March 27, 2014 § 2 Comments
Born in Indonesia, Celia Hammond was discovered by Norman Parkinson in the early 1960s and went on to build a career as a top model in Paris and Swinging London.
Hammond may be seen on many designer patterns from Vogue and Butterick from the mid-1960s, always by British designers.
Here she models an LBD with dropped waist and bow-trimmed overblouse by Michael of London (Michael Donéllan):
Hammond modelled for patterns by a few British designers licensed to Butterick’s new Young Designers line, including the first Mary Quant patterns. Here she poses in a Quant dress, Butterick 3288, on a Butterick catalogue cover shot by Terence Donovan:
Jean Muir designed this button-trimmed, mustard-yellow dress for her early label, Jane & Jane:
Hammond also appears on this popular Jean Muir dress pattern, Butterick 4577:
Here she models a suede-trimmed ensemble by Jo Mattli:
This evening dress from Belinda Bellville has a shaped bodice and handy pockets:
By Ronald Paterson, this three-piece ensemble with cutaway jacket is chic in white matelassé with matching buttons:
Richard Dormer photographed Hammond in these two Belinda Bellville designs. Vogue 1795 is an elegant, black-and-white day ensemble, while Vogue 1828 is a short evening dress with tiered, scalloped, bias overskirt:
Here Hammond models another dress by Michael Donéllan, its blouson bodice slashed in back to reveal an attached camisole:
Hammond retired from modelling to devote herself full-time to her work for animal welfare; she remains active for this cause as the founder of the Celia Hammond Animal Trust.
Click the models tag to see more posts in my models series.
February 27, 2014 § 3 Comments
Born in Flint, Michigan, Billie Blair (b. 1946) worked as a model at the Detroit Auto Show before becoming one of the highest-paid fashion models of the 1970s. Moving to New York City, she got a job at Halston and soon found success as an editorial and runway model. Blair was among the African-American models at the historic 1973 fundraising event, Le Grand Divertissement à Versailles, known today as the Battle of Versailles. (The event was the subject of a recent documentary by Deborah Riley Draper, Versailles ’73: American Runway Revolution [2012)].)
Billie Blair may be seen on a number of Vogue designer patterns from the mid-1970s. Here she wears a tweed skirt suit and pussy-bow blouse by Oscar de la Renta; this design was marked as ‘suitable for knits’:
Stan Herman designed this casual hooded top, skirt, and pants. The illustration shows some American Hustle-worthy aviator shades:
Here Blair wears a girlish, vintage-style ensemble by Nina Ricci, a cream-coloured dress with matching cape:
From Jean Patou, this maxi dress may date to the period when the young Jean Paul Gaultier was assistant designer. Blair brings out the glamour of this haute couture loungewear:
In Vogue Patterns‘ 1975 holiday issue, Jerry Hall wears the Patou dress while Blair models an off-the-shoulder party dress in an editorial devoted to evening sparkle (the headline reads, “Be a Star the Vogue Way”):
Here she models a fabulous, evening-length Dior caftan with piped neckline:
This Nina Ricci separates pattern includes a poncho with shirttail hem, convertible collar, and big patch pockets:
Blair is the model on this rare pattern by Sonia Rykiel, Vogue 1378—check out the matching coral sandals:
Billie Blair’s commanding presence and approach to modelling as performance don’t seem too unusual today. But she was unconventional for the time, and even felt the need to under-report her age when she first became famous. A 1974 profile of Blair in People magazine says she is 22 years old and remarks on her size 9 feet. (In a letter to the editor, a high school classmate wondered how Blair had stayed 22 when her peers were 28.) She continued modelling into her thirties—here she appears in a dynamic 1978 Vogue shoot by Andrea Blanch: