There are only two weekends left to catch Balenciaga: Master of Couture at the McCord Museum. Anne St. Marie’s look (above) was inspired by Balenciaga.
From the inside note: “The new straight-coat fashion favored by Balenciaga, fall and winter coverage for its own sheath dress and everything else in your wardrobe. In colorful Anglo tweed and coordinated red wool, interfaced with Armo hair canvas to hold its line. Earl-Glo Sanitized taffeta lining; B.G.E. buttons. Emme hat; Mark Cross bag; Superb gloves.”
Supermodel Carolyn Murphy can be seen on some ’90s Vogue patterns.
Born in Florida, Carolyn Murphy (b. 1973) studied art history and literature at the University of Virginia before her modelling career took off in the mid-1990s. For more, see her IMG Models page.
Before she cut her hair, Murphy did some work for Vogue Patterns. Chuck Baker photographed her for the summer 1994 issue of Vogue Patterns magazine.
Here’s the original caption: Work-out wear goes high fashion as athletic-inspired clothes come out of the gym and onto the streets. Vogue Sport presents a one-pattern wardrobe of high-function pieces that look great whatever your game. Reflective stripes stylishly accent as well as provide high visibility protection. 1443 includes a black nylon jacket with inside drawstring, pull on sweatpants, boxy fleece shorts, and a V-neck sweatshirt that elongates into a sweatdress for lounging or going out.
As well as the Vogue Sport pattern, Murphy also models 5 Easy Pieces separates “in chocolate and emerald”:
Bonus: Murphy was also featured in this Marc Jacobs pattern hack, shot by Herb Ritts for Vogue. The Marc Jacobs slip dress (Vogue 1965) was shown in icy green velvet from Elegant Fabrics, NYC.
Happy Mardi Gras! To celebrate the last day of Carnival, here’s a look at the star of Helmut Newton’s 1966 Venetian shoot: Italian model and socialite Mirella Petteni Haggiag.
Born in Bergamo, Mirella Petteni moved to Milan to work as a model. As the wife of film producer Robert Haggiag, Petteni was also a society figure with residences in Venice, Tuscany, New York, and Rome’s Palazzo Mengarini. (See T magazine.) She retired from modelling to become an editor at Vogue Italia.
Petteni can be seen on many Vogue Couturier Designs by Italian designers.
Petteni also appears in a Vogue holiday editorial that includes two Vogue Special designs (Vogue 6084 and 6054):
Here she wears Galitzine’s halter and culotte:
Here, in Pucci’s bestselling cape-jacket ensemble, Petteni’s aspirational hair is an added bonus:
Have you seen the new designer patterns for Spring 2018?
Badgley Mischka are celebrating their fifth wedding anniversary this March, so it’s a treat to see their work on the cover of Vogue’s Spring lookbook. (Click their portrait for my 2013 Just Married post.)
The Spring collection also marks the return of Tracy Reese. (The Detroit native was last seen in Vogue Patterns in 2016.) The new Reese design is a dress with contrast yoke and sleeves—great for those matching sheer/opaque print combos:
Sew Today’s latest issue tipped us off to Reese’s comeback:
The dark floral was a signature print in her Fall 2016 collection, where it could be seen on dresses, sheer blouses, and a long, cuffed skirt:
Reese was inspired by Detroit for this collection, and she opened her presentation with a short film starring local model Catherine Nako:
The film stills are by Detroit-based cinematographer Ray Rushing.
Bonus: I published my Winter/Holiday post before the McCall’s Winter release, which included two Nicole Miller patterns. This asymmetrical top and flared trousers look to be from the Spring 2017 collection:
Miller’s Gladiator gown uses contrast binding to punctuate the classic goddess dress. (Still available in white from the designer’s retail site.)
British model-turned-photographer Jill Kennington turns 75 today.
Born and raised in Lincolnshire, Jill Kennington (b. 1943) moved to London at 18, working at Harrods and staying with her aunt, who was a buyer there. Scouted by Michael Whittaker, the founder of the Whittaker Enterprises agency, she was hired as a house model at Norman Hartnell before she could finish the agency course.
Kennington was one of two models in John Cowan’s famous shoot in the Canadian Arctic. (See the full editorial at vogue.com.) You might recognize her from Michelangelo Antonioni’s Blow-Up. (Read her reminiscences in Vanity Fair.)
That’s Kennington in Emmanuelle Khanh’s dress pattern in Queen magazine. (Previously seen in my Butterick Young Designers post.)
Here she models some mod knitwear by Mary Quant:
Kennington can be seen on some of Vogue’s earliest Givenchy patterns. This evening dress was also featured on the cover of the February retail catalogue:
In Vogue 1707 by Fabiani:
More Vogue Paris Originals and Couturier patterns featuring Kennington:
In a flight-themed British Vogue editorial, wearing Young Fashionables hooded jumpsuit Vogue 6376: