May 5, 2013 § 2 Comments
This year’s Costume Institute exhibition, PUNK: Chaos to Couture, is devoted to punk and its influence on high fashion. The show relates the punk ethos of DIY (do-it-yourself) to the custom-made garments of haute couture, devoting sections to the distinctive elements of punk’s aesthetic vocabulary: embellishments and techniques such as hardware, graffiti, and distressing. In addition to curator Andrew Bolton, the exhibition team includes Nick Knight as creative consultant and design consultant Sam Gainsbury, who was creative director of Alexander McQueen: Savage Beauty.
It seems the punk theme is presenting a challenge for some celebrities attending the Met’s Costume Institute gala on Monday. (See Eric Wilson, “Would Anna Settle for a Safety Pin?“) You can watch a live stream from the red carpet this Monday, May 6th at 7pm EDT.
PUNK: Chaos to Couture runs from May 9th to August 14th, 2013. If you can’t make it to New York this summer, the exhibition catalogue is out next week from Yale University Press.
This week, in the punk spirit of DIY, I’ll be posting about two punk-inspired patterns in my Free Designer Patterns series.
February 20, 2013 § 11 Comments
Oscar season is upon us, and that means goddess gowns. Goddess gowns usually share elements of classical drapery and the simple construction of the toga and chiton. Here’s a selection of patterns for Greco-Roman-inspired evening wear.
This 1920s evening dress from the House of Worth features elegant back drapery, with a beaded appliqué holding more drapery at the left hip:
The illustration for this 1930s Lanvin ‘scarf frock’ plays up the classical mood with a fluted pedestal and ferns:
This late 1940s one-shouldered evening dress has a long panel that can be worn belted in the back or wrapped around the bared shoulder:
Toga-like drapery distinguishes these short, Sixties evening dresses by Pauline Trigère and Jacques Heim:
This late ’60s Yves Saint Laurent evening dress has a classical simplicity, with the bodice gathered into a boned collar:
This Pucci loungewear has culottes on the bottom, but still has that ‘goddess’ flavour (modelled by Birgitta Af Klercker):
Angeleen Gagliano models this mid-Seventies Lanvin evening dress and toga:
This Pierre Balmain evening ensemble, modelled by Jerry Hall, shows a more literal interpretation of classical dress:
Finally, this jersey gown with beaded waistband, from Guy Laroche by Damian Yee, is an example of the recent trend for goddess gowns:
(From the Spring 2007 Laroche collection, the pattern is still in print.)