Carolyn Murphy in Armani, Vogue Italia, September 1998. Photo: Steven Meisel. Image: Pleasure Photo.
Supermodel Carolyn Murphy can be seen on some ’90s Vogue patterns.
Born in Florida, Carolyn Murphy (b. 1973) studied art history and literature at the University of Virginia before her modelling career took off in the mid-1990s. For more, see her IMG Models page.
Carolyn Murphy in Givenchy Couture by Alexander McQueen, Vogue Paris, March 1998. Photo: Mario Testino. Image: Vogue Paris.
Before she cut her hair, Murphy did some work for Vogue Patterns. Chuck Baker photographed her for the summer 1994 issue of Vogue Patterns magazine.
Here’s the original caption: Work-out wear goes high fashion as athletic-inspired clothes come out of the gym and onto the streets. Vogue Sport presents a one-pattern wardrobe of high-function pieces that look great whatever your game. Reflective stripes stylishly accent as well as provide high visibility protection. 1443 includes a black nylon jacket with inside drawstring, pull on sweatpants, boxy fleece shorts, and a V-neck sweatshirt that elongates into a sweatdress for lounging or going out.
As well as the Vogue Sport pattern, Murphy also models 5 Easy Pieces separates “in chocolate and emerald”:
Bonus: Murphy was also featured in this Marc Jacobs pattern hack, shot by Herb Ritts for Vogue. The Marc Jacobs slip dress (Vogue 1965) was shown in icy green velvet from Elegant Fabrics, NYC.
Carolyn Murphy in Vogue 1965 by Marc Jacobs. Vogue, October, 1997. Photo: Herb Ritts. Editor: Brana Wolf.Vogue 1965 by Marc Jacobs – Vogue, October 1997.
Mirella Petteni in Venice, 1966. Photo: Helmut Newton. Image: Tumblr.
Happy Mardi Gras! To celebrate the last day of Carnival, here’s a look at the star of Helmut Newton’s 1966 Venetian shoot: Italian model and socialite Mirella Petteni Haggiag.
Born in Bergamo, Mirella Petteni moved to Milan to work as a model. As the wife of film producer Robert Haggiag, Petteni was also a society figure with residences in Venice, Tuscany, New York, and Rome’s Palazzo Mengarini. (See T magazine.) She retired from modelling to become an editor at Vogue Italia.
Mirella Petteni in Queen, August 1966. Photo: Helmut Newton. Image: Sweet Jane.
Petteni can be seen on many Vogue Couturier Designs by Italian designers.
Image: PatternVault on Etsy.Vogue 1397 by Pucci, March 1965 retail catalogue. Image: Pinterest.
Petteni also appears in a Vogue holiday editorial that includes two Vogue Special designs (Vogue 6084 and 6054):
In Vogue 6084 and 6054, Vogue, December 1963. Photos: Irving Penn? Image: Youthquakers.
Here she wears Galitzine’s halter and culotte:
Vogue 1393 by Galitzine (1964) Image: Etsy.
Here, in Pucci’s bestselling cape-jacket ensemble, Petteni’s aspirational hair is an added bonus:
Vogue 1394 by Pucci (1964) Image: Etsy.Image: Etsy.
In white dresses from Fabiani and Forquet:
Vogue 1402 by Federico Forquet (1964). Image: Create-Everyday.Vogue 1866 by Fabiani (1967) Image: Etsy.Vogue 1899 by Fabiani (1968) Image: Etsy.
Sorbet colour-blocking from Pucci:
Vogue 1865 by Pucci (1967) Image: Etsy.Vogue 1955 by Pucci (1968) Image: PatternVault on Etsy.
In Forquet’s short, half-bias evening dress:
Vogue 1957 by Federico Forquet (1968) Image: Vintage Pattern Wiki.
Benedetta Barzini and Mirella Petteni in Valentino, at Agnese Bruguier’s apartment in the Palazzo Borghese, Rome, Vogue, September 1968. Photo: Henry Clarke. Image: tumblr.Mirella Petteni in Queen, August 1966. Photo: Helmut Newton. Image: tumblr.
Jill Kennington in Vogue 1676 by Elio Berhanyer, Vogue Pattern Book International, Winter 1966. Image: eBay.
British model-turned-photographer Jill Kennington turns 75 today.
Born and raised in Lincolnshire, Jill Kennington (b. 1943) moved to London at 18, working at Harrods and staying with her aunt, who was a buyer there. Scouted by Michael Whittaker, the founder of the Whittaker Enterprises agency, she was hired as a house model at Norman Hartnell before she could finish the agency course.
Vogue Pattern Book International, Summer 1966. Image: Vintage Chic.
Kennington was one of two models in John Cowan’s famous shoot in the Canadian Arctic. (See the full editorial at vogue.com.) You might recognize her from Michelangelo Antonioni’s Blow-Up. (Read her reminiscences in Vanity Fair.)
At Resolute Bay, Vogue, November 1964. Photo: John Cowan. Image: Pleasure Photo.Jill Kennington (left) in Blow-Up (1966) Image: Vanity Fair.
That’s Kennington in Emmanuelle Khanh’s dress pattern in Queen magazine. (Previously seen in my Butterick Young Designers post.)
Butterick 3718 by Emmanuelle Khanh, Queen, August 11, 1965. Image: Amazon.
Here she models some mod knitwear by Mary Quant:
Patons no. 9702 by Mary Quant (ca. 1966)
Kennington can be seen on some of Vogue’s earliest Givenchy patterns. This evening dress was also featured on the cover of the February retail catalogue:
Vogue 1698 by Givenchy (1967)
In Vogue 1707 by Fabiani:
FABIANI 1707: Vogue Patterns catalogue, April 1967. Image: Etsy.
More Vogue Paris Originals and Couturier patterns featuring Kennington:
Vogue 1725 by Marc Bohan for Christian Dior (1967) Image: eBay.Vogue 1737 by Laroche (1967) Image: Vintage Pattern Wiki.Vogue 1746 by Simonetta (1967) Image: Blue Gardenia.Vogue 1747 by Lanvin (1967) Image: eBay.
In a flight-themed British Vogue editorial, wearing Young Fashionables hooded jumpsuit Vogue 6376:
Vogue 6376 in British Vogue, February 1967. Photo: Ronald Traeger. Image: Youthquakers.
Happy birthday, Ms. Kennington!
Jill Kennington, 1964. Photo: Lichfield. Image: National Portrait Gallery.Is Paris dead? Jill Kennington in Pierre Cardin, Weekend Telegraph, September 3, 1965. Photo: William Klein. Image: eBay.Jill Kennington in Queen, January 5, 1966. Photo: Helmut Newton. Image: Pinterest.Jill Kennington on the cover of Queen‘s Christmas issue. Photo: David Montgomery. Image: eBay.
Famke Janssen on the cover of Elle, September 1985. Photo: Francis Giacobetti. Image: Pinterest.
This week’s post-Comic-Con models post looks at Dutch model-turned-actor Famke Janssen.
Famke Janssen on the cover of Spanish Elle, March 1989. Image: Fashion Model Directory.
Born in Amstelveen, Famke Janssen (b. 1964) studied economics at the University of Amsterdam before moving to the United States to pursue a modelling career. She signed with Elite in 1984. Returning to university in the early 1990s, Janssen gravitated toward drama; she went on to win starring roles in Star Trek: The Next Generation, GoldenEye (1995), and the X-Men franchise.
Famke Janssen and Mickey Cottrell in “The Perfect Mate,” Star Trek: The Next Generation, Season 5 (1992) Image: Star Trek Blog.Famke Janssen as Jean Grey, TV Guide, July 15-21, 2000. Image: TV Guide.
Janssen did some modelling work for Butterick in the late 1980s: bridal and designer suits and formal wear by Ronnie Heller, Nicole Miller, and Morton Myles.
Butterick 3573 (1989) Image: Etsy.Butterick 4374 by Ronnie Heller (1989) Image: Etsy.Butterick 4376 by Nicole Miller (1989) Image: Artfire.Butterick 4375 by Morton Myles for the Warrens (1989) Image: All the Precious Things.
Just for fun, here’s an ’80s editorial image featuring Janssen:
Famke Janssen in Rocco Barocco, Vogue Italia, December 1986. Photo: Hans Feurer. Image: tumblr.
Tania Mallet wears Mary Quant and James Wedge on the cover of British Vogue, October 1, 1963. Photo: Brian Duffy. Image: eBay.
Model and Bond girl Tania Mallet (b. 1941) was born in Blackpool to English and Russian-English parents. (Her mother, Olga Mironoff, was Helen Mirren’s paternal aunt.) She began working as a model in the late 1950s after taking a course at the Lucie Clayton Charm Academy. You may recognize her from her role as Tilly Masterson in Goldfinger (1964).
Mallet’s modelling work in the 1960s included editorials for Vogue patterns and Vogue Knitting Book.
Tania Mallet in Vogue Knitting Book no. 60 (Jubilee edition), 1962. Image: Etsy.
The earliest patterns I’ve found featuring Mallet are by French and Italian designers—Jacques Heim and Simonetta:
Vogue 1258 by Jacques Heim (1963) Image: Pinterest.Vogue 1265 by Simonetta (1963) Image: eBay.
Later patterns are by London designers like Ronald Paterson and Jo Mattli:
Vogue 1391 by Ronald Paterson (1964) Image: Vintage Pattern Wiki.Vogue 1407 by Jo Mattli (1964) Image: Etsy.Vogue 1661 by Jo Mattli (ca. 1967) Image: Etsy.
Tania Mallet wears Vogue 1693 by Federico Forquet (with Vogue 1758 by Ronald Paterson and Vogue 7158). Sekers Fabrics advertisement, 1967.
Full marks for hats and coiffure, don’t you think?
Tania Mallet in Pucci on the cover of British Vogue, July 1961. Photo: Eugene Vernier. Image: Vogue UK.Tania Mallet in Pierre Cardin on the cover of Jardin des Modes, March 1962. Photo: Harry Meerson. Image: Jardin des Modes Covers.Tania Mallet on the cover of British Vogue, July 1962. Photo: Henry Clarke. Image: eBay.
Marisa Berenson on the cover of Vogue Pattern Book, June/July 1970. Photo: Otto Storch.
Marisa Berenson (b. 1947) turns 70 today. Though best known for her work as a film actor in movies like Visconti’s Death in Venice (1971), Cabaret (1972), and Barry Lyndon (1975), Berenson grew up wanting to be a fashion model. Her career was launched when she met Diana Vreeland at a society ball, and she became one of the most successful models of the ’60s and ’70s. For more, see the visual biography Marisa Berenson: A Life in Pictures (Rizzoli, 2011).
Marisa Berenson as the Countess of Lyndon on the cover of Andy Warhol’s Interview, January 1975. Image: eBay.
As far as I know, Berenson appears on only one pattern envelope: Vogue 2369 by Oscar de la Renta. Taken in a New York interior, the photo was also published in a 1970 Vogue Pattern Book feature on the designer:
Vogue 2369 by Oscar de la Renta (1970) Image: Etsy.
Berenson can also be seen in Vreeland-era pattern editorials in Vogue magazine, like this shoot by Guy Bourdin (see my earlier post):
Marisa Berenson in Vogue, August 15, 1966. Photos: Guy Bourdin.
Irving Penn’s “Look Marvellous” editorial, showcasing clothes in American fabrics, included Berenson in Vogue 7017 and Vogue 7022 (via Youthquakers):
“Look Marvellous”: Marisa Berenson in Vogue, January 15, 1967. Photos: Irving Penn. Image: Youthquakers.
This Gianni Penati editorial shows two Vogue Paris Originals by Marc Bohan for Dior, Vogue 1787 and Vogue 1792:
“Hit Knits: the geometric jerseys.” Marisa Berenson in Vogue, June 1967. Photos: Gianni Penati.
The issue of Vogue Pattern Book with the Berenson cover (shown above) includes more of her editorial work. In “New Evening Splendour,” she wears the cover look, caftan Vogue 7827, as well as Vogue 7834 and Vogue 7836:
Vogue 7836 caftan, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.Vogue 7827 caftan, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.Vogue 7834 poncho and pants, Vogue Pattern Book, June/July 1970. Photo: Otto Storch.
Berenson also models some jumpsuits in a summer portfolio—Vogue 7697 in a groovy print:
Vogue, October 15, 1947. Photo: Erwin Blumenfeld. Image via Pinterest.
Often called the world’s oldest working model, Carmen Dell’Orefice (b. 1931) was discovered at thirteen on a New York City bus; at sixteen she had her first Vogue cover. In 2011, the London College of Fashion devoted an exhibition to her modelling work, Carmen: A Life In Fashion.
Vogue, May 1, 1951. Photo: Norman Parkinson. Via PinterestVogue, May 1955. Photo: John Rawlings. Image via Pinterest.Harper’s Bazaar, May 1958. Photo: Gleb Derujinsky. Image via Pinterest.
Dell’Orefice’s work with New York pattern companies may be seen in postwar publications from Vogue, McCall’s, and Simplicity, as well as more recent Vogue patterns.
A Richard Rutledge editorial for Vogue Pattern Book features the young Dell’Orefice in new patterns for spring, 1949 (jacket Vogue 6716 and blouses Vogue 6065 and Vogue 6707, all with skirt Vogue 6708):
Vogue 6716 and 6708 in Vogue Pattern Book, April/May 1949. Photo: Richard Rutledge.Vogue 6065 and 6708 in Vogue Pattern Book, April/May 1949. Photo: Richard Rutledge.Vogue 6707 and 6708 in Vogue Pattern Book, April/May 1949. Photo: Richard Rutledge.
On this McCall Pattern Book cover from Summer, 1957, she models McCall’s 4095 and 4097:
McCall’s Pattern Book, Summer 1957. Image: eBay.
Here, Dell’Orefice poses in an all-red ensemble for the cover of Simplicity magazine, Fall 1958:
Here she wears gown Vogue 9827 on the cover of Vogue Pattern Book’s holiday issue:
Vogue 9827 on the cover of Vogue Pattern Book, December/January 1959-1960. Image via Make Mine Vogue.
1980s
After a break, Dell’Orefice returned to modelling in the late 1970s. On these two patterns from the ’80s, she wears Vogue 8195, a caftan-style dress, and Arlene Dahl gown Vogue 8521 in gold lamé:
Vogue 8195 (ca. 1982) Image via the Vintage Pattern Wiki.Vogue 8521 by Arlene Dahl (ca. 1980s) Image via Etsy.
1990s
In the later 1990s, Dell’Orefice posed for many patterns in The Vogue Woman line. Vogue 1972 is a seasonless wardrobe pattern, while Vogue 9821 is a dress and tunic suitable for petites:
Vogue 1972 (1997) Image via Etsy.Vogue 9821 (1998) Image via eBay.
Happy birthday, Ms. Dell’Orefice!
Alberta Ferretti fashion show, Florence, 2011. Image: Getty / Vogue Italia.
