Mary Quant: Butterick Patterns

Tania Mallet wears Mary Quant and James Wedge on the cover of British Vogue, October 1, 1963
Tania Mallet wears Mary Quant (hat by James Wedge) on the cover of British Vogue, October 1, 1963. Photo: Brian Duffy. Image: eBay.

Nothing says Swinging London like Mary Quant. The pioneer of the Chelsea Look will receive a major retrospective at the Victoria and Albert Museum in 2019. (An earlier exhibit, Manchester Art Gallery’s Mary Quant: Fashion Icon, had to close early due to conservation issues.)

Design for a cowl neck minidress with mustard yellow tights by Mary Quant, about 1967, London. Museum no. E.525-1975. © Victoria and Albert Museum, London
Mary Quant sketch, ca. 1967. Image: V&A.

The V&A is seeking vintage Quant for the show, including garments — or even photos of garments — made with Mary Quant patterns. See here for more details, or email the curators at maryquant@vam.ac.uk. Update: submissions are now closed.

Ensemble of bolero waistcoat and skirt, Mary Quant, about 1964. Museum no. T.34-2013. © Victoria and Albert Museum, London
Celia Hammond and Jean Shrimpton in Mary Quant, ca. 1964. Photo: John French. Image: V&A.
Mary Quant London - Made in England for Lord & Taylor 100% PVC label at the Costume Institute
Image: Metropolitan Museum of Art.

Butterick licensed Mary Quant patterns from the mid-’60s to the early ’70s. (See my Mad Men-era post.)

Mary Quant pantdress pattern 4779 in the Butterick retail catalog, November 1969
Right: Mary Quant pantdress pattern 4779 in the Butterick retail catalogue, November 1969. Image: Etsy.

For knitters, there were also ultra-mod knitting patterns. Some of these vintage booklets are available as official reissues, like these ones from Mary Maxim. (More on Ravelry.)

1960s Patons Courtelle knitting patterns by Mary Quant
1960s Patons Courtelle knitting patterns by Mary Quant. Images: Mary Maxim.

Mary Quant and her husband were profiled in Life magazine as early as 1960. (View story here.)

Mary Quant and Alexander Plunkett-Greene photographed on Park Avenue by Ken Heyman for Life magazine, 1960
Mary Quant and Alexander Plunket Greene on Park Avenue, LIFE, December 5, 1960. Photo: Ken Heyman. Image: LIFE archive.

For his 1963 Life feature on the Chelsea Look, Norman Parkinson photographed Melanie Hampshire and Jill Kennington in these Mary Quant dresses:

Melanie Hampshire and Jill Kennington photographed by Norman Parksinson in Mary Quant's Bank of England and Eton striped wool dresses, LIFE magazine, 1963
Melanie Hampshire and Jill Kennington in Mary Quant’s Bank of England and Eton dresses, LIFE, October 18, 1963. Photo: Norman Parkinson. Image: Iconic Images.

Butterick released its first Mary Quant patterns in fall, 1964. Here’s Celia Hammond on the cover of the retail catalogue:

Butterick catalogue cover showing 3288 by Mary Quant - October 1964
Butterick 3288 by Mary Quant. Butterick catalogue, October 1964. Photo: Terence Donovan. Model: Celia Hammond. Image: eBay.

The Butterick Home Catalog hailed Quant as the originator of the Chelsea Look.

London: Mary Quant. A new group of Butterick designs by the originator of the Chelsea Look and winner o the International Fashion Award for Great Britain. Butterick Fall 1964 Quant
Mary Quant in the Butterick Home Catalog, Fall 1964.

The earliest Mary Quant patterns pre-date the Young Designer line. This dress pattern even includes the rosette:

1960s Mary Quant dress pattern Butterick 3499
Butterick 3499 by Mary Quant (1965) Image: PatternVault shop.

British copies of this dress pattern say “featured in Queen magazine.” Jill Kennington wore this and other Butterick Young Designers in what was billed as “The Queen’s first ever make-it-yourself fashion.”

1960s Mary Quant dress pattern Butterick 3716
Butterick 3716 by Mary Quant (ca. 1965)
1960s Jean Muir of Jane & Jane and Mary Quant dress patterns Butterick 3722, 3707, 3716
“How to be a self made sensation.” Right, Jill Kennington in Butterick 3716 by Mary Quant. Queen magazine, August 11, 1965. Image: eBay.

Here Moyra Swan models a mod scooter dress. Suggested fabrics include linen, jersey, lightweight wool, and knits.

1960s Mary Quant dress pattern Butterick 4578
Butterick 4578 by Mary Quant (ca. 1967) Image: PatternVault shop.

This jumpsuit or playsuit came with a matching mini skirt — “the latest put-togethers”:

Butterick 5404 by Mary Quant (1969) Image: Etsy.

What to wear with a Mary Quant mini dress? Why, go-go boots, of course:

1960s Mary Quant dress pattern Butterick 5475
Butterick 5475 by Mary Quant (1969)

By 1970, a Quant jumpsuit was more fluid, with a pointed collar; this pattern also includes a maxi-length cardigan. The catalogue gives a better view of the inflatable chair:

1970s Mary Quant jumpsuit and cardigan pattern Butterick 5857
Butterick 5857 by Mary Quant (1970) Image: Etsy.
Mary Quant's Butterick 5857 jumpsuit in the Fall 1970 catalogue
Mary Quant’s Butterick 5857 jumpsuit in the Fall 1970 catalogue. Image: tumblr.

Mary Quant in a more romantic mode means a sheer tunic worn with knickers. View B is a maxi dress.

1970s Mary Quant pattern Butterick 6256
Butterick 6256 by Mary Quant (ca. 1971)

After 1971 or so, Butterick Young Designer patterns had illustrations, not photos. This Mary Quant dress dates to circa early ’73.

1970s Mary Quant dress pattern Butterick 6916
Butterick 6916 by Mary Quant (ca. 1973) Image: Etsy.

Have you made anything from a Mary Quant pattern?

Maren Greve in Butterick 4128 by Mary Quant, 1966
Butterick 4128 by Mary Quant, Butterick catalogue, October 1966. Model: Maren Greve. Image: Instagram.

Battle On, Xena!

Lucy Lawless in "Return of Callisto," episode 5 of Xena: Warrior Princess, season 2, 1996
Lucy Lawless in Xena: Warrior Princess, 1996. Image: NBC Universal/Movie Pilot.

Before Gal Gadot’s Wonder Woman, there was Xena: Warrior Princess. The Hercules spinoff starring Lucy Lawless as a Thracian warrior became a cult hit, thanks partly to that iconic leather armour by Ngila Dickson.

Lucy Lawless' Xena: Warrior Princess costume at the Museum of New Zealand
Image: Museum of New Zealand.

Best known today for her work on Peter Jackson’s Lord of the Rings trilogy, Dickson won a New Zealand Film and TV Award for Xena in 1998. The same year saw both an animated Hercules and Xena and official licensed costume patterns from Butterick. (Simplicity had done unofficial Xena patterns in 1997.)

The Butterick costumes call for synthetic leather for the dress and accessories, metallic cord and marker, and cotton Lycra to make your own undershorts. Chakram not included.

1990s official adult's Xena: Warrior Princess costume, Butterick 5726
Butterick 5725 (1998) Official adult’s Xena: Warrior Princess costume.
1990s official children's Xena: Warrior Princess costume, Butterick 5726
Butterick 5726 (1998) Official children’s Xena: Warrior Princess costume.

Happy Halloween!

Blade Runner, Fashion, and Sewing Patterns

Blade Runner-inspired Vogue Italia cover photographed by Steven Meisel, March 1998
Eugenia Silva wears Prada on the cover of Vogue Italia, March 1998. Photo: Steven Meisel. Editor: Bill Mullen. Image: The Fashion Spot.

Blade Runner 2049, Denis Villeneuve’s much-anticipated sequel to Ridley Scott’s Blade Runner, opens today. Here’s a look at the fashion references and influence of the 1982 cult classic. (For Blade Runner’s influence on current fashion and an interview with costume designer Renée April, see Booth Moore, “‘Blade Runner 2049’ Already a Hit on the Fashion Runways.”)

Ryan Gosling in Denis Villeneuve's Blade Runner 2049 (2017)
Ryan Gosling in Blade Runner 2049 (2017) Image: Stephen Vaughan/Warner Bros.
Mugler Angel perfume ad, 2003
Thierry Mugler “Angel” fragrance advertisement, 2003. Image: eBay.

Blade Runner’s BAFTA-winning costume designers, Charles Knode and Michael Kaplan, cite 1940s film noir, with its iconic characters like Humphrey Bogart’s Sam Spade and Rita Hayworth’s Gilda, as their main inspiration. For the replicant Rachael, they also looked to the 1930s and ’40s tailoring of Hollywood costume designer-turned-couturier Adrian. (Kaplan is still in the genre-film spotlight with the new Star Wars trilogy, while the Adrian label—the subject of a recent exhibit—is being revived as Adrian Original.)

Rachael's fur coat and pieced suit - Blade Runner sketches by Michael Kaplan
Rachael costume sketches by Michael Kaplan for Blade Runner (1982). In Dressed: A Century of Hollywood Costume Design (Collins, 2007).

Kaplan used vintage fabrics for Rachael’s Adrian-inspired outfits: “I liked the idea of combining different shades of suiting fabrics to create patterns—something Adrian did. In this case I used amazing vintage suiting woollens in shades of grey and beige, with metallic threads that I was lucky enough to find, which created a subtle luminous quality.” (Source: AnOther mag.) This circa 1944 Butterick suit features Adrian-style piecing:

1940s colour-blocked suit pattern Retro Butterick 6286
Butterick 6286 from 1944 (2015)

In the 1980s, Claude Montana was the go-to designer for the decade’s updated triangular silhouette. (Ridley Scott has acknowledged the decade’s ’40s revival as an important factor in the film’s aesthetic.) This Vogue Individualist design plays up the ’40s influence:

1980s Claude Montana dress pattern - Vogue Individualist 1927
Vogue 1927 by Montana (1987)

In spring, 1997, Blade Runner: The Director’s Cut was one of the first movies to be released on DVD. The following spring, working with stylist Bill Mullen and set designer Jack Flanagan, Steven Meisel photographed a Blade Runner-homage cover and editorial for Vogue Italia’s March 1998 prêt-à-porter issue. Michael Kaplan recalls mistaking the cover for a film still. The editorial features text from Roy’s climactic monologue (“I’ve seen things you people wouldn’t believe…”) with clothes from Prada’s Spring 1998 collection, which paired natural materials with synthetics like latex and plexiglass.

Attack ships on fire off the shoulder of Orion... Prada in Vogue Italia, March 1998
Prada Spring ’98 in Vogue Italia, March 1998. Photo: Steven Meisel. Editor: Bill Mullen. Image: Vogue Italia Archive.

Meanwhile, in Paris, Alexander McQueen referenced Blade Runner in his Fall/Winter 1998 ready-to-wear collection for Givenchy. Visionaire’s Alexander McQueen memorial issue includes an image from Steven Meisel’s fall advertising campaign. (For more on this collection, see my McQueen series post.)

Two looks from Alexander McQueen's for Givenchy Fall 1998 prêt-à-porter
Two looks from Alexander McQueen’s Fall 1998 prêt-à-porter collection for Givenchy. Images: firstVIEW, Corbis.
V2228 and V2248 on the runway - Alexander McQueen for Givenchy, Fall 1998 prêt-à-porter
V2228 and V2248 (under jacket) on the runway – Alexander McQueen for Givenchy, Fall 1998 prêt-à-porter. Images: Corbis.
Givenchy FW 1998 photographed by Steven Meisel in Visionaire 58: Spirit (2010)
Givenchy Fall 1998 by Alexander McQueen in Visionaire 58: Spirit (2010). Photo: Steven Meisel. Image: 1stdibs.

Sewists and Blade Runner devotees are fortunate to have two licensed patterns from this collection:

FW 1998 rtw fur-trimmed suit pattern by Alexander McQueen for Givenchy, Vogue 2228
Vogue 2228 by Alexander McQueen for Givenchy (1998) Image: PatternVault shop.
FW 1998 rtw cowl-neck dress by Alexander McQueen for Givenchy, Vogue 2248
Vogue 2248 by Alexander McQueen for Givenchy (1999) Image: PatternVault shop.

The sleeveless version of the dress seems to have been shown with a jacket on the runway. (Click the image to read about my version, which I wore to TIFF’s Cronenberg exhibit.)

In V2248 by Alexander McQueen for Givenchy at BMC Labs / David Cronenberg: Evolution
In V2248 by Alexander McQueen for Givenchy at David Cronenberg: Evolution, 2014.

Rachael’s chevron-quilted synthetic fur coat gets the most screen time, but it’s her blue brocade coat with standing fur collar that appears to have been McQueen’s main reference for the fur-trimmed coats and jackets. As the pattern reveals, the collar stands with the help of boning.

Rachael (Sean Young) in her quilted faux-fur coat in Blade Runner (1982)
Rachael (Sean Young) in her quilted faux-fur coat. Image: Vogue Italia.
Rachael's fur-trimmed blue brocade coat in Blade Runner (1982)
Rachael’s blue brocade coat. Images: Pinterest, Christies/BladeZone.
Charles Knode fur-trimmed coat sketches for Blade Runner
Charles Knode fur-trimmed coat sketches for Blade Runner. Image: BladeZone.
Blue leather coat with standing fur collar, Alexander McQueen for Givenchy, Fall 1998 rtw
Blue leather coat with standing fur collar, Alexander McQueen for Givenchy, Fall 1998 prêt-à-porter collection. Images: eBay.

(Wool version available here.)

The weathered tones and textures of Mayan Revival—prominently seen in Deckard’s apartment, as played by Frank Lloyd Wright’s Ennis House—form a thread linking the first film, Meisel’s Givenchy campaign, and Villeneuve’s sequel. It was Kaplan’s vision of a dirty retrofuture, rather than glossy futurism, that won him the Blade Runner gig. It will be interesting to see what role revivals play in the new film.

Rachael (Sean Young) visits Deckard's apartment in Blade Runner (1982)
Rachael (Sean Young) in Blade Runner (1982) Image: Restless Things.
Meisel campaign images for Alexander McQueen's Blade Runner collection for Givenchy, FW 1998
Givenchy Fall 1998 ad campaign featuring Alexander McQueen’s Blade Runner collection. Photos: Steven Meisel. Models: Erin O’Connor and Jade Parfitt.
K (Ryan Gosling) in Denis Villeneuve's Blade Runner 2049
K (Ryan Gosling) in Blade Runner 2049 (2017) Image: Vogue Italia.

For more production images for the new film, see the Vogue Italia gallery.

Harem Scarum

Pucci dice: affascinate lo sceicco (Sheikh) - Vogue Italia editorial photographed by Gian Paolo Barbieri
Pucci tunic and harem pants, Vogue Italia, January 1968. Photo: Gian Paolo Barbieri. Image: Pleasurephoto.

The early ’90s are back—and so are sarouel, or harem pants. Here’s a look at vintage patterns for this distinctive trouser style.

Like caftans, sarouel originated in ancient Persia. Persian sirwāl became Turkish şalvar, entering the Western fashion vocabulary via Ottoman culture and the early modern vogue for turquerie.

Tilda Swinton in 18th-century Ottoman dress in Sally Potter's Orlando
Tilda Swinton in 18th-century Ottoman dress in Sally Potter’s Orlando (1992) Photo: Liam Longman. Image: Pinterest.

Şalvar were introduced to Western women’s clothing in the 19th century as part of the Rational Dress movement: Amelia Bloomer conceived her eponymous trousers as “Turkish pants.” (On cycling bloomers see Jonathan Walford, The 1890s Bicycle Bloomer Brouhaha.) Couturier Paul Poiret is usually credited with making “harem” pants fashionable in the period before World War 1.

Bert Green illustration "The Harem Girl," 1911
The Harem Girl. Bert Green for Puck magazine, 1911. Image: Wikipedia.
Lady Sybil (Jessica Brown Findlay) in her new harem ensemble. Downton Abbey, season 1, episode 3
Lady Sybil (Jessica Brown Findlay) on Downton Abbey, Season 1 (2011). Image: Pinterest.

1960s

In the mid-’60s, harem pants enjoyed renewed popularity as glam loungewear. (I Dream of Jeannie started airing in September, 1965.) This Vogue pyjama with matching, dolman-sleeved overblouse has a cuffed trouser option:

1960s pyjama and overblouse pattern Vogue 6435
Vogue 6435 (ca. 1965) Image: Mermaid’s Purse.

Pucci’s interest in harem pants predates the jewelled version at the top of this post: a short, blue harem ensemble was part of his 1965 Braniff flight attendant uniform. These high-waisted palazzo pyjamas also have a cuffed, harem option, as worn by Editha Dussler:

1960s Pucci palazzo pyjamas and jacket pattern Vogue 1692 feat. Editha Dussler
Vogue 1692 by Pucci (1967)

Anne de Zogheb modelled these Pucci harem pyjamas, which feature an intriguing self-lined skirt with side openings:

1960s Pucci harem pyjama pattern Vogue 2094 feat. Anne de Zogheb
Vogue 2094 by Pucci (1969)

1970s

Bouffant knickers are a variation on the harem pant. This gold brocade, coat-and-knickers ensemble from Yves Saint Laurent’s Winter 1970 haute couture collection evokes the hippie trail. The model is Viviane Fauny:

1970s Yves Saint Laurent haute couture coat and knickers pattern Vogue 2501
Vogue 2501 by Yves Saint Laurent (1971) Image: Vintage Pattern Wiki.

From 1976, this Kenzo pattern includes a cuffed harem pant option. (A copy is available in the shop.)

1970s Kenzo pattern Butterick 4793
Butterick 4793 by Kenzo (1976)

Hot pink harem pants catch the eye on this Very Easy Vogue pattern, which also includes palazzo pants and a maxi skirt:

1970s maxi skirt, harem or palazzo pant pattern Very Easy Vogue 9633
Vogue 9633 (ca. 1977) Image: Etsy.

1980s

This gold satin pair, from Krizia, has no side seams:

1980s Krizia pattern - harem pants detail - McCall's 7307
McCall’s 7307 by Krizia (1980) Image: PatternVault shop.

In the early ’80s, the dropped-crotch, Zouave style of harem pant came to the fore. This Simplicity pattern includes Zouave pants in two lengths:

1980s Zouave and harem pants pattern Simplicity 5538
Simplicity 5538 (1982) Image: Etsy.

The trousers in this Versace ensemble evoke the harem silhouette, with draped volume tapering to a fitted ankle (see my Versace post for more photos):

Early 1980s Gianni Versace tunic and draped pants pattern Vogue 2702
Vogue 2702 by Gianni Versace (ca. 1981) Image: PatternVault shop.

Very Easy Very Vogue got on the dropped crotch bandwagon with three styles of Zouave pants—view C with side drape:

1980s Zouave dropped-crotch pants pattern Very Easy Very Vogue 9591
Vogue 9591 (1986) Image: Etsy.

1990s

By the early ’90s, hip-hop musician MC Hammer had made so great an impact on popular culture that his characteristic trousers were known as “hammer pants.” Simplicity’s official MC Hammer unisex pants pattern came with not one but two iron-on transfers. (See envelope back here. There was even a doll clothes pattern for the MC Hammer action figure.) Drop-crotch pants could also be found as Butterick Classics and a unisex costume pattern.

Hammer time! 1990s official unisex MC Hammer pants pattern Simplicity 7455
Simplicity 7455 by MC Hammer (1991) Image: Vintage Pattern Wiki.

Issey Miyake designed these lowest of the low dropped-crotch pants, as worn by Phina Oruche:

1990s Issey Miyake pattern including dropped-crotch pant Vogue 1328 feat. Phina Oruche
Vogue 1328 by Issey Miyake (1994) Image: Etsy.

Recent patterns heralding the return of the sarouel include McCall’s 5858, Kwik Sew 3701, and the unisex Burda 7546. If the trend continues, perhaps we’ll see a pattern for Rachel Comey’s Pollock trouser…

Dancers from the robbinschilds company (Pollock sarouel pant), Rachel Comey Resort 2016
Dancers from the robbinschilds company, Rachel Comey Resort 2016. Image: Vogue.com.

Betsey Johnson: Butterick Patterns

Betsey Johnson sketch for Paraphernalia, 1965. Image: CFDA / Pinterest.

Betsey Johnson turns 75 today. Four decades on, the designer’s 1970s Butterick patterns are still very popular. Here’s a look at Johnson’s early work, with an emphasis on more seldom seen archival images.

Betsey Johnson (b. 1942) has made a career of creating irreverent, youth-oriented clothes that stand a bit outside the mainstream. She learned sewing and pattern drafting while running a dance school as a teen, but got her official start in the business designing for Youthquake boutique Paraphernalia. By 1970 she was the designer for Alley Cat, a junior sportswear label. (For more see Vogue.com and Anne-Marie Schiro, “Betsey Johnson: Honor for a Life of Celebrating Youth.”)

Dale Fahey, Birgitta, and Renée Roberts in Betsey Johnson neon satins (Golo sandals) photographed by Howell Conant, 1966
Models wear Betsey Johnson neon satin dresses in Piper’s Alley, Chicago. Life magazine, November 11, 1966. Photo: Howell Conant. Image: LIFE archive.
Juggler stands in front of Steel Pier's mystery ride and wears fancy-sleeved mini (Betsey Johnson, $34). Life magazine, May 24, 1968
Juggling in a Betsey Johnson mini dress in front of Steel Pier’s mystery ride, Atlantic City. Life magazine, May 24, 1968. Photo: Richard Davis. Image: LIFE archive.

In 1971, Johnson won a Coty Award for her work at Alley Cat (see the New York Times notice). The following year, Butterick launched its Betsey Johnson patterns in the Spring 1972 catalogue. The designs were also cross-promoted (along with Cyrus Clark cotton chintz) with a Barbara Bordnick editorial in Seventeen magazine.

Sunny Redmond in Butterick 6530 Betsey Johnson dress
Butterick 6530 by Betsey Johnson of Alley Cat, Butterick Home Catalog, Spring 1972. Model: Sunny Redmond.
1970s Betsey Johnson Butterick editorial "The Betsey Girl," photographed by Barbara Bornick
Butterick 6533 by Betsey Johnson in “The Betsey Girl,” Seventeen, January 1972. Photo: Barbara Bordnick. Image: Gold Country Girls.
Butterick 6530 by Betsey Johnson in Seventeen, January 1972. Photo: Barbara Bordnick. Image: Gold Country Girls.
1970s Butterick 6535 by Betsey Johnson photographed by Barbara Bordnick for Seventeen
Butterick 6535 by Betsey Johnson in Seventeen, January 1972. Photo: Barbara Bordnick. Image: Gold Country Girls.
Butterick 6532 by Betsey Johnson in Seventeen, January 1972. Photo: Barbara Bordnick. Image: Gold Country Girls.

The earliest of Johnson’s Butterick Young Designer patterns refer to her as Betsey Johnson of Alley Cat, and most seem to predate the founding of her company in 1978. Here’s Butterick 6979 on the cover of the March 1973 issue of Butterick’s news leaflet:

1970s Betsey Johnson Butterick 6979
Butterick 6979 by Betsey Johnson of Alley Cat, Butterick Fashion News, March 1973. Image: eBay.

The young Patti Hansen in Alley Cat:

pink Alley Cat by Betsey Johnson acetate/cotton velvet dress with two Red Cobra necklaces, pink Lurex and stone bracelets by P.C. Designs
Patti Hansen in Alley Cat by Betsey Johnson, Glamour, December 1973. Photo: Rico Puhlmann. Image: Getty.

One of the first items I sold on Etsy was this 1975 issue of Butterick Fashion News with a Betsey Johnson cover. (Click to see inside.) The same embroidered pinafore was featured on the home catalogue cover:

The Romantic Pinafore: Butterick 4090 by Betsey Johnson of Alley Cat, Butterick Fashion News, March 1975. Image: PatternVault on Etsy.
Butterick 4090 by Betsey Johnson of Alley Cat, Butterick Home Catalog, Spring 1975
Butterick 4090 by Betsey Johnson of Alley Cat, Butterick Home Catalog, Spring 1975. Image: eBay.

The pinafore also appears in this cute advertisement with Butterick 4088:

Butterick 4090 and 4088 by Betsey Johnson, 1975
Butterick Betsey Johnson ad in Seventeen, February 1975. Image: Carmen and Ginger.

This Butterick ad shows three Betsey Johnson designs that came with transfers for DIY embellishment (dress Butterick 4679, knit tops Butterick 4676, and skirt/pants Butterick 4678):

Butterick 4676, 4678, 4679 by Betsey Johnson
Butterick ad for Betsey Johnson patterns in Seventeen, 1976. Image: Gold County Girls.

The Spring 1976 catalogue used illustrated photographs to present this DIY series, which also included a hat and shoes (1st page, Butterick 4680; 3rd page Butterick 4681, with Joyce Walker on the right):

Butterick 4680 by Betsey Johnson in the Butterick Home Catalog, Spring 1976
Butterick 4680 by Betsey Johnson, Butterick Home Catalog, Spring 1976.
1970s Betsey Johnson patterns in Butterick 4679, 4676, 4678; 4676, 4681
Betsey Johnson patterns in the Butterick Home Catalog, Spring 1976.

Another 1976 Butterick ad shows a Betsey Johnson jumper (Butterick 4956) with deep ribbon trim—perfect for a late-summer Cape Cod getaway:

Butterick ad for Betsey Johnson patterns in Seventeen, August 1976. Image: Pinterest.

Happy birthday, Betsey Johnson!

Cotton ad feat. Alley Cat by Betsey Johnson in Seventeen magazine, August 1973
Cotton ad featuring Alley Cat by Betsey Johnson in Seventeen, August 1973. Models: Sunny Redmond, Betsey Johnson. Image: FinnFemme.
With thanks to Heidi at Gold Country Girls.

Famke Janssen

Famke Janssen photographed by Francis Giacobetti for the cover of Elle, September 1985
Famke Janssen on the cover of Elle, September 1985. Photo: Francis Giacobetti. Image: Pinterest.

This week’s post-Comic-Con models post looks at Dutch model-turned-actor Famke Janssen.

Famke Janssen on the cover of Elle Spain, March 1989
Famke Janssen on the cover of Spanish Elle, March 1989. Image: Fashion Model Directory.

Born in Amstelveen, Famke Janssen (b. 1964) studied economics at the University of Amsterdam before moving to the United States to pursue a modelling career. She signed with Elite in 1984. Returning to university in the early 1990s, Janssen gravitated toward drama; she went on to win starring roles in Star Trek: The Next Generation, GoldenEye (1995), and the X-Men franchise.

Famke Janssen in "The Perfect Mate" on Star Trek: The Next Generation, Season 5 episode 21
Famke Janssen and Mickey Cottrell in “The Perfect Mate,” Star Trek: The Next Generation, Season 5 (1992) Image: Star Trek Blog.
Famke Janssen as Jean Grey on the cover of TV Guide magazine, July 2000
Famke Janssen as Jean Grey, TV Guide, July 15-21, 2000. Image: TV Guide.

Janssen did some modelling work for Butterick in the late 1980s: bridal and designer suits and formal wear by Ronnie Heller, Nicole Miller, and Morton Myles.

1980s bridal pattern "Enchanting hats and bows" - Butterick 3573
Butterick 3573 (1989) Image: Etsy.
1980s Robbie Heller MJ skirt suit pattern Butterick 4374
Butterick 4374 by Ronnie Heller (1989) Image: Etsy.
1980s Nicole Miller evening dress pattern feat. Famke Janssen - Butterick 4376
Butterick 4376 by Nicole Miller (1989) Image: Artfire.
1980s Morton Myles for the Warrens dress pattern feat. Famke Janssen, Butterick 4375
Butterick 4375 by Morton Myles for the Warrens (1989) Image: All the Precious Things.

Just for fun, here’s an ’80s editorial image featuring Janssen:

Famke Janssen photographed by Hans Feurer in red Rocco Barocco for Vogue Italia, December 1986
Famke Janssen in Rocco Barocco, Vogue Italia, December 1986. Photo: Hans Feurer. Image: tumblr.

Sixth Blogiversary + Poll

Butterick 3110 jumpsuit, Butterick catalogue, June 1980
Butterick 3110 jumpsuit, Butterick catalogue, June 1980.

The PatternVault blog turns six today. To celebrate, I’m doing something a little different—I’m hosting a giveaway linked to a poll:

Vogue 2366 by Bill Kaiserman. Vogue patterns catalogue, April 1980
Vogue 2366 by Bill Kaiserman. Vogue Patterns catalogue, April 1980.

To enter the giveaway: (1) Vote in the poll, and (2) Comment to let me know you voted. The winner, chosen at random, will win one $25 CAD gift certificate for the PatternVault Etsy shop.

Poll closes Monday, July 17th. Poll results and winner will be announced Tuesday, July 18th.

With thanks to Elizabeth C., who made sure the two 1980 retail catalogues pictured reached me all the way from Amherst, Massachusetts!