Winter/Holiday 2018 Designer Pattern Highlights

Simplicity 8733 by Cynthia Rowley FW 2017 lookbook photo by William Eadon
A look from Cynthia Rowley Fall 2017. Photo: William Eadon. Image: Vogue Runway.

The new designer patterns for Winter/Holiday 2018 amp up the drama with sparkle and embellishment.

Vogue’s designer cover looks are by Badgley Mischka. Gracing both catalogue and magazine covers is Nadja Giramata, a Rwandan-French model represented by Elite New York.

Vogue 1604 by Badgley Mischka, Vogue Patterns lookbook, Winter/Holiday 2018. Model: Nadja Giramata. Image: McCall’s.

Here and on the retail catalogue cover, she wears Badgley Mischka’s strapless popover gown with back detail. The original is stretch crepe with velvet ribbon.

Vogue 1604 by Badgley Mischka
Vogue 1604 by Badgley Mischka (2018) Image: McCall’s.

The popover gown is from Badgley Mischka’s Fall 2017 collection, which was inspired by the women of the interwar period.

A look from Badgley Mischka's Fall 2017 collection
A look from Badgley Mischka’s Fall 2017 collection. Image: Vogue Runway.

Other versions of the gown omit the grommets and embellish the flounce with lace or appliqué. The white dress is cocktail length:

Guipure lace and appliqué details on two dresses from Badgley Mischka
Guipure lace and appliqué details on two dresses from Badgley Mischka. Images: The Outnet.

The second Badgley Mischka pattern is a top and skirt ensemble with pearl-embellished cuffs.

Nadja Giramata in V1605 by Badgley Mischka, Vogue Patterns, December/January 2018-19. Photo: Jack Deutsch. Image: McCall’s.

The designers used stretch velvet for the top and a lustrous satin for the draped evening skirt with bow accent.

Vogue 1605 by Badgley Mischka
Vogue 1605 by Badgley Mischka (2018) Image: McCall’s.

Photographer Jack Deutsch shared another shot of the ensemble on Instagram.

Ana Kondratjeva in Vogue 1605 by Badgley Mischka, 2018. Photo: Jack Deutsch via Instagram.

Combine the two looks and you get this current-season design:

Navy beaded sleeve popover gown, Badgley Mischka Fall 2018
Beaded sleeve popover gown, Badgley Mischka Fall 2018. Image: Badgley Mischka.

New from Paco Peralta: a three-quarter sleeved top and high-waisted skirt, shown in brown, sequinned tweed. The sculpted shapes reference early Pierre Cardin.

Vogue 1602 by Paco Peralta
Vogue 1602 by Paco Peralta (2018) Image: McCall’s.

Look closely and you’ll see that all the side seams line up. This drawing shows an earlier version, without the princess seams:

Paco Peralta sketch for Vogue 1602 ©McCall’s/Paco Peralta.
Paco Peralta sketch for Vogue 1602 ©McCall’s/Paco Peralta.

From Sharon Lombardo for Anne Klein, an open-front tuxedo jacket and skinny stretch pants. The originals were crepe and ponte knit.

Vogue 1606 by Anne Klein
Vogue 1606 by Anne Klein (2018) Image: McCall’s.

The minimalist jacket was available in colours including claret, bright red, and basic black. Here’s a similar stitched shawl collar as seen in the Spring 2016 campaign.

Vivien Solari in Anne Klein's Spring 2016 ad campaign. Photo: Nathaniel Goldberg
Vivien Solari in Anne Klein’s Spring 2016 ad campaign. Photo: Nathaniel Goldberg. Editor: Laura Ferrara. Image: Instagram.

Simplicity’s latest Cynthia Rowley design is a bell-sleeved dress with whimsical appliqués. The pattern also includes a top.

Simplicity 8733 by Cynthia Rowley
Simplicity 8733 by Cynthia Rowley (2018) Image: Simplicity.

The Rowley original is wool with metallic leather appliqués. William Eadon photographed it against a giant satin bow for the seasonal lookbook (at top of post).

Cynthia Rowley dress with appliqué detail, Fall 2017. Images: Moda Operandi.

The rose appliqués made other appearances in the collection: on a jumper and wide-leg trousers.

Cynthia Rowley Fall 2017
Cynthia Rowley Fall 2017. Photo: William Eadon. Image: vogue.com.

Bonus: From Vogue’s Fall release, a version of Alberta Ferretti’s Venetian coat:

V9340_a
Very Easy Vogue 9340 after Alberta Ferretti (2018) Image: McCall’s.

The version shown in Milan was midi length (view C) in unlined, mustard cashmere.

Yoon Young Bae in Alberta Ferretti FW 2017. Image: Vogue Runway.

The pattern’s centre-seam hood is adapted from the original.

Alberta Ferretti hooded bow tie coat, Fall 2017. Images: Moda Operandi.

The coat features in Tim Walker’s ad campaign, which was styled by none other than Carine Roitfeld, the former editor of Vogue Paris.

Lexi Boling in Alberta Ferretti Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld
Lexi Boling in Alberta Ferretti’s Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld. Image: Alberta Ferretti.

Hack the pattern for a hooded cape—in opulent velvet for festive soirées:

Lineisy Montero, Lexi Boling, and Kiki Willems in Alberta Ferretti Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld
Lineisy Montero, Lexi Boling, and Kiki Willems in Alberta Ferretti’s Fall 2017 ad campaign. Photo: Tim Walker. Editor: Carine Roitfeld. Image: Alberta Ferretti.

Fall 2018 Designer Pattern Highlights

Anne Klein FW2015
Vivien Solari in Anne Klein’s Fall 2015 ad campaign. Photo: Nathaniel Goldberg. Editor: Laura Ferrara. Image: Instagram.

Have you seen the new Fall patterns?

1597 Vogue Patterns lookbook Fall 2018
Scarlett Schoeffling in Vogue 1597 by Anne Klein, Vogue Patterns lookbook Fall 2018. Image: Issuu.

Vogue’s cover look is a cropped trench jacket by Sharon Lombardo for Anne Klein. Trousers also included:

La Sena cropped trench - Vogue 1597 by Sharon Lombardo for Anne Klein
Vogue 1597 by Sharon Lombardo for Anne Klein (2018) Image: McCall’s.

The cropped trench is a signature Anne Klein piece, seen in the Fall ’15 (above) and Fall ’16 campaigns. (See my post on Vogue’s Winter/Holiday release.)

Anne Klein Fall 2016 ad campaign
Anne Klein Fall 2016 ad campaign. Photo: Annemarieke van Drimmelen. Model: Guinevere Van Seenus. Image: Behance.

From Badgley Mischka, a day-to-evening sheath dress, with cuffed sleeves cut in one with the bodice:

Vogue 1595 by Badgley Mischka
Vogue 1595 by Badgley Mischka (2018) Image: McCall’s.

The original is a navy poly-spandex crepe.

Navy crepe dress by Badgley Mischka. Image: Rent the Runway.

Brocade with a rose gold sparkle is the star of this Badgley Mischka cocktail dress with pleated sleeve flounces.

Vogue 1596 by Badgley Mischka
Vogue 1596 by Badgley Mischka (2018) Image: McCall’s.

A closeup view on the designers’ site, with a different pattern placement:

Detail, bell sleeve brocade cocktail dress by Badgley Mischka
Detail, bell sleeve brocade cocktail dress. Image: Badgley Mischka.

The flounce sleeve featured prominently in Badgley Mischka’s Fall 2017 collection—in black lace for the opening look.

Badgley Mischka FW 2017
Two looks from Badgley Mischka Fall 2017. Photos: Umberto Fratini / Vogue Runway.

Paco Peralta’s new design is an edgy LBD with two-way separating zipper.

Vogue 1593 by Paco Peralta
Vogue 1593 by Paco Peralta (2018) Image: McCall’s.

Plus, a men’s shirt from the team at Koos van den Akker. Make in a single fabric if print mixing isn’t your thing.

Vogue 1599 by Koos van den Akker
Vogue 1599 by Koos van den Akker (2018) Image: McCall’s.

Winter/Holiday 2017 Designer Highlights

A look from Adam Andrascik's Fall 2015 collection for Laroche. Photo: Yannis Vlamos
A look from Adam Andrascik’s Fall 2015 collection for Laroche. Photo: Yannis Vlamos. Image: Vogue.com.

From Guy Laroche to Paco Peralta, Vogue’s designer patterns for Winter/Holiday 2017 offer a range of festive looks for the coming season.

The new Guy Laroche is a skinny jean and party top, recommended for lamé:

Vogue 1573 by Adam Andrascik for Guy Laroche
Vogue 1573 by Adam Andrascik for Guy Laroche (2017) Image: McCall’s

The ensemble is the first pattern to be drawn from Adam Andrascik’s debut collection for Laroche.

V1573 by Adam Andrascik for Guy Laroche on the runway
V1573 by Adam Andrascik for Guy Laroche on the Fall 2015 runway. Photo: Yannis Vlamos. Image: Vogue.com.

Gleaming tartan jacquard is the star of this ensemble from Anne Klein, now designed by Sharon Lombardo:

Vogue 1571 by Sharon Lombardo for Anne Klein
Vogue 1571 by Sharon Lombardo for Anne Klein (2017) Image: McCall’s.

Guinevere Van Seenus wore a similar look for the Fall 2016 campaign, photographed by Annemarieke van Drimmelen:

Anne Klein Fall 2016 ad campaign. Photo: Annemarieke van Drimmelen. Model: Guinevere Van Seenus. Image: Behance.

Like fall’s V1561 jacket, the two Zandra Rhodes offerings are from the Fall 2016 collection, which was sponsored by Kraftangan Malaysia. (Kraftangan is Malay for ‘handicraft.’) As always with Rhodes’ work, the focus is on textiles, here on a double-sided fabric such as metallic jacquard:

Vogue 1566 by Zandra Rhodes
Vogue 1566 by Zandra Rhodes (2017) Image: McCall’s.

Shot by Andrew Woffinden, the collection lookbook was styled by Grace Woodward with Nicholas Kirkwood shoes and a turban by Piers Atkinson:

Zandra Rhodes’ Songket dress, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.

Vogue chose three of Rhodes’ Songket pieces—a dress, peplum top, and trousers—for the Winter/Holiday collection. Songket is a traditional metallic brocade produced in Southeast Asia.

Vogue 1572 by Zandra Rhodes
Vogue 1572 by Zandra Rhodes (2017) Image: McCall’s.
Zandra Rhodes’ Songket top, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.
Zandra Rhodes’ Songket trousers, FW 2016. Photo: Andrew Woffinden. Editor: Grace Woodward. Image: Zandra Rhodes.

Paco Peralta’s latest design for Vogue is a dolman-sleeved knit top and handkerchief skirt. Festive and versatile, the skirt even has pockets:

Vogue 1567 by Paco Peralta
Vogue 1567 by Paco Peralta (2017) Image: McCall’s.

I have some Lurex in my stash, don’t you?

If you’re fresh out of shiny fabric, you might be interested in Gorgeous Fabrics’ farewell sale. Last weekend, owner Ann Steeves announced that she is closing shop after 11 years in business.

Amanda Murphy photographed by Lachlan Bailey in Laroche by Adam Andrascik, for Vogue Paris September 2015
Amanda Murphy wears Laroche by Adam Andrascik, Miss Vogue supplement, Vogue Paris, September 2015. Photo: Lachlan Bailey. Editor: Géraldine Saglio. Image: Guy Laroche.

Designer Swimwear: Vintage Patterns

1980s Bob Mackie swimsuit pattern McCall's 7138 photographed for McCall's summer news flier
McCall’s 7138 by Bob Mackie on the cover of McCall’s news, July 1980.

It’s been another hot summer here in Toronto. One of my earliest blog posts, Heat Wave!, surveys vintage beachwear patterns. This summer, let’s take a look at a more elusive beast: designer swimwear patterns.

1950s

The earliest pattern I’ve seen for designer swimwear is Pucci’s strapless one-piece, McCall’s 3977. This pattern was available in Junior sizes only. The suit was lined in jersey, and could be made with or without the brightly coloured appliqués:

1950s Emilio Pucci bathing suit pattern McCall's 3977
McCall’s 3977 by Emilio Pucci (1956) Image: eBay.

1960s

From another Italian designer, Irene Galitzine, Vogue 1288 is a pattern for a bikini, dress, and hat. The bikini consists of a cropped, cowl-neck blouse and bikini pants with side ties:

1960s Galitzine bikini, coverup, and hat pattern Vogue 1288
Vogue 1288 by Irene Galitzine (ca. 1963) Image: eBay.

1970s

The 1970s were the heyday of designer swimwear patterns, often with a coordinating coverup, and always for stretch knits. Vogue 1416 is an early design by Donna Karan; from Anne Klein’s collaboration with Penfold, the pattern includes both a maillot and a halter bikini:

1970s Donna Karan at Anne Klein for Penfold pattern Vogue 1416
Vogue 1416 by Donna Karan at Anne Klein for Penfold (1976) Image: Etsy.

From Bill Blass, Vogue 1455 includes a two-piece swimsuit with bra top and bikini briefs:

1970s Bill Blass jacket, pants, and swimsuit pattern Vogue 1455
Vogue 1455 by Bill Blass (1976)

John Kloss licensed a number of swimwear designs with Butterick. This ad promotes his patterns with a poolside photo of Butterick 4808:

Only Butterick has patterns designed by John Kloss. 1976 Butterick / John Kloss ad
Butterick 4808 by John Kloss, Butterick advertisement, 1976. Image: eBay.

Another Butterick designer, Gil Aimbez, designed this one-piece bathing suit. Contrast bias binding outlines the cut-away sides and bodice seaming detail:

1970s Gil Aimbez swimsuit and coverup pattern Butterick 5449
Butterick 5449 by Gil Aimbez (ca. 1977) Image: Etsy.

Like the Anne Klein Penfold pattern above, this Penfold pattern includes both one-piece and halter bikini bathing suits. The one-piece and bikini top are cut on the bias:

1970s Penfold pattern Vogue 1655
Vogue 1655 by Penfold (ca. 1977) Image: Vintage Patterns Wiki.

Both Penfold patterns can be seen in a Vogue Patterns editorial photographed in Antigua:

1970s Anne Klein / Penfold halter bikini pattern by Donna Karan, Vogue 1416 in Vogue Patterns magazine
Beach beauty: halter bikini Vogue 1416 by Donna Karan at Anne Klein for Penfold, Vogue Patterns, May/June 1977. Model: Clotilde. Photo: Albert Watson. Image: TFS.
Newest waterways - Vogue Patterns May/Jun 1977 Penfold
Vogue 1655 by Penfold with Vogue 9808, Vogue Patterns, May/June 1977. Models: Lisa Cooper and Clotilde. Photos: Albert Watson. Image: TFS.

From spring, 1978, Vogue 1893 seems to have been the only Catalina pattern. Instead of a coverup, it includes three styles of bathing suit: low-backed view A, strapless view B with built-in boning, and blouson view C is a two-piece:

1970s Catalina swimsuit pattern Vogue 1893
Vogue 1893 by Catalina (1978) Image: Etsy.

The magazine recommended making the Catalina suits in Thompson of California’s “second skin Tic Toc warp knit polyester crepes” in various prints:

Vogue 1893 by Catalina in Vogue Patterns May/June 1978
Vogue 1893 by Catalina, Vogue Patterns, May/June 1978. Image: Vintage Goodness.

1980s

From 1980, McCall’s 7109 includes three one-piece swimsuits by the Italian label Basile: a mock wrap, belted halter-neck and variations on the strapless suit with gathered bust (available in the shop):

1980s Basile swimsuit pattern - McCall's 7109
McCall’s 7109 by Basile (1980) Image via PatternVault on Etsy.

Jerry Hall (right) seems to be wearing the view A style in this Basile ad photographed by Irving Penn:

vogue italia 1980 penn basile
Basile advertisement in Vogue Italia, 1980. Photo: Irving Penn. Models: Michelle Stevens and Jerry Hall. Image: TFS.

Also from 1980, Bob Mackie’s strapless, colour-blocked swimsuit, McCall’s 7138, was photographed for the July counter catalogue and news leaflet (seen at the top of this post):

1980s Bob Mackie swimsuit and cover-up pattern McCall's 7138
McCall’s 7138 by Bob Mackie (1980) Image: Etsy.

1990s

Finally, this early ’90s DKNY pattern, Vogue 2897, is labelled ‘dress and bodysuit,’ but was photographed as beachwear:

1990s DKNY bodysuit and hooded dress / coverup pattern Vogue 2897
Vogue 2897 by DKNY (1992) Image: Etsy.

After a long swimwear pattern drought, the big pattern companies seem to have noticed the renewed popularity of sewing your own, custom bathing suit. For this summer, Simplicity reissued a 1950s bathing suit pattern, Simplicity 4307 / S8139, and The McCall Pattern Company has released a number of new swimwear designs, including one Vogue and two Lisette swimwear patterns.

Two designers with existing pattern licensing, Cynthia Rowley and Rachel Comey, both have swimwear lines. If we voice our support, perhaps we could soon see patterns for Cynthia Rowley surf wear and Rachel Comey Swim

Cynthia Rowley for Roxy wetsuit, 2010
Wetsuit by Cynthia Rowley for Roxy, 2010. Image: Pinterest.
Willy Somma self-portrait for Rachel Comey Swim, 2013
Willy Somma self-portrait for Rachel Comey Swim, T Magazine, May 2013. Image: nytimes.com.

Pan Am Games 2015 – Vintage Pattern Edition

This week the Pan Am Games continue in Toronto. In honour of the Games, here’s a look at vintage patterns and illustrations showing women’s sports.

First up: Pan Am sports that have already concluded for 2015.

Archery. From a 1933 issue of McCall’s magazine, this archery scene was illustrated by Jean des Vignes:

Jean des Vignes archery illustration in a 1930s McCall's magazine
“Taking Aim,” McCall’s magazine, March 1933. Illustration: Jean des Vignes.

Golf. Ben-Hur Baz (later known for his pin-ups) illustrated this golf scene for McCall’s magazine, circa 1930:

Ben Hur Baz ladies' golf illustration in McCall's magazine, spring 1930
McCall 6078 and 6074 in McCall’s magazine, April 1930. Illustration: Ben Hur Baz.

Donna Karan designed these mid-1970s golf separates, hat included, when she was at Anne Klein. You can buy it for your own golfing needs from the PatternVault shop.

1970s Donna Karan for Anne Klein for Penfold golf pattern - Vogue 1415
Vogue 1415 by Donna Karan for Anne Klein x Penfold (ca. 1976) Image via PatternVault on Etsy.

Roller skating. Simplicity 3890, a World War 2-era skating pattern, includes this roller skating illustration:

1940s roller skating pattern - Simplicity 3890
Simplicity 3890 (ca. 1941) Image via Etsy.

Sailing. This 1930s sailor dress has a contrast collar and big buttons at the side-front closure:

1930s sailor dress pattern - New York 217
New York 217 (ca. 1930s)

Swimming. This chic, cuffed swimsuit (previously featured in my Heat Wave! beachwear post) dates to the late 1940s:

1940s bathing suit pattern - Vogue 6709
Vogue 6709 (1949) Image via Oodles and oodles.

The swimsuit was photographed by Richard Rutledge for Vogue Pattern Book:

1940s Richard Rutledge photograph - Vogue pattern no. 6709
Vogue 6709 in Vogue Pattern Book, April/May 1949. Photo: Richard Rutledge.

Tennis. The cover of the McCall Quarterly for Spring 1932 has this tennis-themed illustration featuring two dresses by Bruyère:

McCallQSpring1932
Bruyère patterns McCall 6804 and 6819 on the cover of McCall Quarterly, Spring 1932. Illustration: Blanche Rothschild.

(For more tennis patterns see my Tennis, Anyone? post.)

Stay tuned for more vintage sports wear… I’ll be looking at a different Pan Am sport and related vintage pattern every day this week.

Phina Oruche

Phina Oruche in "Hush" (Buffy the Vampire Slayer, season 4, episode 10)
Olivia Williams (Phina Oruche) in “Hush” (Buffy the Vampire Slayer, season 4)

“Hush,” one of the strongest and spookiest episodes of Buffy the Vampire Slayer, stars a model-turned-actor who appeared on Vogue patterns in the mid-1990s. Giles’ girlfriend Olivia is played by Phina Oruche (b. 1972). Born in Toxteth, Liverpool to Nigerian parents, Oruche was a successful model in London and New York before she won her first role in Sydney Pollack’s remake of Sabrina (1995).

Phina Oruche on the cover of Essence magazine, September 1992
Phina Oruche on the cover of Essence magazine, September 1992. Image via Phina Oruche.

Here Oruche models Vogue 1328, Issey Miyake’s jacket, top, and hammer pants:

1990s Issey Miyake jacket, top and pants pattern - Vogue 1328
Vogue 1328 by Issey Miyake (1994) Image via Etsy.

Vogue 1344 is an ensemble consisting of a top, high-waisted pants, and jacket with custom closures from Anne Klein II:

1990s Anne Klein II pattern - Vogue 1344
Vogue 1344 by Anne Klein II (1994) Image via Etsy.

Here Oruche shows off the lace-up back of Vogue 1353, a summer dress by Betty Jackson:

Vogue 1353 (1994)
Vogue 1353 by Betty Jackson (1994) Image via Etsy.

Ornate trim highlights the seam detail on Vogue 1354, a top and skirt by Geoffrey Beene:

1990s Geoffrey Beene top and skirt pattern - Vogue 1354
Vogue 1354 by Geoffrey Beene (1994) Image via Etsy.

Just for fun, here’s a recent portrait of Oruche by Paul Jones:

Phina Oruche. Imaage via Paul Jones.

The Gentlemen are coming…

Phina Oruche in "Hush" (Buffy the Vampire Slayer, season 4, episode 10)
Phina Oruche in “Hush” (Buffy the Vampire Slayer, season 4)

Mad Men Era 8: McCall’s New York Designers

Jane and Roger at the Drapers' party, Mad Men season 5, episode 1-2
Jane and Roger Sterling (Peyton List and John Slattery) in Mad Men, season 5. Image via AMC.

With Mad Men entering its final season, my Mad Men-era series concludes with two posts on fashion designers whose work became available to home sewers in the mid-Sixties. (Browse the series by clicking the Mad Men era tag, or start at the beginning.)

Before the Vogue Americana line there was McCall’s New York Designers’ Collection. In the fall of 1965, McCall’s introduced a new pattern line: New York Designers’ Collection plus 1. (The “plus 1” refers to one foreign designer, Digby Morton; later, as McCall’s added designers to the line, it became “New York Designers’ Collection Plus.”)

The Fall/Winter 1965 issue of McCall’s Pattern Fashions & Home Decorating introduced readers to the new designers. According to the catalogue, the new line featured “the most outstanding fashions of seven leading American designers and one famous London couturier” (click to enlarge):

Meet McCalls New Designers 1965
Meet McCall’s new designers. McCall’s Pattern Fashions & Home Decorating, Fall-Winter 1965–66.

The original list of designers consisted of Larry Aldrich, Geoffrey Beene, Bill Blass, Laird-Knox, Digby Morton, Originala, Mollie Parnis, and Pauline Trigère, whose agreement with McCall’s dated to the mid-1950s. (Trigère was already featured in an earlier Mad Men era post.) Later additions would include Anne Klein, Jacques Tiffeau, and Rudi Gernreich.

This post looks at three of the best-known American designers in McCall’s new line: Bill Blass, Geoffrey Beene, and Anne Klein.

Bill Blass

Born in Fort Wayne, Indiana, Bill Blass (1922-2002) showed an early talent for fashion design, studying briefly at Parsons before enlisting in the U.S. military in 1942. After the war he returned to New York to work in the fashion industry; by 1959 he was head designer for Maurice Rentner—then a conservative, established Seventh Avenue label. (McCall’s patterns credit the designer as ‘Bill Blass for Maurice Rentner, Ltd.’) In 1970 he purchased the company and renamed it Bill Blass Ltd. Blass was known for his sophisticated but youthful designs favoured by high society. He retired in 1999.

McCall’s 8927 is an asymmetrical, sleeveless shift dress with applied bands and an inverted pleat on the left-hand side:

1960s Bill Blass dress pattern - McCall's 8927
McCall’s 8927 by Bill Blass (1967) Image via Etsy.

Geoffrey Beene

Born in Louisiana as Samuel Robert Bozeman Jr., Geoffrey Beene (1924-2004) trained at the Traphagen School of Fashion in New York and École de la Chambre Syndicale in Paris, where he also apprenticed with a tailor. Returning to New York, he worked at Harmay and Teal Traina before founding his own company in 1963. Beene was renowned for his innovative, modern designs, as well as his iconoclasm.

Veronica Hamel models McCall’s 1028, a dress cut in seven panels with seven-eighths kimono sleeves and triangular, bias collar:

McCalls 1028 (1968)
McCall’s 1028 by Geoffrey Beene (1968) Image via Etsy.

Anne Klein

Born in Brooklyn as Hannah Golofsky, Anne Klein (1923-1974) also trained at the Traphagen School of Fashion. The pioneer in American sportswear worked in petites and juniors before founding Anne Klein and Company in the late 1960s. Her final collection was completed by Donna Karan, who had begun work at the company in the summer of 1967 as Klein’s intern.

McCall’s 1020 is a sleeveless shift dress with angular armholes and fabulous standing (and convertible) collar. The model is Hellevi Keko:

McCalls 1020 (1967)
McCall’s 1020 by Anne Klein (1967) Image via MOMSPatterns.

All three New York designers would later make the switch to Vogue Patterns: Blass in 1967, Beene and Klein in the 1970s.

Next: Butterick’s Young Designers: Mary Quant, Jean Muir, and Emmanuelle Khanh.