May 9, 2013 § 3 Comments
This week’s second punk-inspired pattern puts the ‘couture’ in Chaos to Couture. (The first punk-inspired pattern was by Junya Watanabe—see my post here.) John Galliano’s ‘Pirate’ jacket is the most challenging of SHOWstudio’s Design Downloads, with 63 pattern pieces, all hand-labelled in French. But not to worry: 11 are guide pieces, and most of the French is translated.
Here are side and back views of the jacket:
The ‘Pirate’ jacket is from John Galliano’s Fall/Winter 2001 collection, entitled Techno Romance. Here it is on the runway:
The collection mixed glossy synthetics (techno) with delicate sheers and florals (romance): jaunty double-breasted jackets and long coats worn with sailor trousers, and long skirts and dresses, many with the same romantically skewed, off-the-shoulder, one-sleeved bodices as the SHOWstudio jacket. (See Suzy Menkes, “Techno Romance.”) In her short essay to accompany the Design Download, Jane Audas conjures an imaginary history for the SHOWstudio version of the jacket—a story of rebellion in which it was fashioned from the Union Jack, “the flag torn off a captured ship and hijacked as clothing, held together with sail rivets and ties.”
Here are the collection images from L’Officiel 1000 modèles (click to enlarge):
Fabrics requirements: approx. 3 yards of 60″ fabric and 3 yards of lining; interfacing.
Notions: grosgrain ribbon, D-rings, large metal stud, press studs, 2 buckles, eyelets, snaps, cord, elastic, 53 cm (21″) separating zipper.
December 6, 2012 § 1 Comment
For a while I’d wondered about Vogue 1887, a tailored, mock wrap jumpsuit. Caveat emptor: an unscrupulous online dealer has been selling V1887 as Alexander McQueen, but the pattern appears in Vogue Patterns magazine prior to McQueen’s first Givenchy show in January 1997. My copy is copyright 1996 and, although the fabric requirements weren’t yet available, Vogue 1887 was first shown in the November/December 1996 issue of Vogue Patterns magazine, in a trends forecast on jumpsuits. By the January/February 1997 issue it’s featured in an editorial.
Here’s the envelope description: Misses’ jumpsuit. Loose-fitting, straight-legged, cuffed, mock wrap, partially lined jumpsuit has self or contrast collar, shoulder pads, upper welt, flap, lower welt pocket, side seam pockets, concealed front pleat/zipper and long, two-piece sleeves.
Fubuki’s runway video of Galliano’s Fall 1996 prêt-à-porter collection for Givenchy shows two versions of the mock-wrap jumpsuit. (For a review of the collection see Suzy Menkes, “A Neat, Cool Take on Couture for Fall.”) The Vogue 1887 version is worn under a long, white jacket; the second version has a front drape and is shown with a single, embellished gold epaulette:
This matador look gives a better view of the epaulettes:
Here’s an editorial photo of another jumpsuit from the same collection, from L’Officiel’s ready-to-wear special issue. The runway version was modelled by Chrystèle Saint Louis Augustin: