Kennington can be seen on some of Vogue’s earliest Givenchy patterns. This evening dress was also featured on the cover of the February retail catalogue:
In Vogue 1707 by Fabiani:
More Vogue Paris Originals and Couturier patterns featuring Kennington:
In a flight-themed British Vogue editorial, wearing Young Fashionables hooded jumpsuit Vogue 6376:
Happy birthday, Ms. Kennington!
December 30, 2017 § 1 Comment
An opulent early ’90s holiday editorial, shot by Ellen von Unwerth and styled by André Leon Talley, includes one Vogue pattern.
Vogue’s version of culotte dress Vogue 2270 was made up in fuchsia satin from B&J Fabrics.
(See Ma Chérie, Dior for the full editorial.)
Happy New Year, all the best for 2018!
December 21, 2017 § 3 Comments
December 7, 2017 § Leave a comment
2017 is officially the year of Versace. To mark the 20th anniversary of her brother’s death, Donatella Versace has been returning to the house’s heritage, most notably with a surprise finale to her spring runway show. But if it’s that ’90s supermodel moment—glamazons lip-synching George Michael—that we remember best, let us not forget Versace’s equally glamorous beginnings.
Early in Gianni Versace’s career, Vogue magazine featured one of his Vogue patterns, as worn by the young Gia Carangi. The pleated blouse, pants, and cummerbund were shown in black and white silk taffeta.
The pattern is a Genny design: