Vogue Australia at 60

Elle Macpherson, Vogue Australia, March 1995. Photo: Andrew Macpherson. Image: Vogue Australia.

It’s spring in the southern hemisphere, and Australian Vogue is celebrating its 60th anniversary. The festivities kicked off in Canberra last week with the opening of Women in Vogue: Celebrating 60 years in Australia (at the National Portrait Gallery to November 24, 2019). A special anniversary issue of the magazine will hit newsstands in December.

Fernanda Ly, Akiima, Charlee Fraser, and Andreja Pejić on the cover of Vogue Australia, 2018
Fernanda Ly, Akiima, Charlee Fraser, and Andreja Pejić on the cover of Vogue Australia, April 2018. Photo: Patrick Demarchelier. Editor: Christine Centenara. Image: Vogue Australia.

The late Tania Mallet graced the cover of Vogue Australia’s first issue in spring, 1959. (Click the image for a history published for the magazine’s 55th anniversary.)

Vogue AU Spring Summer 1959
Tania Mallet on the cover of the inaugural issue of Vogue Australia, Spring/Summer 1959. Photo: Norman Parkinson. Image: Vogue Australia.

Vogue Australia editor Edwina McCann sits on the board of directors of the new Australian Fashion Council, and the magazine’s cover archive is a gallery of famous faces, especially Australians like Cate Blanchett.

Vogue Australia, January 2006
Cate Blanchett on the cover of Vogue Australia, January 2006. Photo: Richard Bailey. Image: Vogue Australia.

Vogue Patterns counts two Australians among its current designers: Rebecca Vallance and Nicola Finetti.

V1524 by Rebecca Vallance design on the cover of Vogue Patterns lookbook, Winter 2016
A Rebecca Vallance design on the cover of Vogue Patterns lookbook, Winter 2016. Image: Issuu.
V1587 by Nicola Finetti on the cover of the Vogue Patterns lookbook, Summer 2018
A Nicola Finetti design on the cover of the Vogue Patterns lookbook, Summer 2018. Image: Issuu.

Vogue Australia was still in its first decade when Butterick introduced two Aussies—Norma Tullo and Prue Acton—to its Young Designers line.

Butterick 5126 by Norma Tullo
Butterick 5126 by Norma Tullo (ca. 1968) Image: Etsy.
Butterick 5617 by Prue Acton (1969) Image: Etsy.

In the 1980s, Carla Zampatti and Frederick Fox both signed licensing deals with Style Patterns. The milliner to the Queen contributed more than one bridal design in classic Eighties style.

1980s dress pattern by Carla Zampatti - Style 4438
Style 4438 by Carla Zampatti (1986) Image: Etsy.
1980s Frederick Fox bridal hat pattern Style 1249 with the royal warrant
Style 1249 by Frederick Fox (1987)

In the 1990s, Richard Tyler briefly designed for Anne Klein. It’s possible that an Anne Klein pattern or two showcases Tyler’s work.

Nadja Auermann in Richard Tyler for Anne Klein, Vogue February 1995
Nadja Auermann in Richard Tyler for Anne Klein, Vogue, February 1995. Photo: Juergen Teller. Editor: Camilla Nickerson.
Australian model Gemma Ward in Junya Watanabe, 2005. Photo: Nick Knight
Australian model Gemma Ward in Junya Watanabe, 2005. Photo: Nick Knight. Image: SHOWstudio.
Vogue coverup photographed by Helmut Newton at Wanda Beach, Australia (May 1964)
Vogue coverup (Adolfo hat), Wanda Beach, Australia. Photo: Helmut Newton. Vogue, May 1, 1964.

Couturissime: The Mugler Connection

Alan Strutt, Yasmin Le Bon On Stage at the London Palladium, London, 1997; Evening Standard, October 31, 1997. Ensemble: Thierry Mugler, Chimera collection, haute couture fall/winter 1997-1998. Long sheath gown with scale-look body, feathers and horsehair embroidered with rhinestones, articulated golden bodice created in collaboration with Jean‑Jacques Urcun and Mr. Pearl.
Yasmin Le Bon in Mugler Fall 1997 couture. Photo © Alan Strutt. Image: Musée des beaux-arts de Montréal.

On now at the Montreal Museum of Fine Arts: Thierry Mugler: Couturissime, another blockbuster curated by Thierry-Maxime Loriot, the force behind the museum’s 2011 Gaultier show. (A previous Mugler show wrapped at FIDM last year. For more see Suzy Menkes’ interview.) The catalogue design is by Paprika, who also designed the Gaultier catalogue.

Thierry-Maxime Loriot, ed. Thierry Mugler: Couturissime (Montreal Museum of Fine Arts, 2019
Thierry-Maxime Loriot, ed., Thierry Mugler: Couturissime (Montreal Museum of Fine Arts, 2019) Design: Paprika. Image: Phaidon.

Mugler himself never signed with Paris Originals, but there are still some Vogue patterns with a connection to the designer. The Dutch-born Mei Xiao Zhou (who, like Mugler, is a former ballet dancer) was hired by Laroche after six years as Mugler’s assistant in the 1990s.

Karen Mulder wears Mugler Spring 1997 couture on the cover of George magazine, February 1997. Photo: Jean-Baptiste Mondino. Image: eBay.

Zhou designed two collections for Laroche in the early aughts, resulting in a handful of Vogue patterns, circa 2002. Even if the pattern envelopes downplay it, his designs for Laroche have a vampy futurism that gives them a Mugler-esque edge. For more see my post.

Mei Xiao Zhou for Guy Laroche Fall 2001 runway
Mei Xiao Zhou for Guy Laroche Fall 2001 runway. Images: firstVIEW.
Mei Xiao Zhou for Guy Laroche Fall 2001 runway
Mei Xiao Zhou for Guy Laroche Fall 2001 runway. Images: firstVIEW.
Guy Laroche advertising campaign, Fall 2001.
Guy Laroche advertising campaign (Mei Xiao Zhou for Laroche), Fall 2001. Image: jalougallery.com.

VISIBLE feat. Paco Peralta

Sketch for V1602 by Paco Peralta ©2017. Courtesy Paco Peralta.

This month in Galicia, the late Paco Peralta is among the artists whose work is on view in Visible (Visibility), a Pride Month exhibit curated by the photographer Daniel Agra.

View this post on Instagram

Este año se cumplen los 50 años de lucha por los derechos LGBTQ + . Desde spazo y CPSspazo queremos hacer desde el arte nuestro particular homenaje este mes de Junio, con nuestra mini colectiva “Visible” en las que participan artistas y defensores de los derechos LGBTQ +. Todo empezó el 28 de junio de 1969 en la ciudad de Nueva York, con el allanamiento por parte de la policía del Stonewall Inn, uno de los bares frecuentados por la comunidad LGBTQ +, que lejos de rendirse, un grupo de personas valientes se puso de pie. Esto generó cinco noches de protestas por los derechos LGBTQ +, fue la chispa que puso en marcha estos 50 años de Orgullo. Después de esto incidentes, las organizaciones de derechos LGBTQ + comenzaron a surgir en los Estados Unidos y en todo el mundo. El 27 y 28 de junio de 1970 en Nueva York, Los Ángeles, San Francisco y Chicago, fueron los primeros desfiles del Orgullo que conmemoraban a Stonewall Inn. En estos 50 años del movimiento de derechos LGBTQ +, ha habido muchos éxitos, pero queda mucho camino por recorrer, pero el legado de Stonewall vive cada día del año y en especial en cada marcha del Orgullo. . A Flaira [] A Coruña [] Pintora Multidisciplinar Paco Peralta [] Barcelona [] Modista Alta Costura – Designer Vogue Patterns De Rey [] A Coruña [] Escritor – Poeta Mabi Cerdán [] Navarra [] Pintora y Activista Pro Derechos Chelo Facal [] A Coruña [] Pintora y Escultora Lázaro Louzao [] A Coruña [] Director de Cine – Fotógrafo Javi Pita [] A Coruña [] Artista Multidisciplinar Martínez [] A Coruña [] Pintora – Restauradora – Encuadernadora – Técnico en Dorado Clara Lelarge [] A Coruña [] Fotógrafa Ana Soto [] A Coruña [] Ilustradora – Pintora Daniel Agra [] A Coruña [] Fotógrafo Estáis invitados… Os esperamos el Viernes día 7 a las 20.00 !!! . #espacio #spazovisible #setumismo #setumisma #talycomoeres #expositivo #expresiones #lenguajes #pensamientos #artgallery #artecontemporaneo #contemporaryart #contemporaryartist #coleccionistasdearte #artcollector #exhibition #exposicion #galeria #arte #coruna #coruña #acoruña #galicia #galiza #spazospazo

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Agra was a close friend of Paco Peralta. For the exhibit, he has included the designer’s original sample garments for Vogue 1602, a sculpted top and skirt in sequinned tweed. Peralta’s originals were worn by Nadja Giramata for last year’s Winter/Holiday release.

Nadja Giramata in an ensemble by Paco Peralta on view at CPS Spazo gallery, Galicia. Photo: Jack Deutsch. Image: McCall’s.

Behind the scenes note: makeup was by Joseph Boggess / YSL Beauty. Peralta was a great collector of Yves Saint Laurent.

A Vogue pattern by Paco Peralta will remain on permanent exhibit at the Galician gallery.

Vogue 1602 by Paco Peralta
Vogue 1602 by Paco Peralta (2018) Image: McCall’s.

Update: Paco’s friend Tany has also posted about the exhibit.

Visible is at A Coruña’s CPS spazo gallery through the month of June.

Visible, Friday, June 7th to Friday, June 28th, 2019

CPS spazo, Avda Mallos, 1, 15007 A Coruña, Galicia, Spain

http://www.spazo.es/

Silhouette News for Fall, 1956

McCalls PB Fall 1956
Anne St. Marie in McCall’s 3793, McCall’s Pattern Book, Fall 1956. Photo: The Dodenhoffs.

There are only two weekends left to catch Balenciaga: Master of Couture at the McCord Museum. Anne St. Marie’s look (above) was inspired by Balenciaga.

From the inside note: “The new straight-coat fashion favored by Balenciaga, fall and winter coverage for its own sheath dress and everything else in your wardrobe. In colorful Anglo tweed and coordinated red wool, interfaced with Armo hair canvas to hold its line. Earl-Glo Sanitized taffeta lining; B.G.E. buttons. Emme hat; Mark Cross bag; Superb gloves.”

Pattern: McCall’s 3793.

Mary Quant: Butterick Patterns

Tania Mallet wears Mary Quant and James Wedge on the cover of British Vogue, October 1, 1963
Tania Mallet wears Mary Quant (hat by James Wedge) on the cover of British Vogue, October 1, 1963. Photo: Brian Duffy. Image: eBay.

Nothing says Swinging London like Mary Quant. The pioneer of the Chelsea Look will receive a major retrospective at the Victoria and Albert Museum in 2019. (An earlier exhibit, Manchester Art Gallery’s Mary Quant: Fashion Icon, had to close early due to conservation issues.)

Design for a cowl neck minidress with mustard yellow tights by Mary Quant, about 1967, London. Museum no. E.525-1975. © Victoria and Albert Museum, London
Mary Quant sketch, ca. 1967. Image: V&A.

The V&A is seeking vintage Quant for the show, including garments — or even photos of garments — made with Mary Quant patterns. See here for more details, or email the curators at maryquant@vam.ac.uk. Update: submissions are now closed.

Ensemble of bolero waistcoat and skirt, Mary Quant, about 1964. Museum no. T.34-2013. © Victoria and Albert Museum, London
Celia Hammond and Jean Shrimpton in Mary Quant, ca. 1964. Photo: John French. Image: V&A.
Mary Quant London - Made in England for Lord & Taylor 100% PVC label at the Costume Institute
Image: Metropolitan Museum of Art.

Butterick licensed Mary Quant patterns from the mid-’60s to the early ’70s. (See my Mad Men-era post.)

Mary Quant pantdress pattern 4779 in the Butterick retail catalog, November 1969
Right: Mary Quant pantdress pattern 4779 in the Butterick retail catalogue, November 1969. Image: Etsy.

For knitters, there were also ultra-mod knitting patterns. Some of these vintage booklets are available as official reissues, like these ones from Mary Maxim. (More on Ravelry.)

1960s Patons Courtelle knitting patterns by Mary Quant
1960s Patons Courtelle knitting patterns by Mary Quant. Images: Mary Maxim.

Mary Quant and her husband were profiled in Life magazine as early as 1960. (View story here.)

Mary Quant and Alexander Plunkett-Greene photographed on Park Avenue by Ken Heyman for Life magazine, 1960
Mary Quant and Alexander Plunket Greene on Park Avenue, LIFE, December 5, 1960. Photo: Ken Heyman. Image: LIFE archive.

For his 1963 Life feature on the Chelsea Look, Norman Parkinson photographed Melanie Hampshire and Jill Kennington in these Mary Quant dresses:

Melanie Hampshire and Jill Kennington photographed by Norman Parksinson in Mary Quant's Bank of England and Eton striped wool dresses, LIFE magazine, 1963
Melanie Hampshire and Jill Kennington in Mary Quant’s Bank of England and Eton dresses, LIFE, October 18, 1963. Photo: Norman Parkinson. Image: Iconic Images.

Butterick released its first Mary Quant patterns in fall, 1964. Here’s Celia Hammond on the cover of the retail catalogue:

Butterick catalogue cover showing 3288 by Mary Quant - October 1964
Butterick 3288 by Mary Quant. Butterick catalogue, October 1964. Photo: Terence Donovan. Model: Celia Hammond. Image: eBay.

The Butterick Home Catalog hailed Quant as the originator of the Chelsea Look.

London: Mary Quant. A new group of Butterick designs by the originator of the Chelsea Look and winner o the International Fashion Award for Great Britain. Butterick Fall 1964 Quant
Mary Quant in the Butterick Home Catalog, Fall 1964.

The earliest Mary Quant patterns pre-date the Young Designer line. This dress pattern even includes the rosette:

1960s Mary Quant dress pattern Butterick 3499
Butterick 3499 by Mary Quant (1965) Image: PatternVault shop.

British copies of this dress pattern say “featured in Queen magazine.” Jill Kennington wore this and other Butterick Young Designers in what was billed as “The Queen’s first ever make-it-yourself fashion.”

1960s Mary Quant dress pattern Butterick 3716
Butterick 3716 by Mary Quant (ca. 1965)
1960s Jean Muir of Jane & Jane and Mary Quant dress patterns Butterick 3722, 3707, 3716
“How to be a self made sensation.” Right, Jill Kennington in Butterick 3716 by Mary Quant. Queen magazine, August 11, 1965. Image: eBay.

Here Moyra Swan models a mod scooter dress. Suggested fabrics include linen, jersey, lightweight wool, and knits.

1960s Mary Quant dress pattern Butterick 4578
Butterick 4578 by Mary Quant (ca. 1967) Image: PatternVault shop.

This jumpsuit or playsuit came with a matching mini skirt — “the latest put-togethers”:

Butterick 5404 by Mary Quant (1969) Image: Etsy.

What to wear with a Mary Quant mini dress? Why, go-go boots, of course:

1960s Mary Quant dress pattern Butterick 5475
Butterick 5475 by Mary Quant (1969)

By 1970, a Quant jumpsuit was more fluid, with a pointed collar; this pattern also includes a maxi-length cardigan. The catalogue gives a better view of the inflatable chair:

1970s Mary Quant jumpsuit and cardigan pattern Butterick 5857
Butterick 5857 by Mary Quant (1970) Image: Etsy.
Mary Quant's Butterick 5857 jumpsuit in the Fall 1970 catalogue
Mary Quant’s Butterick 5857 jumpsuit in the Fall 1970 catalogue. Image: tumblr.

Mary Quant in a more romantic mode means a sheer tunic worn with knickers. View B is a maxi dress.

1970s Mary Quant pattern Butterick 6256
Butterick 6256 by Mary Quant (ca. 1971)

After 1971 or so, Butterick Young Designer patterns had illustrations, not photos. This Mary Quant dress dates to circa early ’73.

1970s Mary Quant dress pattern Butterick 6916
Butterick 6916 by Mary Quant (ca. 1973) Image: Etsy.

Have you made anything from a Mary Quant pattern?

Maren Greve in Butterick 4128 by Mary Quant, 1966
Butterick 4128 by Mary Quant, Butterick catalogue, October 1966. Model: Maren Greve. Image: Instagram.

Free Pattern: Incroyables Tailcoat

Incroyables ensemble, ca. 1790-95
Incroyables ensemble, ca. 1790-95. Image: LACMA.

Happy quatorze juillet! For Bastille Day, here’s a pattern for an Incroyables tailcoat.

The tailcoat, which dates to Revolutionary France, was part of the Los Angeles County Museum of Art’s 2016 Reigning Men exhibit, currently on view at Sydney’s Powerhouse Museum.

Incroyables and Merveilleuses were the dandies and fashionistas of the revolutionary period. Today, Directoire style evokes glam rock, Marat/Sade, and John Galliano. The style famously inspired Galliano’s 1984 graduation collection, entitled Les Incroyables, as well as his work for Givenchy.

Adam and the Ants, Prince Charming (1981)
Adam and the Ants, Prince Charming (1981) Image: Discogs.
David Bowie 50th birthday distressed frock coat 1997
David Bowie at his 50th birthday concert, 1997. Image: Pushing Ahead of the Dame.
The Royal Shakespeare Company presents Peter Brook's motion picture "The Persectution and Assassination of Jean-Paul Marat as performed by the inmates of the asylum of Charenton under the direction of the Marquis de Sade, by Peter Weiss
John Steiner and Glenda Jackson in Peter Brook’s Marat/Sade © 1967 United Artists.
Givenchy Haute Couture by John Galliano, 1996. Steven Meisel / Grace Coddington
Linda Evangelista in Givenchy Haute Couture by John Galliano, Vogue, December 1996. Photo: Steven Meisel. Fashion Editor: Grace Coddington.

Here are the museum notes:

This handsewn silk tailcoat, with its high collar, wide lapels, short front, and long back exemplifies how French fashion extremists (incroyables) adopted and exaggerated traditional wool riding coats from England. The sleeves of this tailcoat, set unnaturally close together, forced the wearer to hold his shoulders back and thrust his chest forward to create a “pouter pigeon” silhouette which was fashionable in the late eighteenth century.
Detail, 1790s Incroyables ensemble
Detail, 1790s Incroyables ensemble. Image: LACMA.
1790s Incroyables tailcoat, back view
1790s Incroyables tailcoat, back view. Image: LACMA.
Back detail sketch by Thomas John Bernard
Back detail sketch by Thomas John Bernard. Image: LACMA.

Download the pattern here.

Note: Gridded pattern. Does not include seam allowance.

Length at centre back: 49″ (124.5 cm)

Notions: 14 1 1/8″ (2.9 cm) buttons for front and coattails; 6 3/4″ (1.9 cm) buttons for cuffs.

The World of Anna Sui

Tim Blanks, The World of Anna Sui (Abrams, 2017)
Tim Blanks, The World of Anna Sui (Abrams, 2017). Image: Abrams.

The World of Anna Sui opened at the Fashion and Textile Museum in London last weekend. It’s the museum’s first retrospective on a living American designer, with an accompanying book by Tim Blanks—out today from Abrams.

The World of Anna Sui, 26 May - 1 October 2017, London
Image: Joshua Jordan / Fashion and Textile Museum.

Anna Sui licensed her work with Vogue Patterns for some 16 years, from the mid-1990s to 2011. Read my series on Vogue patterns by Anna Sui:

1990s Anna Sui dress pattern V1619 on the cover of Vogue Patterns catalogue, September 1995
Vogue Patterns introduces Anna Sui for Vogue Attitudes: Vogue Patterns catalogue, September 1995. Image: eBay.

I’ve just listed this pattern for two dresses from Sui’s Mudd Club collection:

2000s Anna Sui stretch knit dress pattern Vogue 2551
Vogue 2551 by Anna Sui (2001) Image: PatternVault shop.

For more on Sui and her work, see Tim Blanks’ essay for the Business of Fashion, “Anna Sui, America’s Most Underrated Fashion Designer.”

Anna Sui coat in Peter Lindbergh Factory-themed shoot for Bazaar, 1995
Faux Mongolian lamb coat by Anna Sui, Harper’s Bazaar, August 1995. Photo: Peter Lindbergh.
Kirsty Hume in Anna Sui, with Donovan Leitch, photographed by Arthur Elgort for "Seasoned Simplicity," 1995
Kirsty Hume wears Anna Sui in Vogue, September 1995. Photo: Arthur Elgort. Editor: Grace Coddington.
Karen Elson in Anna Sui, photographed by Tim Walker for "Under the Boardwalk," 2003
Karen Elson in Anna Sui, Vogue, June 2003. Photo: Tim Walker. Editor: Grace Coddington. Image: Vogue.com.