Punk: Chaos to Couture
May 5, 2013 § 2 Comments
Sid Vicious, 1977. Photo: Dennis Morris. Daria Werbowy in Chanel, Vogue, March 2011. Photo: David Sims. Image via the Metropolitan Museum of Art.
This year’s Costume Institute exhibition, PUNK: Chaos to Couture, is devoted to punk and its influence on high fashion. The show relates the punk ethos of DIY (do-it-yourself) to the custom-made garments of haute couture, devoting sections to the distinctive elements of punk’s aesthetic vocabulary: embellishments and techniques such as hardware, graffiti, and distressing. In addition to curator Andrew Bolton, the exhibition team includes Nick Knight as creative consultant and design consultant Sam Gainsbury, who was creative director of Alexander McQueen: Savage Beauty.
It seems the punk theme is presenting a challenge for some celebrities attending the Met’s Costume Institute gala on Monday. (See Eric Wilson, “Would Anna Settle for a Safety Pin?“) You can watch a live stream from the red carpet this Monday, May 6th at 7pm EDT.
PUNK: Chaos to Couture runs from May 9th to August 14th, 2013. If you can’t make it to New York this summer, the exhibition catalogue is out next week from Yale University Press.
This week, in the punk spirit of DIY, I’ll be posting about two punk-inspired patterns in my Free Designer Patterns series.
Clash of the Titans: Goddess Gowns
February 20, 2013 § 11 Comments
Oscar season is upon us, and that means goddess gowns. Goddess gowns usually share elements of classical drapery and the simple construction of the toga and chiton. Here’s a selection of patterns for Greco-Roman-inspired evening wear.
This 1920s evening dress from the House of Worth features elegant back drapery, with a beaded appliqué holding more drapery at the left hip:
McCall 4854 by Worth (1927) Evening dress.
The illustration for this 1930s Lanvin ‘scarf frock’ plays up the classical mood with a fluted pedestal and ferns:
McCall 8591 by Lanvin (1936) McCall Style News, January 1936. Image via eBay.
This late 1940s one-shouldered evening dress has a long panel that can be worn belted in the back or wrapped around the bared shoulder:
McCall 7862 (1949) Evening dress.
Toga-like drapery distinguishes these short, Sixties evening dresses by Pauline Trigère and Jacques Heim:
McCall’s 6599 by Pauline Trigère (1962)
Vogue 1333 by Jacques Heim (1964) Image via the Blue Gardenia.
This late ’60s Yves Saint Laurent evening dress has a classical simplicity, with the bodice gathered into a boned collar:
Vogue 2093 by Yves Saint Laurent (1969) Image via the Vintage Patterns Wiki.
This Pucci loungewear has culottes on the bottom, but still has that ‘goddess’ flavour (modelled by Birgitta Af Klercker):
Vogue 2249 by Pucci (1969) Image via the Vintage Patterns Wiki.
Angeleen Gagliano models this mid-Seventies Lanvin evening dress and toga:
Vogue 1147 by Lanvin (1975) Image via the Vintage Patterns Wiki.
This Pierre Balmain evening ensemble, modelled by Jerry Hall, shows a more literal interpretation of classical dress:
Vogue 2015 by Pierre Balmain (1979) Image via the Vintage Patterns Wiki.
Finally, this jersey gown with beaded waistband, from Guy Laroche by Damian Yee, is an example of the recent trend for goddess gowns:
Vogue V1047 by Guy Laroche (2008) Evening dress.
(From the Spring 2007 Laroche collection, the pattern is still in print.)
“Goddess” was the theme of the 2003 Costume Institute exhibit; the catalogue, Goddess: The Classical Mode (Yale UP, 2003) is still available.
